real cool vibes, love the sound of your hammond, so soulful, go get them apples!

Nice, Jamie.  Always better apple picking than cherry picking.  Love your organ!

The basic low chord harmony is tensed , while the right hand brings joy !! Well done Jamie :))

Had I heard this last month, I'd have gone apple picking for sure. Bright and bouncy in all the best ways.

Fantastic B3..captivating & mesmerizing..passionate percussion..What a nice fascinating soundtrack..Fantastic..passionately done..elegantly expressed & executed..astonishingly captivating..magnificent mix & recording!

Sparkling Waves: 15 Shiny new songs from the SoundCloud community

I couldn't tell by the way you move

I could only tell by the way you smile

I could never tell how much you love me

I could only pray you that you would stay

For a while

♪

Everything we shared was so special

Everyplace wed go they'd want to be

Everything we did was a treasure

And forever to me a treasure you'll be

I couldn't tell by the way you move

I could only tell by the way you smile

I could never know how much you love me

I could only pray that you would stay for a while

BytheWayyouSmile

Solo strings with Spitfire audio
Strings with Elite V.S.L
Guitar With Amplesound AGL
Written with Notion 6, mixed with Logic Pro
Roge TASTET (07/08/2022)

Ma musique

Andante pour Guitare et Cordes en Do mineur

Salvage your damage a song about a rebound relationship that was beyond repair as the damage was already done in the last one.

Salvage Your Damage ~Conscience of Kings

Jo Richter @sonic-textures a.k.a. Sonic Textures and Silent Stretches produced a really fascinating soundscape with poetry that he offered as an open collaboration. Here is the link to the original:
https://soundcloud.com/sonic-textures/concatenandus?in=sonic-textures/sets/open-for-collaboration
Here is a link to a version which Stonerjazz @user-911083679 added to. My remix is working from this one:
https://soundcloud.com/user-911083679/song-0049wav
And if you'd like to hear one more iteration of this open collab, here is a great one from Nic: https://soundcloud.com/nic_nic_nic/concatenandus-nic-version 

I was quite fascinated by Jo's poem. See below for the lyrics.  I added the full text back in after chopping up some elements of it to create this soundscape, and when it the words sit on top they line up in some very interesting serendipitous ways.

I also have just released a version with soundscape only and just snippets of words left in the background, in case you'd like to hear without the poem overlaid:
http://soundcloud.com/tea_are_sea/photographs

---------

Lyrics / copyright jo richter:
concatenandus - (on the meaning of wind generators in fashion photography)

she kept wondering about all those photographs
that show flowing hair and wide, wind-swept robes
until she understood: those ropes connect halves
of a self that's caught and its dasein-based scopes

what is my real size if it's not epidermical skin?
the reach of my voice? my status, hierarchical clout?
my environmental footprints, global, within?
my life's agenda? some will being lived out?

what is my true reach into psyche, space, time?
which pasts do shape my tribulations and loves?
she thought of herself as a poor poet's rhyme,
as a reflection of life in a stock photograph.

a stranger wave of understanding hit her
when she unfolded into the moment -
she was not singled out, her whole world was with her
she was connected in a well-worn arrangement

of events manifest: she yelled out with joy:
birds nest in my hair, my feet walk the ground
this self tried to bind me, this gravitational ploy
but beyond all that hassle, spins a world that is round

Words & Photographs: Concatenandus Remix with Jo Richter's full poem

This is another collaboration that was written by STONERJAZZ, who is without a doubt one of the most major dudes out there 
Once again joined by the amazingly creative Uziel and the magical voice of Janine Levinson.  Also a first for me - working with the mighty Tea Are Sea

It's an awesome group of creative pros and I'm once again excited to be asked to play on a track with this crew.


Uziel sings, and co-produced with TMS (amazing work from her that saved us from disaster)
TRC layed down a beautiful foundation Synth track in the second half
TMS plays his Sitar and guitar and E-Bow throughout
Janine sings
Stonerjazz Lyrics/Synth/ roland boss bass and drum engine and sings.

STONERJAZZ - https://soundcloud.com/user-911083679
Janine Levinson - https://soundcloud.com/janinelevinson
Uziel - https://soundcloud.com/user-455619833
Tea Are Sea - https://soundcloud.com/tea_are_sea

ASTEROIDS
LYRics. by SToNeRJAZZ

Some asteroids in outer space are made of cheese.
We only need to capture one of these
And we can feed everyone in the world for free.
I'm hoping it won't be a Roquefort or a Brie,
A nice sharp cheddar would be just fine with me.

Make a list check the box then move on
Lock the door, mop the floor, do the chores then move on.
Love the world if you're able, if you're not please set the table
Time to eat, wash your feet, eat your meat
Repeat with rice and beans and broccoli.

High speed snow and sleet outside
While we practice worldwide genocide
In the name of economic prosperity
How bout you, if you were boss what would You do?

Wood nymph hiding stealthily behind a giant Douglas fir
Off to the west. A most majestic tree.
She took my hand that girl with diamonds in her eyes
And said now follow me to a clearing where they were singing songs of love and war.

Getting back trying to unlock the doors
Crucifixion is the perfect antidote for lethargy
Oh can't you see.
If we had our druthers we'd be getting back to where we were before
Even though that bridge is burning brightly in the middle of a balmy night
The dog wood bloomed
Reminded me it used to be her favorite tree
When she still loved me like a bell that rings in distant memories

ASTEROIDS - STONERJAZZ,  Janine Levinson, Uziel, Tea Are Sea

House Bass / Paploviante 2022 / Open for Collaboration for You
Paploviante Bass, Music, Picture, Mix and Mastering
BPM 120
Free Download
The track is downloadable as a mp3 file!
You can complete what you want!
If you publish it, you have to mention me in the description and title!

House Bass - Paploviante Open Collaboration

Summon the darkest evils away with this jam.
Find strength in this dark energy.
Put your best self forward DAILY!!
So much love to the SC community.
LETS CHANGE THE WORLD TOGETHER WITH MUSIC

FEAR_NO_EVIL

A Story About A Crow

Apple Picking - Jamie Rhind

Rastafarian Reggae Tune!
titled: Gimme Mi Herb
lyrics and singing by: Sennid
riddim by: Steenkoud
inspired by: JAH RASTAFARI H.I.M. HAILE SELASSIE I 1st

SENNID & STEENKOUD - GIMME MI HERB!!!

Sparkling Cat

My Everything

(Free WAV Download available here under '••• More'; and eventually, as part of a future solo album)

Greetings all you fun and funky SC musicians. I don’t typically upload remastered versions of a song as a new track. I usually just replace the old with the new, and change the title to reflect the remaster. But this one is special, for a few reasons (and if you’re not much into personalized mixing details, you may want to skip this liner note).

First (and most importantly)… I thought I’d lost the ability to edit the original tracks for this song. The last time I opened it up in Logic (updating it for the 2018 album remaster), the siren voices were all messed up (automation in Alchemy can have odd results sometimes). I just assumed the original native file was broken forever, because I no longer had access to that version of Logic. I had to do the album remaster from my only existing mix… and it was definitely lacking.

4 years later, I’m so glad I took a chance on reopening the native file when I concluded this ‘Siren’ trilogy. All the sounds/automations were exactly as I had left them. Prior to this attempt, I just assumed the worst, and never tried again. Thankfully, I was wrong. :D

Second… the remaster turned out much better than I hoped; and the differences were so satisfying, I thought it might be fun to have both versions up (for a side by side comparison, for any interested musicians out there. Here's the older version: https://soundcloud.com/grevusanjl/siren-rising).

So why does this one sound so much better than the original version? (And please take all of this with a grain of salt. I’m no pro. But I have discovered what works for me.)

Honestly, a tremendous amount of credit goes to having a much better understanding of Compression. For many folks, Compression is almost a dirty word. Just the title of the plug-in alone confused me at first. Why would I possibly want to compress my sounds, when I liked them as is? 

But it turns out (for me at least) that the different Compression options really shine when chosen specifically, and used minimally. As an example (and I’m not sure if your DAW offers similar options, but), Studio VCA works brilliantly with strings, female vocals and many of my favorite synths. But Studio FET works great on drums. Etc. And while some might cringe at the idea, I absolutely love what Soft Distortion does to most tracks as well. Used in mild amounts, Soft Distortion adds a phenomenal amount of spacial quality to the sound. I don’t use this one all of the time, but I bet I use it at least 75% of the time now (and Compression in general on about 95% of the tracks).  So there you go… I’m definitely a big fan of Compression… when used responsibly. :)

In addition, I’ve also learned a lot about EQing since I first did this song in 2017; so much so, that I was actually baffled by some of my earlier choices. So a large amount of the repair/update time for the 2022 remaster was spent on getting the EQing for each track set up more effectively.

And finally, I had the opportunity to give the full mix a healthy rebuild. After 5 years, you’re undoubtedly going to have a very fresh perspective on a piece. And I realized a lot of the sounds simply weren’t in their optimal positions in the stereo field. I also reconsidered where sounds faded in and out, and how intensely they did so… and I updated all of that as well. 

And there you have it, the story/history behind one of my all time personal favorites. I’m so glad I had an opportunity to revisit this one (while leaving all the original instruments true to form), and I hope you enjoy all the latest sound enhancements as well. I’m excited to hear what you think of my ’Siren Rising (2022 Remaster)’. :D

WTF! The Musical

Siren Rising - 2022 REMASTER

Days

Walkin' Through The November Fog

Birthday telephone feeling today Remaster

Device Feeling in Dub

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Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Apple Picking - Jamie Rhind

Jamie Rhind

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