Winter 2021

2021

TAKE AWAY #59 by © Vince [Feb. 2021]

Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

02/2020 - Fée brouille Harry

Ща будете течь 15

Tracks der Woche 2021 (New Music Friday) TONSPION

Ща будете течь 24

Lanzamientos primera quincena enero 2021

Musicmatters

Gangsta's Paradise

Lars Danielsson - Liberetto - Party On The Planet

Larry Gus - 
I Need New Eyes 

Mixed by Alex Epton
Mastered by Heba Kadry @ Timeless Mastering 

Released Friday October 2, 2015

01 Black Veil Of Fail 
02 NP-Complete
03 A Set Of Replies
04 Taking The Personal Away
05 Belong To Love
06 All Graphs Explored
07 The Sun Describes
08 Nazgonya (Paper Spike) 

Vinyl Sequence

Side A 
01 Black Veil Of Fail 
02 NP-Complete
03 A Set Of Replies
04 Taking The Personal Away

Side B
01 Belong To Love
02 All Graphs Explored
03 Nazgonya (Paper Spike) 






I Need New Eyes

Larry Gus - A Set Of Replies

Rhinestone Eyes is the fourth track on the Gorillaz' 2010 album, Plastic Beach and was intended to be the final single.

Rhinestone Eyes

Aperitif for Destruction

People = Shit

Guerrilla Club

Eye Of The Storm

Je te laisserai des mots

Not In Love

Not In Love (Radio Version)

Girls Just Want To Have Fun

Mystery

Sorrow

► Spotify

Wave

Strange Rain

Look At You

from BRIC-A-BRAC Ep (out November 14. 2019)

Bric-A-Brac

Cinnamon Song

MMXVII, Глава II

Как не быть молоком

Nightingale Wake Up Calls

Nightingale, Pt. 1

The first single from "A Guide to the BIrdsong of Mexico, Central America & the Caribbean" comes from Belize's Garifuna Collective who interpreted the song of the Black Catbird.

This is the first single from an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them.

"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is the second Volume in the series following on from "A Guide to the Birdsong of South America", originally released on Robin's old label Rhythm and Roots. Volume I raised nearly 15,000 USD for two birding organisations and featured artists like Nicola Cruz, Dengue Dengue Dengue and Chancha Via Circuito.

For this second edition we have shifted focus north of the equator and to the vulnerability of bird species like the Momoto Carenado (Nicaragua), Ferminia (Cuba) and the Jamaican Blackbird (Jamaica), birds who have dwindled in numbers as a result of the environmental repercussions of climate change, deforestation and trapping for the pet trade.

For the album we chose 10 endangered or threatened bird species and challenged 10 of our favourite producers or musicians from the region. Working with the Xeno Canto birdsong community and the Macaulay Library, we sourced a recording of each bird’s song. Each artist was then asked to create an original piece of music inspired by the bird and its song.

The project would not have been possible without the support of an incredible Kickstarter community, helping us raise £12,599 in August 2019.

Once the costs of production have been covered, all of the proceeds from this album will be donated to Birds Caribbean, La Asociación Ornitológica de Costa Rica and Fundacion TXORI in Mexico. All profits from the sales of the record, music streaming, poster and t-shirt will be shared between these organisations who focus on engaging local communities to help improve and grow the bird tourism sector, create awareness of vulnerable birds with young people and crucially, provide rescue, rehabilitation and breeding programmes.

A Guide to the Birdsong of Mexico, Central America & the Caribbean

A Guide to the BIrdsong of Mexico, Central America & the Caribbeam

The Garifuna Collective - Black Catbird

Love Yourself II

Roseboi Feat. Save Haku - Tanjiro

Sex Collègue

Terra Firma

Blame It On Society

Luv n Pain

Ritchie Sacramento

A Walk In The Park

Whisper Dish - They Don't Know

Earth Angel

Shins

think i lost u w/ Max Fry

www.imaginedragonsmusic.com
facebook.com/ImagineDragons
twitter.com/imaginedragons
iTunes: http://smarturl.it/NightVisionsDLX 
www.grouplovemusic.com
facebook.com/GROUPLOVE
twitter.com/GROUPLOVE

VIP DJ

Radioactive (Grouplove & Captain Cuts Remix)

Stereolab - Dimension M2

That's The Breaks

Music and words written and recorded by Lotta St Joan
Mixed by Cameron Laing at The Famous Gold Watch
Mastered by Marco Pellegrino at Analogue Cut Mastering

Lyrics:

The only truth I have for you
is I don't feel enough
It might even be nothing
But sorry
We're here
As those arms
Couldn't possibly reach around my fears

Oh what have I done
To you again
An honest try
Just another end

The tears I shed my lover
Are still owned by another
They are owned by another

You say it's fine
Yet I know
I've wronged us both
This time

One lonesome pair
The two of us
Together
More than ever

Oh what have I done
To you again
An honest try
Just another end

The tears I shed my friend
Are still owned by another
They are owned by another

Those Arms

Prosthuman

Chords4 / Kurz Vor

‘Limbo’ is an intermediate, transitional, or midway state or place and is exactly where we, Innervisions, exist at this moment in time. It represents the opportunity to reflect and make a connection between how things have been done previously, whilst looking forward and asking the question: what will be done differently in the future?

Named after this state the upcoming compilation "IV99 - Dixon & Âme
Present Limbo" is available digitally in addition to an extended AR experience on Instagram, which will be released on December the 15th in collaboration with Cibelle Cavalli Bastos (@aevtarperform).

Consisting of 10 previously unreleased tracks selected by Dixon and Ame, including "Across The Sun feat. Filippo Nardini" by Aldebaran as a standout mysterious pop contribution to Innellea’s break beat monster
"The Invention Of Flying“. Innervisions presents a mix of new and familiar faces comprising of Denis Horvat, Aera, Lake People, Auggië, 
Shiffer, Skatman, Alican and Ditian

Unikum

IV99 - Denis Horvat - Unikum

A Story of Italo Disco, Indie Dance, Slow Motion, New Wave, Breakbeat ...is now starting.

INCOMING : Darlyn Vlys - Hypercube #DustandBlood

Release date : 2020-12-18

Buy : https://dustblood.bandcamp.com/album/darlyn-vlys-modelo-303

Dust & Blood is a new label from Damon Jee, a producer taking electronic dance music into exciting new directions. For the first release, he welcomes good friend Darlyn Vlys who delivers three devastating productions complete with a remix from rising Kompakt producer, Paulor.

'Hypercube' is a progressive indie-dance cut filled with crystal clear production. The central motif is a melancholic melody that will move your spirit as much as it moves your feet.
The post-punk feel of 'Modelo 303' is proper dark disco: organic bass guitars combine beautifully with lush synths to create a swirling mass of dancefloor bliss.
The vocals of Northen Lite deliver a call-to-arms on 'Pacemaker'. This massive main room bomb will ignite club and festival floors alike.
Mexican producer Paulor adds some dirty grit to his remix of 'Pacemaker'. Expect the thick guitar riffs and driving bass to do some dancefloor damage in a dark, underground setting.

☎ Connect ☎

SC :
https://soundcloud.com/darlynvlys
https://soundcloud.com/dustandblood

FB:
https://www.facebook.com/darlynvlysofficial
https://www.facebook.com/Dust-Blood-106828341193339

INSTA :
https://www.instagram.com/darlynvlys/
https://www.instagram.com/dust.and_blood/

INCOMING : Darlyn Vlys - Hypercube #DustandBlood

That's Life

Why Wait Until Tomorrow

Track is taken from the upcoming TELESCOPES album 'Songs Of Love And Revolution' (out Feb 5, 2021 )

More info:
https://www.tapeterecords.de/artists/the-telescopes/

Songs Of Love And Revolution

Strange Waves

Buy CD/LP/digital

The Telescopes - Strange Waves

Get your copy: https://cutt.ly/ejUJzKB

Runemark Records releases one more Motown style EP 'Face to face'. It is a very first collaboration between Lithuanian producer Mario Basanov and Ukrainian solo artist Ivan Dorn.
'We are dropping our collab in the Christmas month, so people can dance in the snow. It was a big privilege to be in the studio with someone so talented as Mario Basanov. The tracks emerged fast, and all the inspiration came in the studio. This is often the case with cool tracks - they come to life instantaneously out of the atmosphere on the spot.' says Ivan.
EP includes two tracks 'Face to Face' and '10 Years' full of funky rhythms. It is a complex of chord changes and sophisticated melodies based on '70s disco and pop sounds. 
Mario says he was willing to collaborate with Ivan for almost a decade: 'He is a world-class singer and I am thrilled by the fact that we did this great job together. Variety of music sounds and Ivan's vocal distinctiveness perfectly fulfilled the vision'.

Face to Face

Face To Face (Runemark Remark)

Mario Basanov and Ivan Dorn - Face To Face (Runemark Remark)

El Invento

numb

was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Why Wait Until Tomorrow

JAY-JAY JOHANSON