Emotional Damage (Test Mix)

Should've Known

AKZ - Lonely Hours

Floating Points’ 5hr Set from Boiler Room, New York, Sep 24

Floating Points (5 Hour Set) | Boiler Room New York  17th July 24

Driven by an intense love for electronic music in all its shapes AliA is without a doubt one of the most promising deejays from Belgium. Still in her early twenties, she has a surprisingly thorough knowledge of club music and a mixing technique many envy. 

AliA @ Kiosk Radio 16.11.2024

Another Barker masterclass.

Sam Barker asks more from techno. The artist known simply as Barker is one of electronic music's most consistently conscientious and curious producers, challenging listeners to question the norms we accept about our shared culture—whether it's the music that fills the room, the process behind it, or the purpose of the space itself.

British-born yet based in Berlin since 2007, Barker forged a connection to many of the city's leading institutions, including Ostgut Ton, and over the course of a long and fruitful relationship, he carved out one of the more singular paths on the club and label's roster.

Not one for orthodoxy, Barker challenged four-to-the-floor techno framework in favor of melodic experimentation. By decentering or completely stripping away the typical trappings of kick drums and claps, his productions are both light and immersive, buoyant in low-end presence and shimmering in weightless space.

Six years after Utility, his sophomore album Stochastic Drift arrives this month. Shaped by pandemic-driven reinvention, it burrows deeper into harmonic twists and freeform drift. "At some point I became conscious of the process," he wrote of his latest album. "The only thing you can do is embrace the uncertainty and see every change as a potential positive.”

Consider his RA Podcast another sequel. Like his much-beloved 2019 mix for FACT, it's a collage of live recordings and a fitting expression of the artist's own internal spring. RA.982 radiates wide-eyed optimism: percussion cloaked in foggy, swirling pads and trance-like chords, neatly synched in synthetic glimmers. 

All in all, it's an hour of music crafted for contemplation, collective euphoria, or heads-down epiphany—or for that matter, any moment, really, its emotive depth seemingly endless.

@voltek

Find the tracklist and Q&A at ra.co/podcast/982

RA.982 Barker

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker


“The hardware world is like a sport.” The DJ and producer talks about mastering synthesis and finding community in a male-dominated music ecosystem.

Is talent innate? Today's guest, producer and modular synth extraordinaire Sibel Koçer (AKA JakoJako) doesn't think so. She's seen an extraordinary rise in her career in the last few years, earning a residency at Berghain, releasing on Mute Records, playing live shows at festivals around the world and becoming an in-demand remixer and collaborator for artists from the worlds of classical music, techno and pop. But she doesn't think she got where she is because of some God-given gift; instead, she says, her success is the result of tireless hard work.

Many years ago, when Koçer moved to Berlin to finish nursing school, she spent slow periods in her job poring over modular synth manuals. She eventually abandoned nursing and instead chose to pursue an internship at the popular Berlin synth shop SchneidersLaden, where she started learning the ins and outs of building her own system and making her first connections in the modular synth world. In this Exchange, she talks about the specific dynamics of the producer community that loves and uses hardware—which she describes as competitive and "sports-like"—as well as being a woman in this environment, finding creative inspiration from synth manuals and channeling her energy into mastering synthesis when she felt she had no other choice.

Koçer is curating a compilation called Hardwired for the label Air Texture, which will be out on July 11th. It showcases music from the community of hardware enthusiasts and people who have an appreciation for machine-based music, including Rødhåd, The Field, Acid Pauli and more. Listen to the episode in full.


EX.773 JakoJako

LIVE: A live-only electronics podcast by Beautiful Machines

LIVE001 features the live debut of Delta Division, recorded at the BM showcase Giri in Berlin on 11.06.25. 

The new alias of Giordano, co-founder of Fear_of_silence and previously known for immersive releases on Answer Code Request, Voitax, and beyond, makes its live debut with a set that blurs memory and imagination.

Set up used: Allen & Heath ZED-14, Octatrack, Analog Rhythm, Strymon Night Sky, Strymon El Capistan, Ableton Push. 

Delta Division:
@deltadivisionmusic
instagram.com/delta__division/ 

Beautiful Machines:
instagram.com/beautiful.machines_/ 

LIVE001: Delta Division

Recorded in LA for Alex Pelly's show 'Pellyvision' on Dublab Radio.

dublab.com

DJ mix for Dublab Radio - 22.10.16

Taken from 'It Should Be Us', Andy Stott’s first release since 2016 and first EP since 2011 - a doublepack of slow and raw productions for the club, recorded this year and following a series of releases that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. 

There’ll be a new Andy Stott album in 2020, but in the meantime... this one’s for dancing..

It Should Be Us

Andy Stott - Versi

Hi 🙋‍♂️

Bookings: 
Steyjaco@gmail.com

Should've Known

Tatawa