
Management : Jane Slingo - jane@youngstrangers.com 

Few people can boast the musical ability that Gabby has in so many forms - physically, vocally and technically.

Her career began in the world of dance. From 2002 she appeared as a feature dancer in a number of music videos, films and live performances both in Australia and internationally. By the mid noughties, Gabby's passion for music led to an obsession with the decks, which swiftly saw her playing guest sets at a number of prestigious events in Oz - including Future Music Festival, Sensation White and Kink in her first few years of DJing. As a DJ today, she's the lady of choice for techno and house for a number of the best club nights around Australia, being represented by the esteemed Finely Tuned agency, and holding residencies at both SPICE and S.A.S.H. in Sydney.

As a producer, her few forays into the studio have led to ARIA chart topping releases and license requests from a handful of internationally released compilations as well as appearances on Ministry of Sound compilations. Her past collaborations with Elroy & Piper for 'Point n Clap' and with Craig Obey for 'Gonna Have To Pay' reached #2 and #7 respectively on the ARIA club charts.

Following the release of her debut remix of Sampology's “Hell On Wheels” in early 2012, GABBY's been head down in the studio working on an array of solo and collaborations both within Australia and abroad. 

Gabby is also the founder and creative director of the Australian Fashion label TROIS Couture (est 2008), and Performing Arts School - Elevate Performing Arts (est 2008). 

www.troiscouture.com
www.elevateperformingarts.com

Discography 
2011 "Adjective" Gabby & NTFO - Sintope Digital 
2009 “F Is Four” - Silverscreen (Bam Bam Muzik)
2007 “Point n Clap” - Elroy & Tom Piper feat Gabrielle Abela (Bam Bam Muzik)
2005 “Gonna Have To Pay” - Craig Obey feat Gabrielle Abela (Ministry of Sound) 

Remixography 
2012	“Hell On Wheels”- Sampology feat Kween G (GABBY mix)	Indie

Claude VonStroke spent over 20 years shaping underground dance music and building a community. After selling the Dirtybird brand and taking a 2 year hiatus, he’s back with a new mindset - playing only where he wants, for those who love the originality of his unique style.

His new "Life of Leisure" rebrand is not a status flex; it’s a vacation on the dance-floor.The ravers are the heroes; Claude is just the guide. Leave your villains at the door—fear, anxiety, and stress have no place in
VonStroke’s vibe. Only music, movement, and energy matter. Every show is intentional, every moment sacred.

Claude VonStroke is finally doing more of what he loves and dumping all that stuff that sucks. Shedding his stressed-out, overachiever role for a more reflective and grateful approach. "Life of Leisure" is a victory lap, but we all know it’s not so easy to forget reality. Join him, even if it’s just for a few hours in the club on a Saturday night.

Like most of Australia’s best rock exports, The Vans started touring just about as soon as they could play. And it shows. The Vans’ latest release – FOR YOU – boasts the kind of tightness that only comes from on-stage chemistry. First hitting the road in 2011, The Vans have clocked up a staggering amount of shows since forming – not least of which coming from their four consecutive European tours. And while it would be understandable to think that it is ambition driving The Vans, they do this because they absolutely love it.

Hefty-sounding, but always wielding more than a few killer hooks, FOR YOU is music written for the love of music, and its formula is tried and true: a melody you can’t forget, a line you can’t help but sing, and a beat that gets you dancing. Beautiful, simple and honest. Ready as ever to see Australia and the rest of the world from the inside of a van and the top of a stage, FOR YOU has given The Vans another reason to get back out on the road, which by now is proven to be this band’s spiritual home.

‘The Walking Who’ have always leaned into a DIY approach to music production. From the dilapidated 1970’s mansion in Wollongong, Australia where Brown started the project, to his current creative Labyrinth: A -4 sub-terrestrial converted WWII army tunnel otherwise known as ‘Studio Faust Records’ in Prague, Czech Republic.

Bad//Dreems were born during an Adelaide heatwave in the summer of 2012. Ben Marwe, Alex Cameron, James Bartold & Miles Wilson began playing together in a whitegoods warehouse on the banks of the River Torrens, a drop punt away from the West End Brewery. 

Their first release, the Badlands EP led to attention from TripleJ & US college radio. The debut LP Dogs At Bay (2015) & follow up Gutful (2017), both produced by Mark Opitz, cemented their place as one of the most exciting Australian guitar bands of recent times. They’ve toured extensively both in AUS and abroad, appearing at Splendour in the Grass, Falls & Laneway festivals & supporting acts such as Midnight Oil, At The Drive In, The Avalanches, Wolf Alice, Scientists & Cold Chisel. 
2019 saw the addition of long time live member engineer Ali Wells to the band. 

Their 3rd album, ‘Doomsday Ballet’ is due for release October 18 2019, which was recorded in Adelaide with production from Burke Reid & Jack Ladder.

https://www.facebook.com/badbaddreems | http://baddreems.com/

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