Jana Bratislava - Always on your side
Lyrics 

まるで閉ざされた檻の中
いつか抜け出せるように
たとえ何もかも消えるなら
あとで思い出せるように

それは懐かしい日々だった
誰も傷つけないで
やっとあと少し届くかな
星がゆっくり見えた

all day all night baby
always on your side baby
all day all night
is that true? is that true? baby

あの日すれ違う時の中
まるで確かめるように
やっとあと少し届きそう
星がゆっくり見えた

all day all night baby
always on your side baby
all day all night
is that true? is that true? baby

Always on your side

Composer & Producer.
Always learning.

Thank you for listening!

The night I met Inoxx & The Toxx, the city was drowning in its own reflections.

I was chasing what the department called the “Epic Journey case”: people who didn’t jump, didn’t run, didn’t die — they just stepped out of their lives after looping the same anonymous track on repeat. No body, no note. Just headphones on a pillow and a playlist full of ghosts.

Every scene looked the same. A laptop still warm. A browser paused on the same profile. One track spinning in the history, over and over: instrumental, trip-hop, strings, radio static and a heartbeat that wasn’t quite human. The last victim had renamed it “Nocturne: A Night of Wonders,” like they thought it was a private joke.

The trail pulled me uphill to a mansion that shouldn’t have had lights on at 2 a.m. Inside, the air tasted like old secrets. A grand piano waited by the fireplace. On the lid: three glasses, one half-empty, like someone had drunk their courage and left.

They were already there.

A punk with a green mohawk sat at the piano, leather jacket, Union Jack on the sleeve, fingers resting on the keys. By the window, a woman in a red dress watched the city. Her blue hair caught the glow from outside. Between them stood a tall figure in a velvet suit with an old computer monitor for a head, screen humming softly.

“Rough night, detective?” the monitor crackled. “Doesn’t look much like a Summer in Paris to me. Sit.”

I didn’t remember telling them I was a detective. I sat anyway.

The punk started to play. Slow, smoky chords. The kind of music that makes good decisions feel optional. It curled around my thoughts and dug up things I’d tried to bury. Regrets. Almosts. The people I hadn’t saved.

“That’s the one from the file,” I said. My voice sounded further away than it should have.

“In one version,” the woman murmured. “Out there they give it new names. Someone called it The Bright Side of the Moon once. Someone else named it after a person they should have let go. Some write Beware of the Quiet Girl in the title and pretend it’s not about themselves.”

She finally looked at me. Her eyes were too calm, like someone who’d seen every ending and stopped being surprised by any of them.

“The music doesn’t take them,” she said. “We don’t take them. They come here on their own. We just… give their feelings somewhere to live.”

In the corner, a tape machine turned, big reels spinning in a lazy circle. The labels were handwritten: track titles, dates, initials. I recognized some from the case files. One bartender had told me, “That song, it’s like it knows what you almost did.”

Then I saw it. My own initials. Same careful handwriting. Same date as tonight.

On the monitor, the image shifted. I watched myself open the front door, step into the room, drip on the carpet. Same coat. Same tired eyes. Same bad feeling dragging behind me like a second shadow. Behind that, another version of me. And another. Each one slightly different. A word changed here, a hesitation shaved off there. A dozen takes of the same scene.

“If you’re here,” the screen said, voice dropping into the mix, “it means you pressed play again.”

Time folded in my ears. I tried to stand, but the chords held me in place. I understood, suddenly, why no one left a note. You don’t write a goodbye letter to a song. You just hit play one more time and let it do the talking.

“That’s the real Epic Journey,” the punk said quietly, not looking at me. “Not running away. Finally letting the soundtrack match what’s inside your head.”

Moonlight slid across the room, erasing the corners. For a second, the salon didn’t feel like a place at all, more like the inside of a track: loops, echoes, reverb, tiny details you only hear on the tenth listen.

“That’s how it works here,” the woman in red said. “Nobody goes missing, detective.”

She leaned back into the shadows as the tape clicked and locked into place.

“They just stay in the song.”

Composer/Songwriter. Proficient performer of piano, bass guitar, double bass, cello, 6 string , 12 string , drums, triangle (shall I include tambourine too?🤣), vocals, lyrics. 99% of the tracks on this page are original songs. None of my performances on any of my tracks, whether solo work, or collaboration, have any editing whatsoever. Effects and equalization? Of course! But no editing, no software, etc. Quite a substantial amount of these tracks are with The Eclectic Collective. We are like family and have been playing together on a daily basis since approximately March of 2022 as the Eclectic Collective. Before the band bore it's name Eclectic Collective; Josh, Ken, Stephen, Tez, and  CG Maness were doing some occasional collabs. At any given time we are all simultaneously working on about 15 different songs. And when we feel they are done cooking in the oven we release them.  We release a song every week on Fridays at 4AM UTC

Members of The Eclectic Collective :
The Beautiful Dark 
Entheogenic Psychonaught (Josh Clary)
J.J. Terrell
Llanpsych
K2 and the Three [and the Four]
TexMex Shaman
Mistermark
CG Maness

British alternative folk-rock duo.

What happens when a classically-trained violinist and lo-fi folk guitarist with different tastes, playing styles and approaches to writing music try and create songs together in an attic?

Website: 
https://play.reelcrafter.com/woDvmVglTPOZSGMWLSe0uw

Instagram: 
https://www.instagram.com/saltfiremusic?igsh=b3JpY2tjdTc3bWY%3D&utm_source=qr

ONOCHI has loved singing since childhood and has always loved acting, so we hope to continue expressing ourselves through some medium in the future.

Nakata is a trackmaker with auditory hyperesthesia.
He has been familiar with music from a young age.

N/A is a composer running away from their flashbacks.

Miogakure Andlele is an outsider artist.
Create a sound about auditory hallucinations in schizophrenia.

musical sketchbook
DIY, low skill, low fidelity

Epic rock & classical works—from originals to pieces by classical composers.
All instruments performed by Arthelion, with vocals brought to life through Synthesizer V.
Voices featured: Felicia, Ninezero, Asterian, HXVOC & Mai.

Hello, world!!
Art Lover.  Music is closely connected to my spirit in a special way.

Each one of us is an independent and unique universe, and our soul is a flame that never burns out. 🔥

The sound you make will always reflect the way you live your life. 💎💫
I am never interested in rotten sound.
Hope you guys, please understand that. x

Twitter / https://twitter.com/ReieR_123?t=WGJldoPXDIqrhpH8vgxieA&s=09
Instagram /
https://instagram.com/reyrieir_xyz?utm_source=qr&igshid=NGExMmI2YTkyZg%3D%3D
Threads /
https://www.threads.net/@reyrieir_xyz

I am a Japanese singer.
Make a track, beat it, and sing.
I am influenced by hip-hop in the 90s.
And I like nostalgic Ghibli and Takeshi Kitano's films.
My music is Ghibli meets hip-hop.

ZARINE (Dj Zarine) is one of the drum & bass DJs and producers whose work has brought considerable popularity to this style.
Starting his career in 97, he started promoting the Jump Up style in Russia. This always positive and open person still carries the culture of broken rhythms to the masses.

He received a classical music education. He studied conducting. He also plays guitar (played death metal, hardcore, techno death, was a session guitarist.) Sound engineer, worked with many well-known musicians, both foreign (Henry Rollins Band, Young Gods, Braut schlägt im Auge), and Russian, such as: the King and the Jester, Bricks, Torba-na-Kruche, Nom, TV, Calibri, Two Planes, Brigade row, Spitfire, and others.

His creative pseudonym, the female name ZARINE, owes his love for decadence, and the eponymous name of one of his projects-ZARINE (sarin) with the crossed-out letter " E " at the end. In 1996, after playing his first ever set at the CLEO club, he decided to keep the name.

The first single, "DnB Wize", was recorded in 1999 and released as a compilation album on a no-longer-existing foreign label. This was followed by releases - "Drunk n Bass" and "Art Core", "Eazy Drums" - released on the now-defunct KDK records 

Later there were releases on "Dj Parade", "World of the Drum n bass" - Dj SS took the single "GO ON" recorded together with Liza K. Audio design of the magazine "SPB. RU". Release of the album "Leading the rats". Working with Goldie, Aphrodite.

To date, singles have been released on Italian, French, German, and English labels.

EP "Blind fury / Water party", "Ghost of the Rock n roll", "Atmos robotics", " May Be Vibes? (feat. PropheC)". Remixes of DnB monsters, Future Cut, Konflict, Posij, Ray Keith, Huge, Gridlock, Keaton, as well as Fugees, Eminem

Today, ZARINE is the owner of the "HS Recordings" label. He is a resident of the English radio resource MIXCLOUD, and enjoys the support of the Russian radio Record.