This heavy beat section kinda takes a bit away from all the atmosphere you had before.

This ducking has a kind of unpleasant effect on my ears, like that pressure of being underwater.

I do wish this track stuck more with the introspective and airy sections.  But overall this is really stellar production and full of great and interesting ideas.  The more dancy parts I could do without just because they sound overly familar.  The rest is super original, interesting and really finely crafted.

Just really impressed with the sense of space in your mix.  This is where I would like to get in terms of skill...

I wish this section went on for minutes...  The aggressive parts that follow feel like and invasion of this space.  Totally personal taste of course.

Ahh, so impressive as usuall. But man, that highlight on the hand holding the pipe needs help, a touch more blending. Come'on -- step your game up ;P   :)

@eauson: It could be a combination of things- some of it is intentionally trying to play around with very modern multiband compression stuff- which I am still don't feel I've got a handle on.

Do you know "The Faint"? it reminds me a little of them. Amazing band. Man, you're just on another level!

So impressive...at least you're making it easy to vote :)

how is this not any more popular it sounds incredible

Demo

Inspired by the classic scifi novel of the same name.
Conceptual tech-house narrative: space launch, first contact, communications break down where in battle ensues.

All made using U-He's beta version of the Hive synthesizer (48 instances if you care about those things). All patches created by me. Programmed and mixed in Live 9 using native effects and TDR Kotelnikov, Nova67P and Limiter6. 

Mote in Gods Eye (OSC71 Hive)

All sound derived from the Tortured Piano Free Sounds library by Tim Prebble. Contest found here: http://www.musicofsound.co.nz/blog/tortured-piano-remix-competition

I wanted to do something clockworky, crunchy and clunky. It turned into sort of an industrial dubstep monster.

Weaponized Piano

Ableton Live 9
45 or more tracks. Camel Crush and built in Live effects.


How It All Falls To Pieces (OSC74 Dexed)

The gremlins in Negoba's studio decided to steal snippets of his previous OSC's to create a monster destined to confound and disgust all listeners. Unbeknownst to them, their creation (Jenkins) instead prefers cuddles and long walks on the beach.

All sounds created using Odin2 Softsynth by Wave Warden for KVR OSC #197.

Mix of stock presets, tweaked presets, and init. Shout back a bit to a previous track where I used Odin on an open round. I think I’ve learned a little since then.

Jenkins Knows He Ain't Pretty - OSC 197 Odin2

This track is created for OSC197 with Odin2 from TheWaveWarden no samples pure sounddesign

Pulses of Earth - OSC197

Entry for KVR One Synth Challenge #197 using Odin2 by TheWaveWarden

DAW: Reaper 7.27
33 VST3i: Odin2 (TheWaveWarden)
8 VST: ReaEQ (Cockos)
5 VST3: ReaComp (Cockos)
6 VST3: dearVR PRO 2 (Dear Reality)
1 VST3: Valhalla Supermassive (Valhalla DSP, LLC)
2 VST3: TDR Nova (Tokyo Dawn Labs)
1 VST3: TDR Kotelnikov (Tokyo Dawn Labs)
1 VST3: bx_masterdesk Classic (Plugin Alliance)
1 VST3: LoudMax (Thomas Mundt)
1 VST3: MAnalyzer (MeldaProduction)


Asgardian Rhapsody [OSC #197 Odin2]

Made for KVR One-Synth-Challenge 197
https://sites.google.com/site/kvrosc/2025/osc-197-odin-2

bzz - Living High

Final, remixed submission for OSC 197. Idea for this track was partially inspired by Carl Craig's "Home Entertainment" off of his classic Detroit techno album Landcruising, but then I decided to add drums and it became a very different beast. Hope y'all like it!

Quartal Heart

My track for KVR One Synth Challenge n. 197 (July 2025), in which existential horror and reckless fun go hand-in-hand.

All sounds generated by free VST synth Odin 2, developed by TheWaveWarden

Burakku Horu

Hey everyone, I did this at the last minute. I know rushing is bad, but never mind. :) I used a total of 45 Odin 2 instances

All effects from Studio One 6.6 + free Dreverb2
=========================================

--------------------

DAW: Studio One 6.6
45 instances - Ragnarök 2 / basic sounds from bank 1 and 2

---------------------

FX:
- built-in plugins from Srudio One 6.6
"Compressor, Binaural Pan, mixverb, Pro Eq, splitter, mixtool, limiter, analog Delay
+ free Dreverb2"

=====================

Mastering:
Mastering using built-in Studio One 6.6 effects

=========================

Oscillator (OSC #197 - All instruments in the song are from VST Odin 2)

This track is made with Odin2 for the One Synth Challenge 197
All sounds are made by me.
The Cover Image is 100% made by me (starting with the  original photo of the crow).

For the track I used Ableton Live 12 with:
25x Instances of Odin2

Ableton Stock Devices:
14x EQ8 (mostly to cut rumble below 100Hz)
11x Utility (for volume automation)
1x Glue Compressor
1x Compressor
1x Multiband Compressor

Bus Fx:
1x HybridReverb
1x Echo (simple 8th note  ping pong, no modulations)

MasterChain:
Eq8, Glue Compressor, Utility( For the Fade out), Limiter



Fbr - OSC197 - 42°Celsius

OSC 197 OnTrackP Mushrooms 1

My entry for KVR Audio's One Synth Challenge 197, featuring Odin 2 by The Wave Warden. Really enjoyed this synth. I tried to capture the feeling of driving west on State Route 161 through my hometown in Ohio, and out into the farmland beyond. 

I used Reaper 7
28 instances of Odin 2
4 instances of ReaComp
2 instances of ReaEQ
2 instances of Valhalla Supermassive (no modulation)
2 instances of Limiter No.6
2 instances of Transpire
1 instance each of ReaXComp, YouLean Loudness Meter (free) and Dragonfly Room Reverb

OSC 197 - Odin 2- 161 W

Monthly track for One Synth Challenge at KVRaudio.com
The sounds in this track were made using Viking VK1 from Blamsoft
http://blamsoft.com/vst/vk-1-viking-synthesizer/

Wind Wishes It Were Stone (OSC107 Viking VK1)

KVR One Synth Challenge using Tal Uno LX1.1 virtual synth to create all the sounds you hear.  About 22 instances of the synth. Made in Live 9 using built in plug-ins, EQ, Compressor, Reverb, Delay, Amp, and Saturation.

Rain or Tears (OSC50 Tal U-No)

KVRaudio.com's One Synth Challenge. All sounds created and programmed with Matt Tytel's amazing Vital synthesizer. That's right no singer was harmed in the production of this track. Vocals were programmed too.

IN "Truly Alive" I wanted to channel the Cyberpunk ethos. The scene, a rainy dystopian city scape. An emotional AI pining for a love that can never return. 

Lyrics:
The night is young, inside i wait alone
Looking out upon the city and everything we sold
Take the glory take the pain take it all if we're together
if you could come back to me cuz one thing lasts for ever

Will this last for ever?

Time plays in revers
I'm falling in love with the memory of you
Shadows fill my dreams and when they leave
all they leave is a memory of you

You put your hand on my heart 
feel it beat in time with you
the first time i feel truly alive
magic all around comes true
You put your hand on my heart 
feel it beat in time with you
floating weightless through the stars
magic all around comes true

It's One A.M. outside I hear the rain
Beating on the concrete beating on my heart again
All i have are memories of when we were together
We were dancing on the rainy streets one thing lasts for ever.

You put your hand on my heart 
feel it beat in time with you
the first time i feel truly alive
magic all around comes true
You put your hand on my heart 
feel it beat in time with you
floating weightless through the stars
magic all around comes true

Wind Wishes It Were Stone (OSC107 Viking VK1)

JXSXNSKX

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S o l o

eraze the borders

eraze the borders

JXSXNSKX

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