Why Wait Until Tomorrow

« La musique est libératrice, elle libère de la solitude et de l’enfermement, elle ouvre dans le corps des portes par où l’âme peut sortir pour fraterniser. »   Milan Kundera

Profil : Illustration avatar/Rat(e), auteur.e inconnu.e.

https://s1x-music.bandcamp.com/music
https://petrolchips.bandcamp.com/
https://kingdeluxe.bandcamp.com/
...

Autres bonnes adresses ;) voir liens ci-dessous :

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Music has always been my go to place, when words have failed me and I didn't know how to channel my feelings. 
I do believe that music has an extraordinary power to heal people therefore I love to capture photographs during concerts.
On one hand I get to show people, artists I think one should go listen to, because their music is meaningful and on the other hand photographing during concerts is also a sort of healing to me. 

The music industry is definitely not an easy one, therefore I find it important that we all share and stream the music we like, in order for artists to earn from it and still be able to share their art with us. 
So, please let your Ego by side when it comes to music, poems, art, that can heal or inspire people, share it with the world. Name the artists. You never know, who may be inspired by this. 

Enjoy the music =)

I post a lot of sounds on www.neuzic.tumblr.com

A fan of sounds. Check the menu here: http://nosnobsallowed.tv/

I make a living by Medicine, but I can't live without Music!
& I believe I'm a Musician in the parallel world regardless of the hard science I do in this world SO:
"Thank you Music for being there when no-one else was!"
(To Artists: Please do NOT unsolicitedly message your tracks  more than once, Thanks)

Why Wait Until Tomorrow

JAY-JAY JOHANSON