WCMA Classical Nominees

from "The Return of the Lonesome Coyote Patchwork Pulpit, and Sundry Other Tales from the Rainbow's End"

A Deeper Shade Of Blue

As performed by Dr. Marnie Giesbrecht and Joachim Segger for Arktos Recordings Limited. This audio has graciously been shared by the Arktos Recordings group for the University of Alberta's Department of Music. 

Credits: John Mahon (executive producer) and Garth Hobden (recording engineer).

Music For Organ And Piano - Meccanico Eccentrico, Quasi Una Fantasia - Howard Bashaw, composer

Voici ma nouvelle composition pour piano. La suite de ma toute première composition pour piano intitulée "Solitude".
J’interprète au piano « Solitude 2 » 
Bonne écoute.

https://youtu.be/-mBokq8b58A?si=wGWCFylsBlM4-MX0

Here is my new composition for piano. The sequel to my very first piano composition entitled "Solitude".
I perform “Solitude 2” on the piano 
Good listening.#classical

Solitude 2 – Original emotional Piano

„Mitternacht Suite“ (24.08.2024 )

Wie ein zartes meeresrauschen begleitet uns dieses kleine Musikstück in eine andere fast dahinschwebende Zeitinsel. 
All die Gedanken die wir zuvor einst in den Sand gemalt, verwischen die Wellen.

Im Grunde bleibt nichts als nur ein flüchtiger Traum in der Mitternacht.


Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :   Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:   Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://www.spitfireaudio.com   FINK SIGNATURE 	Olafur Arnalds Composer Toolkit
https://www.nativeinstruments.com  UNA CORDA Felt Intimate


"Midnight Suite" (08/24/2024)

Like a gentle sound of the sea, this little piece of music accompanies us to another, almost floating island in time.
All the thoughts that we once painted in the sand are blurred by the waves.

Basically, nothing remains but a fleeting dream in the midnight.

Thank you for your valued attention.

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://www.spitfireaudio.com FINK SIGNATURE Olafur Arnalds Composer Toolkit
https://www.nativeinstruments.com UNA CORDA Felt Intimate

Midnight Suite

The sound at the beginning of this track is the sound of the conch shell, a sound that is 18,000 years old, originating from ancient coastal civilizations! After piercing a hole in the shell, either at the tip or on one side, the player blows into it to produce sounds similar to those produced by a hunting horn or trumpet. It is one of the oldest surviving musical instruments. For this track, I’ve use rare recordings, from the award winning production Laya Project, a journey of music and visual discovery through six countries affected by the 2004 tsunami. It is authentic and organic folk instruments and vocals, recorded in the remote villages of Indonesia, Thailand, Myanmar, India, Sri Lanka and Maldives using warm Neve and SSL preamps and Neumann vintage tube mics. The instruments used for this track were recorded in India.

On Spotify: https://open.spotify.com/album/4Kmb5PaShYE04gPyEO9Msi?si=dO_jPW1NSKeeHosQXfU4gQ
On Youtube: https://music.youtube.com/playlist?list=OLAK5uy_n8tpyU4ypWHHkyi7OuDUjDyPG3ZWKGbb8

Waves of Rhythm

A neoclassical testament to the value of retreat,
where silence gives birth to the most profound expressions,
contrapuncting the noise of our world.

This is the 2nd movement of my Symphony "Alive!".

Composed in the silence, solitude and fears of the Pandemic Lockdown.

Sigh of Retreat

„Arie der Hoffnung“ (29.09.2024)

Wie häufig möchten wir die Hoffnung bei all den derzeitigen Zuständen auf unserer Welt hinausschreien.
Meine Komposition könnte auch eine mahnende Hymne an die Vernunft sein.
Wenn diese flehende Arie und der mitunter dramatische Aufschrei verklungen ist, lasst uns darüber nachdenken.
Die Hoffnung wie eine ARIE weitertragen damit diese niemals verklingt und in uns klingt, damit wir nicht vergessen was es für eine kraftvolle, harmonische Schwingung ist.

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :   Björn Cloppenburg  Alle Rechte vorbehalten
Foto	:   Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://www.spitfireaudio.com   EARTH Gorecki Anthem
https://www.fluffyaudio.com     Simple Opera Singers
https://www.nativeinstruments.com ACTION STRIKES ENSEMBLE


“Aria of Hope” (September 29, 2024)

How often do we want to shout out hope given all the current conditions in our world.

My composition could also be a warning hymn to reason.

When this pleading aria and the sometimes dramatic outcry have died away, 
let us think about it.

Carrying hope forward like an ARIA so that it never fades away and resonates within us so that we do not forget what a powerful, harmonious vibration it is.

Thank you for your valued attention. SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo:  Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://www.spitfireaudio.com EARTH Gorecki Anthem
https://www.fluffyaudio.com Simple Opera Singers
https://www.nativeinstruments.com ACTION STRIKES ENSEMBLE

ARIA OF HOPE

Voici ma toute nouvelle composition pour piano intitulée « Mystères andalous ll ». J’ai souhaité aborder le style impressionniste « hispanisant ». 
J’interprète au piano « Mystères andalous ll » 
Écrit et enregistré le 7 octobre 2024.
Bonne écoute.

https://youtu.be/wnB-WpfRav0



Retrouvez-moi sur https://fb.me/stbimont
https://www.instagram.com/stbimont/
https://youtu.be/wnB-WpfRav0

Mystères Andalous – Original emotional Piano

Dance With Me

In My Garden It Lives

Alchemic reverie

This mournful track features 8dio's Studio Sopranos vocal sample library, Adagio Strings and  1928 Steinway Piano.  All samples used in this track are by 8dio.

"All That We Leave Behind" from the album "Along The King's Road"

Glad to be brought back to score the 2025 Shinnyo Lantern Festival - Hawaii. 

Check out the last years Festival here: https://youtu.be/KdlLeU1uU9M?si=l8v0Qd6Eoain8qwj&t=492

Shinnyo 2025 | Victims Of Environment

This is the fourth movement of GYPSY CHRONICLES, as performed by the Vancouver Inter-Cultural Orchestra conducted by the composer in 2010. A new performance of a slightly revised version is scheduled for Feb. 27, 2016 at the Orpheum Annex Theatre, Vancouver, BC Canada.

Gypsy Chronicles 4 Retour aux sources

Hi All, I've been returning to my roots recently, writing a series of tracks that serve as the soundtrack to an imagined archetypal Role-Playing Game (RPG) for computers or consoles.  This movement of the piece broadly follows a narrative in which the player's avatar (the Hero) in the game enters a shrouded fog-where shadows take corporeal form.  After encountering the shadows and attempting to relay a message, they attack and the hero battles them to a stalemate. As they tend their wounds, a dialog between the wary hero and the misunderstood shadows ensues.

All instrumentation used in this piece was created by Orchestral Tools, one of my favourite sample library studios and publishers.  I particularly enjoyed using their solo string "First Chairs" library for the string sounds, and the brass and choir from the Metropolis Ark 1 epic orchestral library that OT released recently.

Comments and feedback are welcome :)

Where The Shadows Dwell

I'm a composer with credits for film and concert music, and my music has won or been nominated for awards from Western Canadian Music Awards, the Independent Music Awards, the Geminis, and funders such as the Canada Council, Saskatchewan Arts Board, FACTOR and the SOCAN Foundation. 

In April, 2021 I received my PhD in Interdisciplinary Studies from the University of Regina, where I wrote a thesis on algorithmic music and its impact upon the composer. during that time I created several apps, including a musical score for the university campus using augmented reality on an iPhone.  

I am based in the Toronto area, and would love to hear from anyone who wants to comment on my music, who might want to collaborate on a project that needs a great score, or who just wants to say "hi."

"All That We Leave Behind" from the album "Along The King's Road"

Jason Cullimore

Recent comments

juhasoderqvist

Michaelle Lemarié

Adam Panagopoulos

White Sail

Related tracks