I composed this music with the image of dramatic dance music. This is the first time I've written a music like this.

ABSTRACT SPHERE

buddy did not like rock, but his influences are notorious in the best and most famous rock drummers who admired him and this would be his first rock, visit his magnificent technique and music on you tube, of course I'm working on more tracks with him.      -Buddy Rich began playing drums in the world of vaudeville as "Traps, the Drum Wonder" when he was only 4 years old; he was completely self-taught and his initial training was carried out through his performances in vaudeville, alternating his facet of musician with that of dancer and singer.

Around 1938 he discovered jazz and played in Joe Marsala's group, from which he left to join the Bunny Berigan orchestra. During 1939 he played with Artie Shaw (at a time when his orchestra was the most popular), and then from 1939 to 1945 (with a hiatus for military service) with Tommy Dorsey, on a historic stage. The prestigious Slingerland battery factory released a series of its famous "Radio King" box, with Rich's signature.

Rich formed a bop orchestra during 1945-1947 (which was not very successful), toured with Jazz at the Philharmonic, recorded with countless 1950s stars for Verve (including Charlie Parker, Lester Young, Art Tatum and Lionel Hampton), and worked with Les Brown, Charlie Ventura, Tommy Dorsey (1954-1955) and Harry James (between 1953-1966, without interruption). A heart attack in 1959 forced him to rest; he returned as a vocalist, although without forgetting the drums.

In 1966, Buddy Rich formed a big band that would be his main occupation for the last twenty years of his life. His heart began to give him trouble again in 1983, but it was impossible for him to give up music until his death from a heart attack in 1987. His remains are at Westwood Village Memorial Park Cemetery in Los Angeles California.

ROCK METAL 

ROCK ONE

ROCK ONE    (METALIZADO and BUDDY RICH) free download, share my art

tenebre

The mating call of the wolf during Wolf Moon.

Howl For Me

Quick thing I put together in 5 mins 😎… not stressing over it .. like a quick snack !

Calling It In

Why Deberly? Because sometimes I get it wrong. 
Once upon a time during my early elementary school days I was being interviewed on a TV station.  The interview went something like this:
Interviewer:  And your name is..............
Me: (in a very quiet voice) Debbie
Interviewer: Beverly?
Me: (in a much louder and somewhat offended voice) NO!! DEBERLY!!
I said my own name incorrectly on TV and it has been a little joke ever since. 
Sigh.

Deberly Takes A Spin

The epic saga, ‘Land of ZED’ continues! About 1 year ago, Uziel, Stonerjazz and I started a collaborative prog rock style concept album around the concept of ‘Johnny and his Magical Squeezebox’. We’ve been having a lot of fun playing with different styles, breaking all the musical rules, and writing our own soundcloud inspired mythology. 

For the past 3 songs we’ve been working with a new collaborator, Francesca (a.k.a. Zed) who has added a cool new twist to our sound.
And on this track we’re pulling in a fifth artist who contributed an amazing set of lyrics: Jo Richter (a.k.a. Sonic Structures and Silent Stretches). Thanks for joining us!

Check out the whole story (so far) here: soundcloud.com/tea_are_sea/sets/land-of-the-zed
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Vocals, drums for part 1, and keys by Jeff / Stonerjazz @user-911083679
Lyrics for part 2, vocals, and artwork by Uziel @user-455619833
Synth, drums, mix, and production for part 2 by Francesca/ Zed @zed4209819
Synths and production for part 1 and final overall mix by Terry / @tea_are_sea
Lyrics for part 1 by Jo Richter / Sonic Structures and Silent Stretches @sonic-textures 
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Lyrics:

Pt. 1

the shining stone
deep in the mountains
the golden glow
brought forth by fountains
raising in moonlight
raising in moonlight
the golden note
created a player
weaving the node
to cross the mire
of red-shifting ire
of red-shifting ire
the jet black stone
deep in the mountains
wailing in woe
brought forth steep chasms
sucking up moonlight
sucking up moonlight
night‘s dim vibration
created a slayer
cloaked in delusion
trouble to sire
with red-flaring fire
with red-flaring fire
oh, flyers beware
the world is on fire
oh, walkers beware
of footing the mire
oh, jonny beware
never to tire
never to tire

Bickering bikers boyish bravado..emboldened they sly and Jellyfish Souls.
To Plant a finicky trickity fine bomb.
in the administrational heart of Zed.
in the mountain's monstrous mouthcave
Where Roy resides and cruelty is King.
For fear of ferocoius felines prowling the ring.
Imposed by the iron imposter this fine will ask
each creature looking more than three feet ahead
to forfeit three loaves of of freshly baked bread.
Those that cannot comply will lose the sight in one eye…

Pt. 2

Crystalizing at caverns edge
Mouth all shining as we make our descent
We outta be... weary and beware
Perhaps more troubles ahead?
Guided ourselves past the terrors
Into starlight shifting patterns
Of stalactites in space underground
We out to be wary and beware
Perhaps in this beautiful world
More troubles...
Ahead?

The Administrational Heart (Land of the ZED #9) w/ Uziel, Zed, Stonerjazz, and lyrics by Jo Richter

An unconscious exploration of the conflict and growth at the birth of a season, also the conflict within myself as I explore this art form further. I had no idea what was going to be explored within the music until it happened.
Helen x

Our process started off with a simple repeating chord progression on the piano for Helen to improvise over. We gradually added more elements once the vocal parts were complete and the final element is a field recording of the dawn chorus, recorded at 5am in our back garden.
Andy

Words and Music: Helen
Music and production: Andy

Impatient awakenings

Sometimes a conversation on a walk is just what you need.  Be well in these difficult times

Walk With Me

This ambitious instrumental collection traces the complex emotional landscape of a woman navigating the labyrinth of desire, love, and self-discovery across multiple relationships and encounters. Through 60 interconnected pieces, the album weaves a non-linear narrative where past and present intertwine, memories overlap with reality, and different loves echo through time.

Justifying the Unjustifiable

Breakfast on the Grass

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

Walk With Me

Jamie Rhind