This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

Joy Swirl - AfterHours

Special thanks to Cecilia for her a cappella ...of which I modified the tone in order to fit perfectly with my arrangement and atmosphere

EQUALITY FOR ALL.  🎧

(Chorus)
No basic style, come on take a ride
Basic style——why? A catalog of vibe
Put a name on it, another wave for the tide
Listen what’s inside, then blast it worldwide 
The groove does not lie, a melodic glide
   Something-though, this much is certain
Set free to run wild—-no basic style
No basic style (Echo)

(Verse 1) 
Energy driven, music’s a haven
No questions-no answers -Taken-none given
We Share parts of ourselves 
   Just for the living
But I’m still underground 
Although I have risen
To a higher level in fact,
Basic styles-good riddance 
Bye bye—-let’s dance 

Switch it up!

(Verse2)
Switch it up-Switch it up
Random rhythm of raindrops 
Nothing fancy—-plop, plop
Lightning strikes naturally 
It’s all good-fear not

No hassle, add a deep bass
Some kicks and one-shots
Vibe along, it hits the spot
Feel the rhythm, move your butts
Cataloged tabbed—-
“Forget Me Nots-Vibe Will Hit The Spot”

No basic style—
(Chorus)
Interlude

No Basic Style

on your mark

get ready to

cannonball

into the blue



after swimming

sparkle all around you

catch the sound

breakers breaking



stop the boat

get ready to

pick a spot

to slip into



after swimming

as the sunlight bakes you

summer sips

on a sand dune



after swimming

after swimming

come swimming

-----------------------------------------------------------------------------------

image by Leandro Crespi via Unsplash

After Swimming

Torbjørn: vocal, instrumental and vocal composition https://soundcloud.com/tobbenv
Oddrun: vocal and vocal composition
Mastering: Njål Frode Lie
Poem: William Blake
"Ah! Sun-flower" is a poem by William Blake, published in his collection Songs of Experience in 1794. The poem explores themes of longing, weariness, and the human desire for something beyond earthly existence, using the sunflower as a symbol. 

A big thank you to you Torbjørn, what a great joy to sing this beautiful poem.

Poem: William Blake

Ah! sunflower, weary of time,
Who countest the steps of the sun,
Seeking after that sweet golden clime
Where the traveller’s journey is done;

Where the youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves and aspire;
Where my sunflower wishes to go.

Ah! Sun-flower. Torbjørn Vagle. Oddrun Eikli

Jana Bratislava - Always on your side
Lyrics 

まるで閉ざされた檻の中
いつか抜け出せるように
たとえ何もかも消えるなら
あとで思い出せるように

それは懐かしい日々だった
誰も傷つけないで
やっとあと少し届くかな
星がゆっくり見えた

all day all night baby
always on your side baby
all day all night
is that true? is that true? baby

あの日すれ違う時の中
まるで確かめるように
やっとあと少し届きそう
星がゆっくり見えた

all day all night baby
always on your side baby
all day all night
is that true? is that true? baby

Always on your side

Simple music made in GarageBand :)
Lyrics & vocal by me

Lyrics:

I'm a little different, not like everyone else
But I'm happy with that
I have nothing to prove
And I don't need a common groove

I walk around with a smile on my face
You may think, Is there something wrong
Well, I am just a satisfied woman
Living life, singing this song

So I´ll toast to a happy life
It can be challenging for sure
But if you get through it with a smile on your face
Can you ask for more? 

There is comfort in getting to live
It's not a given for me
Spend my life doing what I want
Allow myself to dream

I walk around with a smile on my face
And you may think, is there something wrong
Well I am just a satisfied woman
Living life, singing this song

So i´ll toast to a happy life
It can be challenging for sure
But if you get through it with a smile on your face
Can you ask for more?

If you get through it with a smile on your face
Can you ask for more?

A Happy Life (Original)

The Snow Queen – Gerda Searches for Kay – Feat. Melissa Rood
August 2025
Duration: 2:40
Listen to more music from the Snow Queen ballet at: https://soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Vocals: Melissa Rood https://soundcloud.com/novembersoundmusic
Recording: Bill Rood
Mixing and production: John-Marc Ventimiglia https://soundcloud.com/john-marc-ventimiglia
The Snow Queen has taken Kay and Gerda is sad for the loss of her frend and is looking for him in Winter. 
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For voice, strings, piano, bells and percussion

The Snow Queen - Gerda Searches for Kay - Feat. Melissa Rood

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

Recorded in Modesto, Ca.  Featuring Sarah Golding on Vocals. Fender Bass. Roland Synthesizer Bass. Steinway & Sons Acoustic Piano Rhythm. Gibson L5 Electric Guitar Rhythm. Alto Saxophone solo. Gibson 335 Electric Guitar solo. Trumpet solo. Acoustic full Drum kit set. Percussion Tree chimes, Cow Bell, Congas, Bongos, Ago Go Bells, Timbales, 22" Zildjain Ride & Crash Cymbals.

Carmel

I'm Walkin'

I am a Japanese singer.
Make a track, beat it, and sing.
I am influenced by hip-hop in the 90s.
And I like nostalgic Ghibli and Takeshi Kitano's films.
My music is Ghibli meets hip-hop.