Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

AKAJackie has built a stellar reputation on the Manchester scene having played for some of the city's finest parties including Homoelectric, Homobloc Presents, Supernature Disco, Club Solo, Sticky Heat, Your Disco Needs You and DeRanged Nights amongst others. Appearing on line ups with big hitters such as Luke Una, DJ Paulette and Colleen Cosmo Murphy, he has brought his vibes to top venues including Hidden, The Refuge, Joshua Brooks, Ramona, Carlton Club. He has also played further afield at 110 above festival, Not a Cult festival, 24 Kitchen St in Liverpool and Sheaf St in Leeds. In 2025 he was a resident DJ at Lost Village festival in Lincolnshire.

He stands out with his unique blend of a multitude of genres. Rooted in house and always in the groove- expect thick bass lines, piano slammers, soulful vocals, left-field disco, electro, italo, classic disco and house and the edgier sounds of minimal and deep tech. He has contributed to radio shows on Svara, Komrad and also Reform Radio- with a special guest mix for Manchester disco royalty Supernature. He hosts his own series “Beyond Planet Funk” on Data Transmission Radio.

Composer/Clarinettist. 
B. Liverpool 1988.

My compositions, and other artist's compositions that I arrange, do not conform to any genre. Its classification is post-genre which is music beyond any description. In fact, the artist becomes the genre. My compositions are heavily influenced by progressive rock, post-rock, and classical music. My most Influential composers/musicians are Tony Banks, Richard Wright, Jeff Lynne, Steve Hackett, David Gilmour, Robert Fripp, Phil Collins, Keith Moon, Erik Satie, Claude Debussy, and Modest Mussorgsky.

All instrumentation and vocals by R. L. Postrel
Produced by Rob Postrel Music

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Website : www.jaycapperauld.com

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Scotland-based saxophonist and composer Jay Capperauld graduated with distinction from the Royal Conservatoire of Scotland after studying Saxophone under the tutelage of Josef Pacewicz. As a saxophonist, Jay has worked with some of the major Scottish Orchestras including; the Royal Scottish National Orchestra, Scottish Ballet, Scottish Opera and the Scottish Festival Orchestra and has also performed with the Scotland-based Saxophone Quartet, Sax-Ecosse. 
As a composer, Jay has had many successful performances of his works within Scotland; writing for various Instrumentalists and Ensembles including; BBC Scottish Symphony Orchestra, 
Red Note Ensemble, Live Music Now’s Flercussion, MusicLab, Ensemble Thing, Said Ensemble and has also worked with members of the Scottish Chamber Orchestra.  Jay has worked alongside BBCSSO conductor, Ilan Volkov, in "Hypnic Impact," for solo Soprano Saxophone and Wind Orchestra, which featured Jay himself as the soloist. 
More recently however, Jay achieved success by winning 1st prize in the Dinah Wolfe Memorial Prize 2013 with his work for solo Piano, Christus Tantasticus, which premiered earlier in 2013 with internationally renowned pianist, Sinae Lee, as the performer. 
And, Jay has also recently collaborated on a Ballet with Choreographer, Hubert Essakow, which celebrated the centennial anniversary of Igor Stravinsky’s “The Rite of Spring.” The Ballet premiered at the Tramway (Glasgow) in May of 2013 with dancers from the Royal Conservatoire of Scotland and instrumentalists from the BBC Scottish Symphony Orchestra conducted by Pierre-André Valade. 
Jay is in his final year of studies in the Masters of Composition course at the Royal Conservatoire of Scotland under the tutelage of Gordon McPherson.

Reviews for Jay Capperauld - http://www.scotsman.com/the-scotsman/scotland/classical-review-plug-the-return-of-volkov-royal-conservatoire-of-scotland-1-2259369

http://www.heraldscotland.com/arts-ents/music/musiclab-and-glasgow-liederbuch-rsamd-glasgow.13559120

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