Melancholic Mood
Verse 1:
Dark clouds passing by,
Grey days as time goes by.
A drop falls, a deep sigh,
In my soul, spinning high.
Chorus:
Melancholy in the rain,
Tears blending with the dew.
In this moment of silence,
I find myself right here and true.
Verse 2:
Thoughts flying far and wide,
Lost in my own world's tide.
A smile faint, yet heavy as lead,
In this rain, so cold it's spread.
Chorus:
Melancholy in the rain,
Tears blending with the dew.
In this moment of silence,
I find myself right here and true.
Bridge:
The wind tells tales,
Of times gone by,
The melody of life,
We can't always guide.
Verse 3:
Yet, at the core, a spark of light,
A glimmer of hope in the night.
Melancholy breaks its might,
And a new day comes to light.
Chorus:
Melancholy in the rain,
Tears blending with the dew.
In this moment of silence,
I find myself right here and true.
Outro:
The clouds move away,
Making room for new rays.
Melancholy in the rain,
A moment, a silent ballet.

Melancholic Mood

I´m mainly using Hardware Equipment 
(The Electronix) for my Music.

The Electronix are:
Synthesizer + Keyboard + Sampler:
--------------------------
Akai mpc x se
Quasimidi The Raven Max 3x
Quasimidi Sirius
Korg Modwave
Korg Wavestate
Korg Opsix
Korg Multi/Poly
Korg Poly 800
Roland D20
Roland D 110
Roland JX305
Yamaha SY 35
Yamaha CS 1X
Yamaha SU10
Yamaha Qy 70
Yamaha Tenori One
Casio MZ X 500
Casio XW P1
Behringer Model D
Behringer Pro 1
Behringer Model 15
Behringer Wasp Deluxe
Aturia Keystep Pro 
(Master Keyboard for Behringer Synth.)

Recording & Mixing:
Tascam Model 24
Behringer RX 1202 FX
Behringer Eurorack MX 2004 A
Zoom HD16
Behringer Virtualizer Effects

Hi friends,
I am Zenit. From Stuttgart to late nights — spinning decks since 2023.
Sweetspots in Deep House & Indie Dance 🪩 

On a mission to move souls!

Find me on Instagram under "zenit_musik".

Exotic Sound Art

Also appearing at
@out-of-the-box-14604438
NEW! @outofthebox3

fkn bang wit me in the underground.
DM FOR COLLAB 
brand new songs every Friday on all PLATFORMS.
MID SEPTEMBER MIXTAPE OUT NOW
CONSECUTIVE WEEK 12/13 - 9/30/25

OCTO MIXTAPE OTW

find all my platforms here
https://www.linktr.ee/habenerchris

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Instruments are played by Casey Hollis on all tracks so far. I hope to bring you guys more live from the porch sessions with more instruments and more fun listening. I enjoy music and this is a hobby not looking to make money. I started using SoundCloud as a place to share and save my progression of getting better playing music. All my music comes from my heart and what I’m feeling in the moment. It is instrumental and mistakes do happen as I’m not a professional musician!!!!

https://spiritjunkiestudios.bandcamp.com/follow_me

https://youtube.com/@caseyhollis?si=R8g4NIfVA1pqdoqo

Human Music - Every note & sound of these compositions is created, played, agonised over, curated & mixed by hand :). Thanks for listening, as ever, thanks for your interest & feedback, it’s much appreciated
Phil

~d{~,~}b~~p(".")q~~d{*,*}b~ ~p(^;^)q~~d(-;-)b~~d(*!^)b~

Hanging out in the cloud forests of the Sierra Juárez mountains in Oaxaca, I’m tapping into the sounds of the universe like a mushroom-drunk nahual, reaching into the heart of nature to grasp at the mysteries of existence.

You’ll hear influences from deep time and across as many cultures as I can get my hands on. I get obsessed, man. Seriously, everything else melts away around me. I can spend days absorbed in an idea, like that stone statue guy—but with a stone guitar instead.

My approach to music? About as unpredictable as my ability to remember where I last saw my passport (pretty crucial when you live abroad all the time, right?). My unique way of processing the world often leads to an avant-garde approach to life. And yeah, maybe there’s been a mushroom-induced revelation or two along the way, but who’s counting? I don’t need a million-dollar studio—just a good instrument, a decent interface, a computer, and some monitors that hopefully survive my absent-minded chaos.

I’m a multi-instrumentalist who loves complexity, especially when it sneaks up on you through unexpected rhythms or harmonies from the far corners of the globe. From Carnatic ragas to garage rock grooves—why not just mix every cool sound and see what happens? Maybe I’ll start with a harmonic progression from Bach’s Goldberg Variations and slap it into a Hindustani 7/4 thaal (that’s rhythm, if you’re wondering). It’s a bit technical but, trust me, as cool as—well, let’s just say it’s the kind of vibe that might inspire a dream-like hallucination about nailing the perfect groove. (Music available for film, TV, and media licensing.)

Yeah, I am a Ph.D. trained evolutionary biologist, and... that sounds impressive until you find out I bailed on it the second I landed a good job. I was bored out of my mind. People look at me like a guy who won the lottery and then spent it all on the greatest collection of rare video games (I mean, I’m not that bad, right?). But switching from science back to music wasn’t just quitting—it was finally tuning into something deeper. Music and science might seem like distant cousins, but to me, they’re intertwined—both ways to unlock the secrets of the universe.

Now, I live in Capulálpam De Méndez, a mystical town in the Oaxacan mountains. The ancient Zapotec culture runs deep here, and creativity flows as freely as the mezcal at the fiestas (and trust me, there are plenty of fiestas).

Art is for everyone, and I’m always pushing to create something that connects—whether it’s a complex harmonic structure or just the right amount of groove to make you forget your troubles (or your keys, in my case).

So if you’re into music that teeters on the edge of chaos but mostly lands right where it needs to be—well, welcome. Just don’t expect me to remember how I got here, or where I left my bag. Seriously, my passport might’ve been in there… Was it the tuk-tuk? (sounds like a joke right... Err.. its not....)


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Relajándome en los bosques nublados de la Sierra Juárez en Oaxaca, estoy sintonizando los sonidos del universo como un nahual borracho de hongos, llegando al corazón de la naturaleza para intentar comprender los misterios de la existencia.

Escucharás influencias de tiempos profundos y de tantas culturas como pueda explorar. Me obsesiono, hermano. En serio, todo lo demás desaparece a mi alrededor. Puedo pasar días absorbido en una idea, como ese tipo de las estatuas de piedra—pero con una guitarra de piedra en su lugar.

¿Mi enfoque hacia la música? Tan impredecible como mi habilidad para recordar dónde dejé mi pasaporte (bastante crucial cuando vives en el extranjero todo el tiempo, ¿verdad?). Mi forma única de procesar el mundo a menudo me lleva a un enfoque vanguardista de la vida. Y sí, tal vez haya habido una o dos revelaciones inducidas por hongos en el camino, pero ¿quién está contando? No necesito un estudio de millones de dólares—solo un buen instrumento, una interfaz decente, una computadora y unos monitores que, con suerte, sobrevivan a mi caos despistado.

Soy un multiinstrumentista que ama la complejidad, especialmente cuando te sorprende con ritmos o armonías inesperadas de los rincones más lejanos del mundo. Desde ragas carnáticas hasta los grooves del garage rock—¿por qué no mezclar todos los sonidos geniales y ver qué pasa? Quizás empiece con una progresión armónica de las Variaciones Goldberg de Bach y la meta en un thaal hindú de 7/4 (es decir, un ritmo, por si te lo preguntas). Es un poco técnico, pero créeme, es tan genial como—bueno, digamos que es del tipo de vibras que podrían inspirar una alucinación soñadora sobre encontrar el groove perfecto. (Música disponible para licenciamiento en cine, TV y medios.)

Sí, tengo un doctorado en biología evolutiva, y eso suena impresionante hasta que descubres que lo dejé en cuanto conseguí un buen trabajo. Estaba aburrido como una ostra. La gente me mira como a un tipo que ganó la lotería y luego lo gastó todo en Beanie Babies (no soy tan malo, ¿verdad?). Pero pasar de la ciencia de nuevo a la música no fue simplemente abandonar—fue finalmente sintonizar con algo más profundo. La música y la ciencia pueden parecer primos lejanos, pero para mí, están entrelazados—ambas son formas de desentrañar los secretos del universo.

Ahora vivo en Capulálpam De Méndez, un pueblo místico en las montañas de Oaxaca. La antigua cultura zapoteca corre profundo aquí, y la creatividad fluye tan libremente como el mezcal en las fiestas (y créeme, hay muchas fiestas).

El arte es para todos, y siempre busco crear algo que conecte—ya sea una estructura armónica compleja o solo la cantidad justa de groove para hacerte olvidar tus problemas (o tus llaves, en mi caso).

Así que si te gusta la música que oscila en el borde del caos pero que la mayoría de las veces aterriza justo donde debe estar—bienvenido. Solo no esperes que recuerde cómo llegué aquí, o dónde dejé mi bolsa. En serio, creo que mi pasaporte estaba allí... ¿Fue en el tuk-tuk? (suena como una broma, pero... ehh, no lo es...).

Melancholic Mood

JANO and the Electronix