When We Dip Magazine
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Dance Music Magazine | Montréal

https://www.whenwedip.com/

Founded in Dublin, Ireland, and now having its main office in Montréal, When We Dip has become a respected magazine for supporting both established and local talent in the arts. The WWD network strives to bring its readers unique and engaging content as we descend over the horizon in search of both great innovation and audio-visual stimulation. 

Label: @wwdxyz

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Please submit track, mix, repost, and Spotify request to : http://tinyurl.com/wwdsubmission

(We listen to everything, if you don't have an answer after two weeks, the submission has been declined)

Rammstein is a German Neue Deutsche Härte band. Formed in 1994 in Berlin,[1][2] its members are Till Lindemann (lead vocals), Richard Z. Kruspe (guitar and backing vocals), Paul H. Landers (guitar, backing vocals), Oliver "Ollie" Riedel (bass guitar), Christoph "Doom" Schneider (drums and electronic percussion) and Christian "Flake" Lorenz (keyboards). Since their formation, Rammstein has had no changes in their line-up.

The majority of their songs are in German, but they have also performed songs entirely or partially in other languages including English, Spanish, French, and Russian.[3] Rammstein's award-winning live shows are renowned for their pyrotechnic elements and both on- and off-stage theatrics.[4] Rammstein's entire catalogue is published by Universal Music Group.

Rammstein are one of rock’s most individual and successful names, a multiple award-winning outfit with a vision that continues to evolve. Since forming in 1994, the six East Berliners have headlined the world’s major festivals and stadiums, selling millions of albums, and topping charts worldwide.

For the Rammstein kollektiv, and it’s the same line-up now as at the start, it’s always been a case of marching to their own beat; they sing in German, side-step those visuals typical of the metal world, and present an incendiary live experience that touches all of the senses – an experience underpinned by cultural and artistic weight.

To date, there are seven studio albums under the Rammstein banner, the most recent being 2019’s untitled release – a body of work that headed the charts in 14 countries and went Top 10 in the US, breaking new ground. Produced by the band with Olsen Involtini, this 11-tracker (double platinum in Germany) was preceded by lead single ‘Deutschland’, a domestic No. 1 supported by a nine-minute movie – an epic, unflinching look at German history directed by Specter Berlin.

Not only was this album a decade in the making, it also saw the musicians taking their legendary live show into Stadiums, selling 800,000 tickets immediately and eventually playing to over 1.2 million fans across 17 countries.

The next leg of the European Stadium Tour takes place in spring / summer 2021, with most venues sold out.

𝔹𝕠𝕠𝕜𝕚𝕟𝕘 & 𝕄𝕒𝕟𝕒𝕘𝕖𝕞𝕖𝕟𝕥 𝕒𝕘𝕖𝕟𝕔𝕪.
𝔼𝕔𝕝𝕖𝕔𝕥𝕚𝕔, 𝕥𝕣𝕒𝕟𝕤𝕔𝕖𝕟𝕕𝕖𝕟𝕥 𝕒𝕟𝕕 𝕖𝕩𝕔𝕚𝕥𝕚𝕟𝕘 𝕞𝕦𝕤𝕚𝕔
𝔽𝕠𝕣 𝕓𝕠𝕠𝕜𝕚𝕟𝕘: sector0agency@hotmail.com

favorite mashups by various dj's and mashup producers.

main channel=> @mixessss3

GET YOUR FISHER MERCH !! 
Https://www.followthefishtv.com

MGMT:
Brett Fischer
brett@ayita.com

MARKETING:
Shayan Fakhimi
Shayan@ayita.com

N+S America Bookings:
CChapman@paradigmagency.com

AUS+NZ Bookings:
stuart@posterchild.com.au

EU Bookings:
daveb@codaagency.com

Bookings: beheadgore@gmail.com

𝕲𝖔𝖗𝖊𝖇𝖊𝖍𝖊𝖆𝖉  Gabberhead Records, Mokum Records, Dwarf Records, Aux Records ...

I started my journey in 2013 at the age of 14, spinning hardcore tracks under my old alter ego, "L.Vølume" (Lenny Volume) @noize-maniacs. That's where it all began for me. Back then, I didn’t have a vinyl player or CDJ, so I quickly moved to producing using FL Studio as my DAW. I actually discovered FL Studio around 2010 at a family gathering—funny enough, the family member was also into hardcore music!

I eventually moved on from FL Studio, and around 2015, I switched to Ableton and added a Korg Electribe SX ESX-1, an EMX-1, a MIDI controller, and a basic keyboard to my setup. This made it easier for me to create live sets, and from 2015 to 2020, I focused on producing Acid and Tekno music.

After that, I shifted towards harder genres like Doomcore and Industrial, experimenting a lot with the 909 and gradually increasing the BPMs. I also put significant time into mastering mixing techniques. Lately, I’ve been honing my knowledge of the Roland Alpha Juno 2 and Jupiter-8—both of which I’m a huge fan of.👊

Join the TDK mailing list on BandCamp - https://marktdkknight.bandcamp.com/

An original Amiga demoscene oldskooler and current video games composer, the name TDK was originally active in the early 90’s writing catchy and melodic chiptunes for the likes of Anthrox, Crystal and Melon Dezign. Having 'retired' from the scene in 1993 I went on to write the music for such games as Wing Commander (Amiga), Duke Nukem Total Meltdown, Populous: The Beginning and Dungeon Keeper 2.

The advent of the CD-Rom format, and therefore music licensing, threatened my role as a composer so I moved into sound design within my favourite video game genre, driving games.

As a self confessed petrol head, working for Codemasters from 2008, I headed up the audio team on the DiRT, Formula 1 and GRID franchises until 2015 I went 'full circle' back to composition and wrote the OST for F1 2015. Since then, I've penned the soundtracks for Overlord: Fellowship of Evil, the Indie game D/Generation HD - which I originally worked on in 1993, and F1 2016. After finishing F1 2017, I started my own audio production company, SONiC FUEL.

Never leaving the chip sound behind, 'TDK' was brought out of retirement at the end of 2012 with the release of my first album, Reawakening, and I've since fused my love of chip with my passion for the electric violin to perform a unique chiptune-violin set at SuperByte 2013, Chipfest, and Nintendoom 3.0. 

I'm now back writing in a number of different styles, but perhaps my main love of 70's analog synths may take charge of what I write.

Either way, TDK is back! Flit Kills Moths is back! (until Esso sue for brand copyright).

One final thing; if you enjoy what you hear please consider purchasing one of my albums on Bandcamp for little more than a cup of expensive High Street coffee. Thank you :)

jarne podevijn is following