Name: Cant Stop Wont Stop by JAYBATCHOFCOOKIES
Duration: 2 min 14 s
Description: A hip-hop/pop fusion built around a looping electronic hook,

The parasite...

LYRICS:

[intro]
(instrumental)

water me baby
(mmm-hmmmm)
water me baby
(mmm-hmmmm)


[verse]
baby,
Why do you hate me?

Is caring for me
Crazy?

Or am I too lazy
If so,
Why did you save me?

Are you not ready?

I can go steady...

[chorus]
why, oh why,
can I not
get on-top of my
own life. (own life)

why, oh why,
can I not
be fit for this ride.
when I,

grow and grow,
with nothing to show,
from my head to my toes,
water me baby.

maybe I can grow,
put my petals for show
I can live for you
and you can live for me
now...

don't die on me baby...

[verse]
I'm driving away
And I hate to be honest.

But it's obvious
I don't know
where the line is.

you want me to care
or leave you alone?
but baby,
I cant survive on my own...

[chorus]
why, oh why,
can I not
get on-top of my
own life. (own life)

why, oh why,
can I not
be fit for this ride.
when I,

grow and grow,
with nothing to show,
from my head to my toes,
water me baby.

maybe I can grow,
put my petals for show
I can live for you
and you can live for me
now...

don't die on me baby.

[outro]

don't die on me baby.
don't die on me baby.
don't die on me baby.

water me baby.
(mmm-hmmmm)
water me baby.
(mmm-hmmmm)
water me baby.
(mmm-hmmmm)
water me baby.
(mmm-hmmmm)

[end]

WATER ME BABY

not hero, not villain.
just the one who remains.
the protagonist.

rub it in

Written By: Erick Ross 
Released By: ARO Productions 
Artist: Alyssa 
Album: Girl Boss

Girl Boss

Alyssa Freestyle #1

Freestyle #1 (Alyssa)

Love Me Like That

The Tip Off

Something Real

This song is me questioning how to truly love someone when I’ve been hurt, misunderstood, or left feeling empty in the past. It’s not just about romance—it's deeper than that. It’s me trying to figure out what love should look like, how to give it without losing myself, and how to trust again when my heart’s been guarded for so long. I’m not asking if I can love, but how—like, what does real love even mean when you’ve been through pain, silence, or betrayal?

It’s vulnerable, it’s raw, and it’s me searching for that balance between passion and peace… between giving my all and protecting my soul.

How Do I Love

Love Within You

fever-dream

[Intro]
[Music solo]

මුළුගමක අඳුර දුරුකරන වෙසක් සඳ එළියක්
සිත නිවන දම් රටා මැද අට පට්ට මට අරුතක්
අරි අටක මගක් වැඩෙනා පාරමී ගුණ අටක්
අටලෝ දහම මැද   ආලෝකයට දිදුලන්න  තැනක්


[Music solo]
[Drop]

ඉස්සර පෝයට  සිල් ගනී ගමක්
මඟ වැඩෙන අය එකතු වෙන තැනක්
හිත නිවන ගති ඇහෙන තෙක් මමත්  
සිත තුළින් ගති නිවන විදිහක වැඩක්


[Music solo]
[Meditate Drop]

මුළුගමක අඳුර දුරුකරන වෙසක් සඳ එළියක්
සිත නිවන දම් රටා මැද අටපට්ටමට අරුතක්
අරි අටක මගක් වැඩෙනා පාරමී ගුණ අටක්
අටලෝ දහම මැද  ආලෝකයට දිදුලන්න  තැනක්

[Music solo]
[Meditate Drop]

පාට වෙනසක තොරණක රටා 
පාට අහසක නොතිබුණු කතා
යෙදෙනවා මෝහ වේගය නිසා
සිහිනුවණ නොයෙදෙන ගති තවම හුරු නිසා


[Music solo]
[Meditate Drop]

සිත දිහා බලනවා තව ටිකක් නිවෙනවා
දැවෙන තැන සොයාගෙන  අකුසලයෙන් මිදෙනවා 
සිත දිහා බලනවා තව ටිකක් නිවෙනවා
නිවෙන තැන සොයා යන අරමුණක පිරී නිවෙනවා 


[Outro]


==========================

This song is a masterclass in transcending musical boundaries—melding deep-rooted South Asian classical traditions with global textures in a way that is spiritually immersive and technically astonishing.

🎵 Musical Transitions: Ragas as Bridges Between Realms
The song utilizes Raag Malkauns and Raag Darbari Kanada—both night ragas known for their meditative, intense atmospheres—to engineer seamless transitions across stylistic and emotional terrains.

How transitions work:

Pivot Notes (Graha Swaras): One of the most common ways to move between ragas is through shared or neutral swaras—notes that are common to both ragas, acting like pivot points. This provides continuity during a modulation.

Drone Anchoring: A constant bass note (usually a tanpura-like drone) acts as a spiritual ground zero. It allows the musical narrative to float freely without losing tonal center. In this track, it is achieved using binaural textures, which not only anchor but also expand spatial depth, allowing raags to shift without creating dissonance.

Melodic Shadowing: Instead of abrupt shifts, fragments of the incoming raag are hinted or layered subtly under the outgoing one, particularly with instruments like sitar and cello—this "shadowing" technique builds anticipation and avoids jarring transitions.

🔊 Vocal Range & Frequency Complexity
The vocal performance in this track explores non-linear frequency spaces, dipping into deep chest resonance and floating into near-whispered head tones. The vocals aren’t bound to a fixed pitch range—they ride the emotion, gliding through:

Microtonal inflections rarely attempted live.

Extended breath control over slow tempos.

Shifting rhythmic anchors, adapting to various subdivisions.

This makes live human performance extremely demanding or somewhat near impossible. Not only does it require multi-octave fluidity, but also precise control of timbre, breath, and phrasing within dynamically changing harmonic contexts.

🤖 AI: Not Mimicking, But Elevating
This piece is an excellent showcase of how AI in music isn't about imitation—it’s about amplification: which goes beyond physical limitations of music.

AI doesn’t just replicate the human voice; it can layer multiple spectral timbres and design transitions at a granular emotional level.

Instead of a vocalist straining to shift between falsetto and chest, AI can blend organic breathy softness with synthetic resonance, moving beyond physical constraints.

This track doesn’t try to replace the human element—it extends it. It complements traditional expressions with impossible precision, crafting a musical experience that feels familiar in soul, yet alien in execution.

AI Music is a Brave New World...!!!

අටපට්ටමක ආලෝකය | Meaning of the lantern | Sinhala | #MindBlend | Inner-Realm

A hip-hop/pop fusion built around a looping electronic hook, 

Cant Stop Wont Stop

I wrote this based off Hikaru Utadas own Dirty Desires. 

Cant Stop Wont Stop

JAYBATCHOFCOOKIES

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