Tony Pearson - Oberheim Eight Voice, Moog Bass, Rhodes Electric Piano, Synth
Produced, Arranged, Composed And Played By Tony Pearson
Recorded, Engineered, Mixed And Digital Editing By Tony Pearson
Studio One Recording Center
ARP Songs 2025, ARP Productions 2025, Sagi Music 2025

"Distant Memories" Stereo Master By Tony Pearson 10-14-25

Sous le Soleil

Delmonia

Endless Love

Music: written and performed by Fred Mulder
Lyrics: written and performed by Special Cecilia

All rights reserved Fred Mulder 2020
All rights reserved Special Cecilia 2020

Metaphor

Children Of The Universe/Same Planet

Children Of The Universe/Same Planet**FREM& Special Cecilia

Woman in Grey

Get the Album

Waistland (2005) (Short Version)

synths: @muterial
drums: @r-salchaks-mood-exhibit

Low Light

Low Light - muterial | Mood Exhibit

Perplexing Patternity is the result of this stormy year. Kind of a purging or clean up. Lot's of hard and weird stuff happening. Trying to manage through it and find some kind of peace amidst all the craziness. Kind of old school electronic. Wanting to escape to childhood nostalgia, but maybe incorporate this hectic all over feeling and the simultaneous search for peace of mind in it. Hope it's something you'd enjoy to listen. For me it was kind of a struggle and the my feeling about whole project is kind of confused, but sometimes you just got to see it trough, I think.

Zero

@janinelevinson: Inspirational additional lyrics and wonderful vocals
@rick-4-1: Real drums
@burn-it-smith: Real piano
@phil-mcwalter: Other stuff

(New Version of https://soundcloud.com/phil-mcwalter/and-so)

SOUP OF THISTLES 

Returning and turning in the widening gyre 
The falconer holds out a golden ring from the tower 
Captive and burning and full of desire 
The falcon pulls feathers from her wings to count the hours

And so
Ad infinitum 
Is the crow 
Compelled to steal
And so
Ad infinitum 
Are we drawn 
Into the wheel
Into the wheel

Turning and burning in the heat, of hearth and fire 
The feathers, the letters, the fingers form a winged spire
There’s flapping and scurrying aloft up in the rafters 
Where the bats are left to read and the finger moves on higher

And so
Ad infinitum 
We forget 
Why we were singing
And so
Ad infinitum 
The choir cannot lift the ceiling
The spinning wedding ceiling
Stealing
And so
We go

Around and around  and do it over again! 
Ad infinitum
Around and around  and do it over again! 
Ad infinitum

Returning and turning in the widening gyre 
Unseen by the hawk was Icarus flying higher
Why do we love when we know it’s trespassing
A puppet heart managed by the clock – foolish arms flailing

And so
Ad infinitum 
We watch for 
Six jet planes’ trails
And so
We prepare  our soup of thistles
And we settle down to feather 
And we wonder about the weather
Listen for the 
Falcons' bells together and
Cover our eyes with leather
Oh Icarus dear boy
Waxed and waned
Ah Amelia dear heart
Tarred and feathered...

Levinson & McWalter- June 2020

And So

Soup Of Thistles

Very Happy              
2020 janine Levinson

a sweet thing            
a blue day                  
a meadow and a pile of tiny pretty stones 
I am so very happy

an oak tree            
a shadow           
sunglasses and a river roaming        
I am tired but I am very happy

I’ve tried everything  (no need to keep looking)
I’ve tried everything  (no need to keep looking)

salt water            
a clear sound             
a moment and our willing ears, the combination
makes me very happy
 
the new moon           
the wet grass       
our bare feet and a mossy trail, the petrichor
has made me very happy

I’ve tried everything  (no need to keep looking)
I’ve seen everything. (no need to keep working)
I’ve done everything. (no need to keep looking)


oh oh oh  my wild imagination!           
dive into the gravel, smell the sea
toes into the sand, dissolve the agitation        
remind me, remind me
where I came from         
sprout the new legs            
and walk out of the sea

to make it             
the new thing            
the picture or the pile of parsed pretty sounds 
will make me very happy

an oak tree            
a shadow          
sunglasses and a river roaming        
I am tired but I am very happy

Very Happy

Some new funky goodness with the superb Joe Bongiovanni.  Joe's got more soul than anyone and adds such great drive with his electric blues sound.  Joe's been a several time finalist at the world blues guitar championships and it sure shows.

Here's a link to his great music:  https://soundcloud.com/joe-bongiovanniz

https://www.instagram.com/bongiovannijoe/

And to the playlist of our more than 30 recordings  together:  https://soundcloud.com/jamie-rhind/sets/jammin-with-joe-bongiovanni-1

Thanks as always for your generous time listening, for your comments and for your shares

Get Your Funk On - Joe Bongiovanni / Jamie Rhind

Australian Retro-- Perth Band --The Triffids

Grooveclowd Presents---The Triffids - My Baby Thinks She's A Train

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.