Born in the Gipuzkoan town of Bergara, Josu Aramburu has managed to gain the respect of the promoters in his area and is now starting to open up his path to new places like Napoles, Ibiza, Barcelona, Madrid, Bilbao, San Sebastian…

He has had the opportunity to share posters with international artists such as: Âme, Dj Hell, Trikk, Agoria, Dj Tennis, Red Axes, Eagles & Butterflies, Marcus Worgull, Job Jobse, Lehar, Musumeci, Denis Horvat, Frankey & Sandrino, Toto Chiavetta, Stereocalypse, Karmon, Agents Of Time, Curses, Hosh, Mandy, Matador, Johannes Brecht, Laura Jones, Nastia, Marc Romboy, Marc Houle, Digitaria, Gaiser and many more.

At the beginning of 2019 he started with his residence in Studio 76 Madrid, which he combines with the one he already had in Fever Bilbao since 2016. There he organizes his Blue Waves party and has been invited on several occasions to the Robot Electronic Club parties. Besides this, his name is already one of the regulars in the Art After Dark sessions at the renowned Guggenheim Museum Bilbao.
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Nacido en la localidad guipuzcoana de Bergara, Josu Aramburu ha conseguido ganarse el respeto de los promotores de su zona y ya empieza a abrir su camino hacia nuevos lugares como Napoles, Ibiza, Barcelona, Madrid, Bilbao, San Sebastian…

Le han brindado la oportunidad de compartir cartel con algunos artistas relevantes de la escena internacional, como: Âme, Dj Hell, Trikk, Agoria, Dj Tennis, Red Axes, Eagles & Butterflies, Marcus Worgull, Job Jobse, Lehar, Musumeci, Denis Horvat, Frankey & Sandrino, Toto Chiavetta, Stereocalypse, Karmon, Agents Of Time, Curses, Hosh, Mandy, Matador, Johannes Brecht, Laura Jones, Nastia, Marc Romboy, Marc Houle, Digitaria, Gaiser y muchos mas.

A principios del 2019 comienza con su residencia en Studio 76 Madrid, la cual combina con la que ya tenia en la sala Fever Bilbao desde el año 2016. Allí organiza su fiesta Blue Waves y ha sido invitado en varias ocasiones para las fiestas Robot Electronic Club. Además de esto, su nombre ya es uno de los habituales en las sesiones Art After Dark del reconocido Museo Guggenheim Bilbao.

Those on the outside will never understand...

selective... in every way... about everything.

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Greek electronic visionary Echonomist represents the true definition of ‘artist’. His prolific output combined with his ability to experiment with a variety of styles and liberated approach, are essential components of his artistic nature. With years of experience already under his belt, Echonomist has gone through a leap in his development recently, with releases on Innervisions, Afterlife, TAU, and Kompakt, among others, establishing his production prowess. Working with such influential labels has not only boosted his profile but, more importantly, demonstrated that his musical ability has reached an impeccable standard, acknowledged by label heads like Dixon, Ame, Tale Of Us, Michael Mayer, and Adana Twins. Both on a solo tip and in collaborative projects Echonomist’s talent shines through and he’s primed for continued success at the very highest level...

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Founded in 2013, Progressive Astronaut is a carefully curated platform, operating at the heart of the electronic underground. Initiated with the intent of musical exploration, we set out to showcase innovative content to our ever growing community. Established globally our loyal following embraces our contemporary vision for cutting edge electronic music, as seen through our premieres, podcasts, interviews, free downloads and more. Progressive Astronaut is a platform for discovery, with a healthy blend of emerging artists, along with the scenes most revered names, operating as a central hub where music aficionados, DJs, artists and label managers unite in a thriving environment bound by a passion for music. The continued evolution of dance culture resonates from the core of our platform as we move forward into the future. Come join us.

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Isolate releases timeless records for those who desire to explore rare and moving experiences in dance music of the new era we are all living in.

Forum Club, Since 1988.
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