Nihilist film noir existential jazz fusion detective dance music for our AI future  days.  Human music.
From the Album: "Curiosities Of Outsider Art" (Sept 2025)

Lyrics:
Another dark night in the promised land
Experiencing the universes empathic crushing hand
There are people today creating symphonies
With well worded prompts
You know me, I'm staying out of sight
At  late night haunts

I'm investigating black markets
Where people sell off all of their free will
They said you were gonna love me
But I could never ever seem to get my fill

The people out here 
They don't believe in nothing
No God of any kind
You said you were gonna love me
But I could not give you the reason why

You learn to live... (The AI prayer of life)

Another stoned day in the promised land
Experience randomness
And technologies charismatic helping hand
Hypothetical lovers through the screen
She said she was gonna love us
But circuits don't know what I mean

A whispered dream
Asato Ma Sadgamaya
(Hindu Prayer: Lead me from the unreal to the real)
Like a primal scream

Alter your creative spirit
(change the configuration)

Alter your consciousness
(change the configuration)

Alter your soul
(change the configuration)

Alter humanity
(change the configuration)

I'm like a primal scream
How docile we've become
I love how docile we've become...

Asato Ma Sadgamaya

words and music K Gennery
photo, crowd at the chambers open mic night

Tony King
1972-2025
For many years Tony ran the Chambers open mic night in Folkestone Kent. He was a top bloke, kind and supportive to each and every performer. As an example, the audio at the end of this track is taken from a video of me having just finished playing one of my songs. You can hear, at the time I couldnt as I was at the other side of the room, how encouraging Tony was, always complimentary. Tony loved life, was a happy chappie and kept himself extremely fit. He swam the channel, the sea from England to France some 21 miles on more than one occasion. Guess this proves we never know what life has in store for us even if we look after our health. Tony will be deeply missed not only by his loving family but those of us that got to know him through his wonderful open mic nights.  

Lyrics.
say goodbye to a kind hearted man
i didnt know him well but it was easy to tell.
a warm smile and grin youd be welcomed on in
to his music show a gentle hand to guide you on through

theres no rythme or reason to soon to be leaving
so young to get taken hearts left aching
theres no rythme or reason to soon to be leaving
so young to be taken hearts left breaking...in two.

say farewell to a father a father and a friend
he swam 21 miles thought what the hell ill do it again.
these things are damn hard to understand
but you have to try to recall the joyus of times.

theres no rythme or reason to soon to be leaving
so young to get taken hearts left aching
theres no rythme or reason to soon to be leaving
so young to be taken hearts left breaking...in two.

theres no rythme or reason

Rhyme or Reason

Red moon

green moon

The Earth Love - Remixes

Roots of Life (Remix)

Pour qui je compte     ( Translated following the French text )

Vidéo :   https://youtu.be/9njE-7si0d0
Texte :           Muette
Chant lead : Philippe J
Choeurs :      Liora 

Il y a des carnets
Et des mots égarés
Tout au fond des tiroirs
Et qu'on n'relit jamais
Parce qu'on est en retard
Et qu'y a toujours quelqu'un
Dont il faut prendre soin
Et ce quelqu'un, c'est jamais soi.

Dans la frileuse Flandre,
Sous les chênes et les hêtres,
Il y a ce tas de cendre
Après un feu de fête.
Au milieu, des canettes,
Des souv'nirs jetés là
Qu'on ramass' les yeux las
Pour les trier plus tard, peut-être.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit :
Pour qui je compte vraiment ?

Les glacières dans le coffre,
La guitare dans sa housse,
On se serre un peu fort.
Un dernier regard pour
Les lits de mousse tassée,
Et les arbres muets
Mêm' quand l' bûch'ron les couche.
Et chacun r'part de son côté.

Alors on compte sur ses doigts.
Un' seul' main suffit quand on s'dit:
Pour qui je compte vraiment ?

Et puis quand la clairière,
S'éclaircit plus encore,
Qu'on sait par cœur le bois,
Ses pièges, ses réconforts,
Assis sur les souches
On se parle à soi-même
En dénombrant ses doigts.
On se demande : Qui m'aime ? Qui m'aime ?
Et une seule main suffit. 

For whom I count on

There are notebooks
And lost words
At the bottom of drawers
That we never reread
Because we're late
And there's always someone
We have to take care of
And that someone is never ourselves.

In chilly Flanders,
Under the oak and beech trees,
There is a pile of ashes
After a festive bonfire.
In the middle, cans,
Memories thrown away
That we pick up with weary eyes
To sort through later, perhaps.

So we count on our fingers.
One hand is enough when we ask ourselves:
Who do I really count on?

The coolers in the trunk,
The guitar in its case,
We hug a little tighter.
One last look at
The beds of packed moss,
And the silent trees
Even when the lumberjack cuts them down.
And everyone goes their separate ways.

So we count on our fingers.
One hand is enough when we say to ourselves:
Who do I really count on?

And then when the clearing
Grows even brighter,
When we know the woods by heart,
Its traps, its comforts,
Sitting on the stumps
We talk to ourselves
Counting our fingers.
We ask ourselves: Who loves me? Who loves me?
And one hand is enough.

Pour qui je compte. avec Philippe J

After too long of a hiatus, back with some funk fusion, Creeping Around The Corner.  I'm joined again by two fabulous musicians that need no introduction here ...Stephan "Pinner" Lipinski on guitar and Daniele Petrocchi on bass.  Love what these guys bring to every musical situation:  https://soundcloud.com/pinner
https://soundcloud.com/daniele-petrocchi

And as always, thanks for your generous time listening, for your comments and for your shares

Creeping Around The Corner - Stephan Lipinski / Daniele Petrocchi / Jamie Rhind

Another classical composition recorded in a rock mode for Mikes Metal series

SYMPHONY NO 40-(Mozart) Rock version

celtic dance

King Cursor

Always something special with Alphio, and when he asked me to join him on this Gershwin classic, we had a blast.  Almost all of this is Alphio.  Check out his beautiful interpretation and his extensive gallery of reggae, dub, fusion and world music: https://soundcloud.com/alpha-roots

And our wonderful collection of tunes recorded together:  https://soundcloud.com/jamie-rhind/sets/alphio

Thanks as always for your generous time listening, for your comments and for your shares.

Necessarily Dub - with Alpha Roots

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.