Stream now Orange Wine EP : okvsho.fanlink.to/orangewineep

Tracklist
1. Rio Sihl 00:00
2. So far so good 05:12
3. Orange Wine 08:38
4. Elyjah Slaps The Space 13:21
5. I'm In The Garden 14:48
6. Joga Bonito 18:30
7. Rasheed 23:15

The Duo Okvsho is one of the most promising prospects of upcoming musicians and producers from Switzerland. The two brothers grew up in the city of Zurich with influences from oldschool beatmaking and house/electronic music to the modern Jazz-Scene, Funk and Neosoul.

They started out their musical careers at a very young age in Brazilian percussion groups and, due to their Hungarian roots, they are also familiar with traditional Balkan music.

With the release of their “Traphouse Jazz EP“ in 2018 and their debut album “Kamala’s Danz“ in 2020 via Boyoom Connective, Okvsho gained the attention of a wider audience through placements in Bandcamp Weekly, NTS Radio and the very popular Spotify-Playlist “State of Jazz“.

After effortlessly transitioning from sample based bedroom beats and loop heavy productions to self composed songs, Okvsho managed to elevate their sounds even further. Through playing with local jazz-musicians, their live-band project celebrated jazz as dance music with driving rhythms.

Orange wine is made with an ancient production method for natural wines, with as little human intervention as possible and celebrates simplicity and complexity of natural processes, in harmony with the surrounding ecosystem.

The Orange Wine EP, their first release on the label record Hip Dozer, seems like a logical new step for the duo who once again, expanded their musical horizons. For this project, they get back to their roots and combine the simplicity of beat making with the playful and improvised jazz elements the duo is known for. Funkier than ever, their full EP reflects the new exotic vibes of the modern jazz scene. By adding live instrumentation, tropical drums and dancing beats, the group shows how to surf on the smooth and groovy wave of jazzy house music.

OKVSHO - Orange Wine [Full Album]

One of the most influential and underground Hammond organists of the 1960's was "Big" John Patton as he was then known. If it was the groove that you wanted Patton was your Man and he made several albums for the legendary Blue Note label, many of which went on to sell for eye watering prices. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went into the studio. Among his albums Soul Connection, originally released in 1983 on Nilva Records has now been re-released on what many consider to be the Re-Issue Label of these times; Jazz Room Records.


Patton had a strong band with him on this record. Avant Garde trombonist Grachan Moncur III fits in just nicely with some funky lines and solo's. Acid jazz Guitar Hero Melvin Sparks rides in the all important funk grooves but the revelation has to be saxophonist Grant Reed, who you may know from the Jazz Room Release of "Shamek Farrah & Folks" and who was a mainstay of the Mongo Santamaria set up. Jazz Exile Alvin Queen has been part of the sound set ups of Junior Mance, Stanley Turrentine and Charles Tolliver, among others.
The whole album sounds as if it was laid down in a Rudy Van Gelder session in the mid 60's and then languished in a vault somewhere, waiting until the fan base had returned. That time is now, this is a Funky Organ Groove with a Spiritual Soul Swing!

JOHN PATTON - SOUL CONNECTION

08 Running With The Tribe (Dj Nyack Remix) MSTR 4424

Here at Jazz Room HQ we've always been a big fan of the GALAXY2GALAXY original "High Tech Jazz" and when we heard the version by SuperHip Japanese Jazz Combo quasimode we said "We gotta release it!".
So here it is. Acid Jazz meets High Tech Meets Jazz Room Records!

QUASIMODE - HI TECH JAZZ (PAUL MURPHY 45 EDIT)

Mr Bop - Easter Way

Chasin' Devils

We present Print of Mind with "Sunset Vision". We hope you enjoy it. 

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What Ever It Takes

Pink Countdown by @cam-hands is featured along with 26 other songs on RISING TIDES vol. 3.
RISING TIDES is SVNSET WAVES' autumn collection of music featuring only music from artists with 500 followers on less on SoundCloud. RISING TIDES is the best way for avid music listeners to discover new artists to support and get behind early on. Each artist on the 27 track compilation was invited to participate by SVNSET WAVES founder and tastemaker, Corbin Cary. So sit back, relax, and discover new music. 
Art by Alec McKeand (alecmckeand.smugmug.com @amongthepine on Instagram)

Download Album

Cam & Hands - Pink Countdown

Personnel:
Mausiki Scales, electric piano, vibes, vocals, lyrics, arrangement
Shawna Floyd, vocals
Raina Turner, vocals
Quinn Masonry, alto saxophone
Kebbi Williams, tenor saxophone
Alex Jones, guitar
Khari Simmons, bass
Che Marshall, drums

Photo: Brandi Pettijohn

One 2Gether

DED LYK ELVIS (RIP P)

* Read more:  https://boltingbits.com/culross-close-k15-forgotten-ones/
* Watch on YouTube: https://youtu.be/UZscyGePiiA
* Pre-order: https://k15music.bandcamp.com/album/forgotten-ones

As a sidekick to our Times and Tunes interview with K15 planned next week, the founder and keys player of jazz quintet, Culross Close, we’re thrilled to premiere the eponymous track of the band’s LP, Forgotten Ones.

Only Esencia’s third release, this one is due out next week on March 15, and we strongly recommend putting aside 30minutes to do nothing but listen to the full six tracks in succession, because this album is a bonafide manifestation of top class musicianship. It’s an album of two distinct halves: the first is deep, melancholic, brooding and beautiful, while the second is lively and up-beat. A half for thinking and a half for dancing.

Ambient-jazz is how one could feasibly describe the opener, Fractured. Three minutes of swirling textures move around the listener’s head, coming close then moving away until seamlessly sliding into our premiere, Forgotten Ones. Our favourite on the record, this track shows off Culross Close’s top-class instrumentation. They all come together – the drums, the bass, the keys, the vocals – as tight and synergetic as you’re likely to find after digging for an hour for today’s best and freshest jazz. Acceptance is similar, but happier to put K15’s keys in the spotlight for much of it.

And the contrast really is striking when track four, Mood, begins. The LP’s chaotic outlier, just over a minute of dissonant strings and frantic drums will wake you back up if you, understandably, slipped deep into daydream during the album’s first half. Then, some convention is restored: it’s by no means textbook stuff with The Tiniest Lights Still Shine’s 5/4 rhythms or the rogue synthesiser of the closing track, Healing, but it’s clear that the album’s close could lure listeners of various tastes to a dancefloor.

Forgotten Ones (Digital)

PREMIERE: Culross Close (K15) - Forgotten Ones

Music is the universal language and we are the interpreter of sound, a message that has been lost in transcription. Under Jazz Is Dead, younger artists are elaborating upon conversations started decades ago; jazz icons are utilizing vintage equipment to create new masters with Adrian Younge and Ali Shaheed Muhammad; the same equipment that recorded their coveted catalogs. The vitality embedded in the new masters epitomizes our quest for new life in music:  Jazz Is Dead.