Love this, vocals on point, lyrics 👌🏾

Great mix! Nice orchestral beginning.  Lots of emotion in this track! Takes you right into the lyrics!

In a few words, I can simply say that this song almost makes you cry. So powerful message! Keep up the good work! The world needs more music like this!

I like the intensity, but be careful of the mic gain.  when it is too high, it does cause a bit of sound distortion.

Celebrating the beautifully uncategorizable with 'Special Stuff I Like'! These are the tracks that might not fit neatly into boxes, but they definitely fit here because I love them. A mix of unique finds from different artists and some of my own original pieces that march to their own beat. #NoGenreNoProblem #UniqueTracks #MusicThatSpeaks #EclecticTaste #MySpecialMix

Special Stuff I Like

Take em

Non tu n’es pas la fille d’ipanema
Tu n’es pas
Cette Garotta là tu n’es pas 
La fille d’Ipanema
Car comme tu vois
Y a qu’elle qui m'a mis en émoi…  https://open.spotify.com/track/6AX9i0PpQ0Rt3vid3RmiXr?si=586a102cb5d74527

Crime Scene Do Not

Bossa Ipanema

Pour ce troisième titre de Noël du duo MCDC, j’ai voulu explorer encore une fois le genre latin. Cette pièce, un cubaton, se veut un hommage à mes amis cubains Rene Avich Wanton (Renesito), Javier FC Villa  et Lorenzo Sanchez avec qui j’ai appris pendant plus de dix années (en plus de mes élèves en musique) les bases de la musique cubaine. Marie-Christine Tremblay est au vocal comme d’habitude.  J’ai utilisé pour l’interpréter une ‘guitarra tres cubano’ (guitare à trois cordes doublés). François Moisan est à la basse. Les M’s : Marlène Claveau au sax alto, Michel Otis au sax ténor, André Lessard à la trompette et Martin Tremblay au trombone complètent les musiciens. Mixé et masterisé au Studio Septentrio de Jonquière par Martin Larose.  Bonne écoute!

For this third Christmas title by the MCDC duo, I wanted to explore the Latin genre once again. This piece, a cubaton, is intended as a tribute to my Cuban friends Rene Avich Wanton (Renesito), Javier FC Villa and Lorenzo Sanchez with whom I learned the basics of Cuban music for more than ten years (in addition to my music students). Marie-Christine Tremblay is singer as usual.  I used a 'guitarra tres cubano' (three string guitar with double strings) to play it. François Moisan is on bass. Les M’s: Marlène Claveau on alto sax, Michel Otis on tenor sax, André Lessard on trumpet and Martin Tremblay on trombone complete the line-up. Mixed and mastered at Studio Septentrio in Jonquière by Martin Larose.  Good listening!


Feliz Navidad

Symphonic Dances - 1. Call of the Reeds | for Wind Symphony Orchestra (Work in Progress)

Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Federn lassen

Rolling

-Lyrics-

It's a late night,
And we're sitting tight,
Our bodies close,
I can feel the smoothness of your skin,
I tell you twice,
That you look nice,
And I really like the perfume that your wearing,

And then we kiss,
And in that moment of bliss,
The planets align,
And I think of the times,
That we stayed up all night and stared at the moon,
It was beautiful,
Our bodies collide,
Our bodies collide until the end of time,
Our bodies collide,

I don't mean to fright you but,
I do think tonight could be,
The very best night I have had in a very long time,
And it makes me smile when I,
Haven't seen you for awhile,
And I look into your eyes,
And you tell me everything will be okay,

And then we kiss,
And in that moment of bliss,
The planets align,
And I think of the times,
That we stayed up all night and stared at the moon,
It was beautiful,

Our bodies collide,
Our bodies collide until the end of time,
Our bodies collide,
Your hand in mine,
Our bodies collide,
Our bodies collide

Our Bodies Collide

🎭 A Dream Worth Breaking 
“Not Zaun. Not vengeance. Not even freedom. Just her.”

Step into the smoke and sorrow of Arcane’s darkest lullaby. "A Dream Worth Breaking" is a cinematic, emotionally raw confessional ballad sung from the aching heart of Silco — not as a Revolutionary but as a father.

Blending haunting piano, electric cello, and ambient industrial textures, this track spirals from whispered grief to orchestral catharsis. Inspired by the hidden backstory of Felicia — Vi and Powder’s mother — this song reframes Zaun’s rebellion as a vow born of love, not just revolution.

But when that vow collides with the broken child Silco raises as his own, the dream shatters. And in the shards, he finds something more powerful than power: a reason to stop fighting. A reason to hold on.

🩸 From ghostly female echoes of “Powder” to the swelling chorus where Silco trades war cries for lullabies, this is a farewell to an old  promise and a tribute to a daughter who became the dream,His Legacy,His Daughter

✨ For fans of emotional storytelling, cinematic soundscapes, and characters too broken not to love.

#Arcane #Jinx #Silco #Zaun #OneHandedComposer #EmotionalEpic #FatherDaughter #SoundtrackForTears #CinematicPop #AestheticDespair 
✨LYRICS BELOW✨
Lyrics – A Dream Worth Breaking
Silco’s confessional to the only vow he ever meant to keep.

You made us promise in the dark
Said you couldn’t raise her in the smog.
"You're not allowed to fail again,"
That vow was more than just a joke.
We took the weight, two broken men…
But I walked the fire alone again.
With every drop they bled from Zaun,
I swore to burn the world to right that wrong.

I carried your ghost like a knife,
Cut the air with speeches, sold my soul to strife.
Painted freedom in Shimmer and blood,
Told myself the ends were worth what they’d become.

Then I found her in the rain.
Tears that matched my soot and flame.
Arms around me, frail and bruised—
Powder, little girl I couldn't lose.

And everything changed.
She cracked the iron in my chest.
No longer chasing flags or flame—
She became my breath.
Not Zaun, not war, not even pride.
Just keep her safe, just keep her alive.
The dream I once set cities on fire to reach
Now cried in my arms on that rusted bridge.

I wore my mask before the crowd,
Spoke in steel and rage out loud.
But in the dark, I watched her sleep,
Listened to the chaos buried deep.
And tried to be the father I never had,
Teaching strength the only way I could stand.

They called me monster, zealot, ghost…
But I dropped it all when she needed me most.
That day her blood met Piltover’s rain,
I didn’t see a soldier, only pain.
And I knew—oh, I knew right then:
She wasn’t my weapon or a tool…
She was the end.
I felt like a fool.

And everything changed.
She cracked the warlord into dust.
Zaun could burn, I'd let it rust
If she would breathe, if she would trust.
No more crusade, no more command—
Just hold her hand, just hold her hand.
Not victory, not power, not flame…
Just the sound of her voice saying my name.

Don’t cry... you’re perfect.
Even in chaos, even in pain.
You’re the song, the dream, my legacy.
Don’t cry... you’re perfect.
Perfect...
My dream, my legacy…
My daughter.

Dream Worth Breaking

Jeremias Langsämmer – As The Light Dims Slowly
A piano-led meditation unfolding at an adagio pace, As The Light Dims Slowly channels the hesitant phrasing of Erik Satie. Cello, violin, and soft strings offer gentle support, moving in and out of the piano's uncertain light. Sparse and reflective, the piece lingers in moments of pause as much as in sound, capturing the hush of evening as it slowly gives way to night.

Cover photography by Fraser Cormack. Find more of his work at https://www.facebook.com/profile.php?id=61559043332127

As The Light Dims Slowly

No Man's Land

The song "Letim" (“I’m Flying”) is an original composition by members of the Prlek Aeroclub, dedicated to the memory of club members Jože Gajser and Aljaž Caf, who tragically lost their lives 20 years ago in an aviation accident caused by a technical failure of the motorized hang glider on which Jože, as a flight instructor, and Aljaž, as a student, were learning to fly.

The song "Letim" describes the grandeur of flying and the feelings we pilots experience when we are up there, high above everything that burdens and weighs us down on the ground — when we are close to the sun and close to our departed colleagues…

Members of Aerobend:
Davorin Kurbos – guitar and lead vocals
Roman Caf – piano, Hammond organ, backing vocals
Mladen Kosi – accordion
Stanko Pesrl – bass guitar
Anton Kurbos – drums, backing vocals

As a special guest of Aerobend, Eva Pesrl also performed – violin and backing vocals.

Music and lyrics: Davorin Kurbos
Arrangement: Davorin Kurbos and Aerobend
Audio recording, mixing and mastering: A7 Recording Studio, Blaž Pavšič, Slamnjak
Video recording: Provideo – photo, audio and video production, Vinko Lukač, Bakovci

Aerobend - Letim

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/incidente-a-medianoche-version-original-ver-texto

INCIDENTE A MEDIANOCHE

Voy a contaros amigos una historia
que sucedió un domingo de febrero
en medio de una noche oscura y fría
que poco a poco calaba hasta los huesos.

El incidente comienza en el pueblo
cuando después de haber pasado el domingo
al lado de la mujer de tus sueños
regresábamos al “tajo” cuatro amigos.

Íbamos felices y contentos
pues nuestro carro corría muy veloz
“te estás portando como un señor”
le decía Octavio que era el conductor.

Pero de pronto en medio del camino
y tras un extraño ruido en el motor
fue perdiendo fuerza nuestro utilitario
y, sin pensarlo, el frenazo de rigor
pues sin duda alguna había sucedido
algo importante y no tenía solución.

Cuando el coche estuvo ya parado
se abrió el capó para ver lo acaecido
vimos que el radiador se había rajado 
y todo el agua habíamos perdido.

Lo que entonces pasó no os lo canto...
perdí el control y también mis compañeros:
recuerdo cuatro lenguas a destajo 
despotricando como unos carreteros.

Cuando todo esto fue menguando
y a nuestro temple volvía el color
“no preocuparse, se hará autostop”  
 afirmó Domingo con determinación.

Pero con las “pintas que nos cantaban”
uno con las barbas y otro de militar
los otros dos hasta el moño manchados de grasa
¡así quién diablos nos iba a parar!
pero allá a las cuatro de la madrugada
un rezagado paró al ver al militar.

Pero cuando vio la “compañía” 
con toda prisa se quiso echar atrás
“no le dé miedo, son de fiar”
exclamó Pepucho con gran serenidad.

Con insistencia logró convencerlo
de que nos dejara a los cuatro subir
pues aunque le resultara difícil creerlo
no éramos quinquis o gente de mal vivir.
Y si todo el lío quería saberlo
le prometía que no le iba a mentir.

Todo está visto muy por encima
porque la historia no es fácil de contar
pues estas cosas “pa” verlas ¡hay que vivirlas!
y entonces es cuando se puede opinar
por más que parezca un relato de risa
aquella noche jamás se nos olvidará.

MIDNIGHT INCIDENT

I'm going to tell you, friends, a story
that happened one Sunday in February
in the middle of a dark and cold night
that slowly chilled to the bone.

The incident begins in the village
when, after spending Sunday
with the woman of your dreams,
four friends were returning to work.

We were happy and content
because our car was going very fast
"You're behaving like a gentleman,"
Octavio, the driver, told her.

But suddenly, in the middle of the road
and after a strange noise from the engine
our car began to lose power
and, without thinking, we slammed on the brakes
because without a doubt something important had happened
and there was no solution.

When the car was finally stopped,
we opened the hood to see what had happened
we saw that the radiator had cracked
and we had lost all the water.

I won't tell you what happened then...
I lost control, and so did my companions:
I remember four tongues blaring out loud
ranting like cart drivers.

When all this was fading
and our temper was returning
"Don't worry, he'll hitchhike,"
said Domingo determinedly.

But with the "looks they were giving us,"
one with a beard and the other a soldier
the other two covered in grease up to their necks
who the hell was going to stop us!
But around four in the morning
a straggler stopped when he saw the soldier.

But when he saw the "company,"
he hurriedly wanted to back out
"Don't be afraid, they're trustworthy,"
exclaimed Pepucho with great serenity.

With persistence, he managed to convince him
to let the four of us get on,
because, although it was hard for him to believe,
we weren't quinquis or lowlifes. And if he wanted to know the whole mess,
I promised him I wouldn't lie.

Everything is very superficial
because the story isn't easy to tell
because these things "have to be" seen, you have to experience them!
and that's when you can have an opinio

Incidente a medianoche (Feat. Hugo Iglesias Olmos)

PEOPLE WANT TO SEE YOU FAIL AT YOUR DREAMS!

BAD WISHES ON ME

Toi ma belle chataine

All Of This, For What_

A raw acoustic protest song calling out the “missing minute” in the Epstein jail footage and the deeper questions it raises about justice, power, and transparency. A gritty ballad for those who still question the script.

The Missing Minute

An Epic Novel. A Sonic Universe. One True Story.

Welcome to the sonic universe of "Behind Us The Land" (Hinter uns das Land). What began as a soundtrack for an epic historical novel has evolved into a global, cross-genre music phenomenon, celebrated by millions of listeners and a worldwide community of artists.

Discover the different worlds within this project:

The official soundtrack to the 80-year true story of the Feyerabend family.

The epic progressive metal of the virtual band Adelheide's Wisdom.

The chart-topping indie pop of the virtual artist Ulla F.

Helmed by author, producer, and lifelong music curator Frank Talmon l'Armée, this project is the result of a deep-seated passion for music and storytelling. As the human visionary, he employs a hybrid method of traditional songwriting and the pioneering use of AI tools as his "orchestra" to bring this monumental saga to life.

This is a place for deep listeners, for fans of epic stories and genre-defying music. Dive in, explore the albums and playlists, and become part of a story that connects the past with the future.

At its heart, 'Behind Us The Land' is more than just the 80-year story of one German family. It's a universal parable about loss, resilience, and the unbreakable will to build a new home from the ruins – a story that repeats itself tens of thousands of times every single day, all over the world. Our music aims to give a voice to this universal experience and to inspire courage.

A Beyond & Before Music production.

---

Ein Romanepos. Ein Klanguniversum. Eine wahre Geschichte.

Willkommen im Klang-Universum von "Hinter uns das Land". Was als Soundtrack zu einem epischen historischen Roman begann, hat sich zu einem globalen, genre-übergreifenden Musikphänomen entwickelt, das von Millionen von Hörern und einer weltweiten Community von Künstlern gefeiert wird.

Entdecken Sie die verschiedenen Welten innerhalb dieses Projekts:

Den offiziellen Soundtrack zur 80-jährigen, wahren Saga der Familie Feyerabend.

Den epischen Progressive Metal der virtuellen Band Adelheide's Wisdom.

Den chartstürmenden Indie-Pop der virtuellen Künstlerin Ulla F.

Geführt von Autor, Produzent und Musik-Kurator Frank Talmon l'Armée, ist dieses Projekt das Ergebnis einer lebenslangen Leidenschaft für Musik und das Erzählen von Geschichten. Als menschlicher Visionär nutzt er eine hybride Methode aus traditionellem Songwriting und dem wegweisenden Einsatz von KI-Werkzeugen als sein "Orchester", um diese monumentale Saga zum Leben zu erwecken.

Dies ist ein Ort für anspruchsvolle Hörer, für Fans von epischen Geschichten und genre-sprengender Musik. Tauchen Sie ein, erforschen Sie die Alben und Playlists und werden Sie Teil einer Geschichte, die die Vergangenheit mit der Zukunft verbindet.

Im Herzen ist 'Hinter uns das Land' mehr als nur die 80-jährige Geschichte einer deutschen Familie. Es ist eine universelle Parabel über Verlust, Widerstandsfähigkeit und den unzerbrechlichen Willen, aus den Trümmern eine neue Heimat zu schaffen – eine Geschichte, die sich täglich zigtausendfach auf der ganzen Welt wiederholt. Unsere Musik soll dieser universellen Erfahrung eine Stimme geben und Mut machen.

Ein Projekt von Beyond & Before Music.

© 2006-2025 Beyond and Before Music

#HinterUnsDasLand #BookSoundtrack #CinematicMusic #Storytelling #RockOpera #AdelheidesWisdom  #BeyondAndBeforeMusic

One-Handed Alchemist of Sound From Winnipeg’s roots to Montreal’s pulse, now conjuring music in Ontario, I am an amateur  pianist who transforms limitations into art. With my left hand and AI music tools as my allies, I craft one-handed piano compositions that resonate with Arcane’s raw fantasy and cinematic emotion. A poet and devotee of film’s sonic storytelling, I channel Silco and Jinx into indie electronic and cinematic pop epics. Post-epilepsy surgery, my creativity soars, from cinematic vocals born from silence and sculpted into sound with AI tools  proving no barrier can silence a dreamer. Step into my world where every note sparks a story.
My style?
🎹 One-handed piano
🎧 Indie electronic
🎬 Cinematic emotion
💥 Inspired by Arcane, Silco, Jinx  and anyone who finds poetry in chaos.

If you’re drawn to music that sounds like a score to your struggle, or a soundtrack for standing back up 
you’re in the right place.
This is for dreamers, outsiders, survivors...
For anyone who’s ever felt broken  but refused to fade.

Dream Worth Breaking

ArcaneKanuck

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