This is my submission for the OSC 171 Apricot. It was made with 27 instances in Reaper.
Transient Shaper (Kiloheartz)12
TDR Kotelnikov 1
Bass Professor 2
ReaEQ 17
OTT 1
FRANK 1
master_me 1
A1StereoControl 1
Distortion (Kiloheartz) 11
epicPLATE 11
Spaceship Delay 2
Valhalla Supermassive 6
Compressor (Kiloheartz) 2
STUF (ZEEK) 3
ReEQ Parametric Graphic Equalizer 5
A1 TriggerGate 2
SPAN 1

Not as interested this time as much in critical feedback. (Edit: oh go ahead and be critical if you like). I realize it's a bit repetitive. Simplistic bassline. Not even any drum fills. But I really like it as is. A lot. The harmonica sounded like it was saying "down the river". From there I started thinking of a river on fire that was sort of like the infinite corridor in the castlevania tv series on netflix. I might try to find a more representative picture. (Originally uploaded on 5/7/23. On 5/9/23 I went back and changed the high pass on bass and kick from 50hz down to 25 hz or so. And made drums a bit more coherent in general.)

OSC171 Down Fire River (Apricot) 30/44 68%

All sounds made using Nakst's brilliant Apricot in Bitwig 5 for KVR OSC 171

amore de piñas

A submission for the KVR One Synth Challenge #171.

The synth this month is Apricot by Nakst, a very capable 2 osc VA.  Great sound, and super light on the CPU, also loads like a demon.

13 instances in Reaper, some light processing from ReaEQ, ReaComp, and ReaLimit, plus Nova on the master.

OSC171 - Apricot

Kernel Panic

OSC 171 - All sounds developed in Apricot by Nakst including percussion. 19 tracks in Reaper with ReaComp, ReaDelay. TDR Nova EQ, Valhalla Supermassive, and Limiter 6.

bh9090 - Chapter 3

All sounds by ElVicente, using Apricot soft synth for KVR OSC challenge #171

Dont Wake The Monster

Between the middle of nowhere,
and the edge of nothing,
the Gnomes of Garden still dream.
Of worlds between root and leaves,
between focus and distraction,
between you and me.
​
​
​An entry for One Synth Challenge 171 — Apricot. Made in REAPER, using on tracks:
NAKST Apricot (31 ; 23 patches ) ; TDR Nova ( 7, light cleanup EQ )  ; NastyDLA (1) ; ReaComp

on sends ( 3 reverb, 1 delay ): 
Protoverb (4) ; Oril River (8) ; HOFA System Delay (2) ; HOFA System Pan (12 ) ; TDR Nova (9) ; A1 Stereo Control (3) ; JS mixer (3) ; NastyDLA (1)

on master:
JS mid/side encoder (1) ; JS mid/side decoder (2) ; JS mixer ; Bittersweet (1) ; Limiter No6 (2) ; TDR Nova (3) ; Protoverb (1) ; A1 Stereo Control

Intermediate Realities

My entry for the KVR forum's One Synth Challenge #171

This time all the sounds are made using Apricot by nakst. BTW it's a CLAP plugin! And to be able to use it I had to try Bitwig Studio for the first time. If you are nerdy enough, here's the technical details about this track:

https://www.kvraudio.com/forum/viewtopic.php?p=8684125#p8684125

As always, finished OSC pieces are free for download.

Crackers And Apricot Jam

Summer music for your yacht.

31 instances of Nakst's Apricot synth created all sounds.
Using Live Suite 11, built in eq, delay, Valhalla Super Massive, OTT, KHS Distortion, Compressor, and Limiter.

Yacht No. 4 (OSC 171 Apricot)

Give some love for more: Like and comment <3

Beéle - no tiene sentido (IKBA remix)

II. The Arrival — The Spaceman’s Descent

Hero Entry: The Spaceman DJ (a.k.a. The Guardian of Flow) senses the universe’s BPM dropping. Riding his surfboard-turntable through the White Hole Gate, he arrives at Aurion Prime. His visor reflects dead silence — but his heart still beats in rhythm.

Mission: To reignite the Sound Core, and awaken the lost pulse of creation.

Yacht No. 4 (OSC 171 Apricot)

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