DJ / Producer / Remixer

★ www.lntg.co 
[LNTG DJ mixes available in DL's section]

★ Hi Soundcloud friends, thanks for your support. Jump over and 'Like' my Facebook page.  
I will be using it for any news and updates on new edits, downloads and tour/live DJ performance info.
Thanks for listening.
LNTG.

★ LNTG FACEBOOK http://www.facebook.com/LateNiteTuffGuyOfficial?ref=tn_tnmn

★ BOOKINGS AUSTRALIA+NEW ZEALAND:
'Poster Child' trent@posterchild.com.au

★  BOOKINGS US+CANADA+MEXICO+SOUTH AMERICA: 
'TUFF MUSIC MANAGEMENT' tuffmusicmgmt@gmail.com

★ BOOKINGS UK+EUROPE: 'THE UNITY AGENCY' paul@theunityagency.co.uk

★  BOOKINGS ASIA: 'WARUNG AGENCY' jonathan@warungagency.com

★ MANAGEMENT: 'TUFF MUSIC MANAGEMENT': tuffmusicmgmt@gmail.com 

★ TWITTER: @LateNiteTuffGuy

★ INSTAGRAM: latenitetuffguy

★ TUFF MUSIC MANAGEMENT FACEBOOK
http://www.facebook.com/pages/tuff-musc-management/367270516628833

♥ LNTG.

JOHNNY DYNELL is the New York City DJ, producer, songwriter, remixer and impresario who has been practicing his art and craft for over three decades. His DJ style is infectious and inclusive, and he is a long-time favorite of New York's art and fashion crowds as well as generations of Club Kids. He is equally at home spinning black tie galas like the annual Elton John Academy Awards Viewing Party and the AMFAR party at the Cannes Film Festival or underground club events like the Saint at Large Black Party.

His NYC DJ residencies read like a nightclub history of the 1980s, 1990s and beyond. They include The Mudd Club, Danceteria, The Pyramid Club, Area, BoyBar, Susanne Bartsch parties, The Palladium, The Tunnel, The Limelight, The Roxy, Jackie 60, Crobar, Mr. Black, Greenhouse, Le Bain and The Ice Palace, Fire Island.

Known for his quirky records like the 1983 classic "Jam Hot" and his 1989 pioneering Vogue (dance) anthem "Elements Of Vogue" he brings an impressive knowledge of diverse musical genres to everything he does. He has collaborated with artists including Malcolm MacLaren and Pink Martini and is a frequent commentator on NYC music and cultural subjects. A founding producer of the NYC performing arts collective The Jackie Factory, he also serves as the Musical Director for the fashion house Max Mara World.

Hello and thank you for your interest in me and my work! 

I may reveal my age by doing this, but believe it or not I have been DJ'ing since 1984.  I am originally from Chicago and was inspired and unexpectedly thrust into DJ'ing through making mixtapes for break-dancing "battles" that me and my friends were getting into at the time.  My friends and I were merely making these mixtapes in my bedroom on equipment hardly suitable for DJ'ing.  In Chicago at that time, there were several incredible mixshows being featured on the radio from black radio stations in Chicago like WBMX and WGCI and on local college stations like WNUR or WKKC which we recorded, bought the records played, and tried to emulate the mixes.  There was also a short-lived, often ridiculed disco station called WDAI that I secretly enjoyed.  I actually still have all of those mixtapes that I will make available here ASAP!!! 

After finishing high school, I ended up attending college at The University of Wisconsin - Madison, double majoring in Afro-American Studies and Communication Arts.  This was vital to me because my education helped me to define and to learn the true roots and history of this music I loved so much!  Another DJ friend of mine G Most and his brother and I ran a very busy mobile DJ business on campus for most of my time there, catering to many black and white fraternities and sororities as well as many other local clients.  We also were collecting and trading mixtapes from NYC, giving us a window into other styles of mixing and music not always present in our tapes from Chicago. 

When I graduated from college in 1991 I immediately came to NYC to further pursue my DJ career.  The magic of NYC's multicultural mix further broadened my musical horizons and made me thirsty for more!  I was DJ'ing and promoting several parties there full time, and I eventually accumulated 11,000 records!

From 1999-2004 I co-founded and ran a small independent dance music label called CAPTIVATING RECORDS along with DJ Will (Automatic)(The Carry Nation).  We managed to put out five 12" single vinyl releases during a very difficult time for everyone in the music industry.  We were the executive producers for each project, giving us the creative freedom to license and release our own original songs and tracks, material from other artists, as well as our own remixes of those singles.  It was quite the learning experience! 

My main passion, goal, and focus has always been within music and DJ'ing and it is very clear to me that playing music is a gift that I have been blessed with.  And even after all these years, I still enjoy sharing and celebrating this ability and music with those who want to listen.  This journey continues to take me through several clubs, bars, lounges, outdoor venues, and restaurants in NYC and beyond, and I am truly grateful!

As a veteran DJ, I feel obligated to mention that there are a lot of people out there trying to become and/or claiming to be DJs these days but very few of them actually know the history of dance music or possess the dedication, mixing skills, experience level, and the musical or technical knowledge to truly consider it their profession.  It takes a lot more than a laptop with a few music downloads and a controller to make an event or party happen!

The DJ sets, mixes, remixes, and re-edits I have posted on this page are a few examples of my work that I have produced on my own and by collaborating with others. The DJ sets I have shared here were all recorded "live" and were not pre-programmed, re-edited, or post-produced in any way.  That would take all the fun out of it, right? 

The DJ sets titled “YES SHE DID” are also live mixes done at THE FACE RADIO in BROOKLYN (or at parties) with my then co-host Tre D’Ambrocia. 

For bookings and more info, please contact me at djgantjohnson@yahoo.com

Thank you for listening!

MUSICALLY YOURS, GANT

XXOO

culturally smudging since '90.
http://www.peacebisquit.com
Contact: staff@peacebisquit.com

#BillColeman
#AngeloPepeSkordos
#MicheleRuiz

#SupportAuralRecycling

A FABULOUS LEGENDARY QUEEN... 
Recording Artist Wondering The World... Being Loud To Entertain You & Saving All The Best Of The Best Music. I Love Deep Disco Classics, Soul, Motown, Classic Rock, House, Deep Grooves, Retro Finds, EDM, Preacher House, Deep 60's & 70's Classic Movie Sound Tracks & Soul, Screaming Divas, Tribal Sounds, Golden Hollywood, The Better... Old School DJ's... I Have Hosted Most One Time Or Another Thru My Career Quite A Few Times. My Life Is Comedy & Being Loud Advocate For Many Causes. I Consider Myself A Huge Fan Of Most All Good Music & Love Learning & Promoting The Greatest New Re-edits Of Some True Classics Done Right. I Live In Hawaii, Paradise USA, But. From The East Coast & Old School Enough To Know What Fierce Truly Is... Been Schooled & Raised By The Best Of The Best Club Owners & Divas Long Gone  & Friends In The Entertainment World At Same Time Growing Up Together. Have Become Quite A Big Queen Myself, Iconic They Tell Me, Lolol... Always Be Sure To Check My Favorites List Always... I Am A Huge Diva Here To Support The Better DJ's Producer's & The Music Makers... Much Alohas To All My Diva Men & Dolls Out There.

Freemasons / Russell Small

'EARWORM' Album Out Now: https://bfan.link/earworm-fm030

Management: martinsouthon@me.com

Morabito: The Art Of Enduring Excellence

The word “legendary” rolls off the tongue easily and often these days, but in the world of music and nightlife that story is usually told in the past tense. Unless the legend happens to be Susan Morabito. Few names have dominated the dance scene over the course of three decades and remain as relevant, current and celebrated as Morabito.

Susan moved to New York City in 1987, and after opening her own record store in Greenwich Village called BPM, she had her breakthrough as a DJ when she landed a multi-year summer residence at the famed Pavilion in Fire Island Pines. In the early days of AIDS activism, she provided the musical inspiration at many international fundraising parties and became a sought after name on “the circuit”. The GMHC Morning Party on Fire Island, Dance On Washington and Cherry in Washington, D.C., Blue Ball and Blue Redo in Philadelphia, Zoo Party in San Diego, Alegria in New York, Gay Days in Orlando, White Party in Palm Springs, Big Guns on the USS Intrepid for the 25th anniversary of Stonewall and the 20th anniversary of Dance On The Pier in New York are just a few of the events she played.

She kept people dancing until sunrise at after hours events during both Miami's Winter Party and White Party weekends, and her own Equinox and Climax parties became part of NYC nightlife history. She was the first woman to headline (with DJ Paulo one year and Victor Calderone another) one of the most famous dance parties in the world, the sexually infused, leather themed Saint At Large Black Party in New York City. Among many others, she also played The Saint At Large White Party with Peter Rauhofer and Twilo Halloween with Danny Tenaglia.

Susan Morabito has graced every major club and sound system in NYC, including Twilo, Roxy, Tunnel, Sound Factory, Limelight, Palladium, Roseland, Cielo, Pacha, Webster Hall, XL and Stage Forty8. Her musical reach extends to gigs in Tokyo, Sydney, Rio de Janeiro, Milan, Amsterdam and across New York’s cultural landscape, where she created the soundscapes to many must-attend galas by Calvin Klein, American Ballet Theater, Louis Vuitton, Gucci, Sotheby's, Martha Stewart, Anna Wintour and Robert Isabel. Susan was also the musical director for the fashion world's most luminous event, The Metropolitan Museum of Art Costume Institute benefit gala tribute to icon Jacqueline Kennedy Onassis.

In 2013 Susan dropped her first name and introduced a visual identity to emphasize and support a new musical direction as “just” Morabito. Because of her instinctual understanding of music's power and her ability to drive the night with a wide range of tribal, underground, progressive and tech house, the project was enthusiastically received by the community. The past two years brought a quarterly residency at Viva in New York, repeated major club bookings in Los Angeles, Miami, Atlanta, Philadelphia, Houston, Provincetown, San Francisco, Montreal, Washington and Chicago, and saw Morabito headlining the WE Party in New York and San Francisco, Masterbeat for New Year’s Eve and Halloween in Los Angeles, White Horizons during White Party Week in Miami, The Pines Party with Chus+Ceballos on Fire Island and after 22 years, the return to the main event for the 25th anniversary of the famous Black & Blue festival in Montreal.

A new generation is now discovering and raving about the impeccable taste and rare ability to create a cohesive and seamless experience on the dance floor that sets Morabito apart and that earned her the appreciation and respect of dancers and peers alike. Through a new focus on music production and remixing she will take her meticulous standards and craft well into the future and will ensure that the legend continues.

Jay Inkpen is following