Related tracks: Goodbye,goodbye

ALBUM #3 <<<~~ FACT! ~~>>>  [[[[[[[[[[[[[[THE REAL ALBUM #2 <<<>>> THE FORGOTTEN PROJECT]]]]]]]]]]]]]

LOST RESERVATION

CHAMPION

Solo Fourohsix - Champion - Prod.D.Bligity.32Bit.HD

Hello Folks!

Been quite some time, but being slow, doesn't gladly result in no productivity at all. Haha! After my Collab with @texmex-shaman (thanks again brother for this awesome experience), i was rummaging unfinished projects and thought about "whats next?". I found plenty of stuff which craves for my attention, but too close on the timeline with our first summer vacation at my parents in laws place.

So i came to the usual little drill , like "What equipment will i take with me" ,  "How will it be?" (in terms of my usual unique work and creativity flow) , and "Will i be able to do anything in the usual FY style at all?"...... turns out it was a fast super week there with a lot of various ventures, activities and wonderful weather!

I also used the possibility a few times to take the chosen stuff (i did go for the minimal setup as minimal can be) out in the garden, sat down summerstyle with a cold alc-free Radler and just worked in my DAW with self-built synths and a Studio One "Impact XT" drum preset which i manipulated and bent into the way i wanted it to be. Comparable with the first track you build in the Andrew Huang course, i went full electronic and after that week i had like 90% of it!! 

I have to thank my dear friend TexMex Shaman who did pre-listen ALOT and also encouraged me to build that intro (which took me quite a while to find the right samples, shape them and do some automations and stereo field sweeps - awesome process to push myself into this).

Going mad with the Visual was also predictable... most of you who know me by now, would've expected that, i guess? I love that process, like you have that music and it creates an audible image in your brain, but adding something as close as you want it to look like with a cover, is a complete different and somewhat relaxing process to me. 3 weeks of alot of work and manipulations. So much new stuff i did learn!

I want to thank big big time Chris Ainsworth on Flickr to give me the permission to manipulate his wonderful pic of an restorated "Tron" Arcade Machine!! (https://www.flickr.com/photos/53643381@N00/)

We're soon at the end of this summer and 2021 feels already passing way too fast and there is so much music to listen and also to continue working on. 

Love this SC community! Thanks for being out there and all this exchange!

Yours,
CMD SF

PS: If your'e interested, i start sharing the hq arts on my google drive for those who want to see more detail to the "vision" of my creation here!

https://drive.google.com/drive/folders/1IwcIXWLFPQtvPHYCKoOLpmme0Px0fzMh?usp=sharing

Thunder Runner

GIRLS GIRLS GIRLS (Lyrics)

Verse
We don’t need no clothes on
So why do we have clothes on? oh
We know what’s ‘bout to happen 
So we take our clothes off
Then we get a move on

Pre
To first base then we’re kissing slowly
Second base let your hands explore me
Touch third base god those lips are holy 
Girls girls girls 
Girls girls girls  

Chorus
Girls girls girls
Got ‘em on my mind 
I’m all about the girls 
Only want some fun
Girls girls girls
Always on the run
Girls girls girls
Girls girls girls

Verse 
Come out of your safe zone
And come inside our safe zone oh
Everybody wants to get some 
So come out of your safe zone
And then we get a move on 

Pre
To first base then we’re kissing slowly
Second base let your hands explore me
Touch third base god those lips are holy
Girls girls girls 
Girls girls girls 

Chorus
Girls girls girls
Got ‘em on my mind
I’m all about the girls 
Only want some fun
Girls girls girls
Always on the run
Girls girls girls
Girls girls girls

M8
How can I make you fall in love? 
How can I make you fall in love? 
How can I make you fall in love? 
How can I make you fall in love?

Julia Alfrida - GIRLS GIRLS GIRLS (Spark Remix)

Gone Phishing

POST PUNK TYPE X GOTH ROCK TYPE X DARKWAVE TYPE X NEW WAVE TYPE X ALTERNATIVE ROCK TYPE X SYNTHWAVE TYPE X SYNTHPOP TYPE BEAT 

SAVAGE (POST PUNK X GOTH ROCK TYPE BEAT INSTRUMENTAL)

lover song

A new track.

There’s fighting in the streets,
Police against the civs,
Rich against the poor
Everyone against everyone unlike them.

I touch no one I love.
Afraid I might be sick
Afraid they might be sick
With a just an errant breath we could all kill each other.

“And I don’t want to be here anymore.
“And they don’t really need me anymore.
“Seems the world just wasn’t built for me for sure.
“And I don’t think I can be here anymore,”
We all sigh.

A man then formed from dust
He stood so tall and just upon the empty street
Guitar strapped to his back
As if it were a knightly claymore.

His hair was long and brown
His glasses oval framed
He wore a blue trench coat
And as I stared at him, I thought he looked just like John Lennon.

He looked all around
His lenses glimmering
He struck a rocker’s pose
He strummed his old guitar as if he were composing magic.

And he sang,

Chorus:

“Sha la la la la da lie
Unlock your doors and come outside.
Lose the fear.  Refuse to hide,
And set the children free.

“Sha la la da la da Lie,
I can’t express the reasons why.
Hate didn’t work; give love a try
And set the children free.

A drum set appeared behind him
And sitting in the middle was John Bonham
Entwistle stepped up and took his place
Going off on the four-string bass.

The dog stopped chasing the mail man.
Democrats danced with Republicans.
The cat in the alley spit out the fish
And with the mouse he shared his dish.

Before we all knew it, we were outside 
Swinging and clapping and being alive.
That’s how we all began to move
As the rockers agonized over the blues.

Singing:
“Sha la la da la da lo
I can’t explain because I don’t know
Just dance like a lover with your worst foe
And set the children free.”

“Sha la la da don’t you cry.
We’re gonna bring love back to life.
Search your heart and grasp the good inside
And set the children free.”

Troops in the bush drop guns and rise,
And share a few beers with the other side.
It didn’t take long before they realized
The nasty row was a rich man’s fight.

Landlords tore up their back rent notes
And dropped their rates so the goose wouldn’t choke.
Scrooges eased up and lightened the yoke
And paid Cratchit more because he was broke.

Daddies came back to the Moms and kids.
She agreed not to emasculate him.
He stopped pretending that he owned them.
And for once, they all agreed.

They all cried,

Sha la la da la da lie.
Open your heart let love inside
Put away the hurt like auld lang syne,
And set the children free.

Sha la la da la da lo.
It’s time to let the hatred go.
If we knew what we used to know.
We’d set the children free.

CODA:

Sha la la da la da lie.
Unlock your doors and come outside.
Lose the fear refuse to hide.
And set the children free.

“Sha la la la la da Lie,
I can’t express the reasons why.
Hate didn’t work; give love a try
And set the children free.

“Sha la la da la da lo
I can’t explain because I don’t know
Just dance like a lover with your worst foe
And set the children free.”

“Sha la la da don’t you cry.
We’re gonna bring love back to life.
Search your heart and grasp the good inside
And set the children free.”


Sha la la da la da lie.
Open your heart let love inside.
Put away the hurt with auld lang syne,
And set the children free.

Sha la la da la da low.
It’s time to let the hatred go.
If we knew what we used to know.
We’d set the children free.

Set The Children Free

Hello my friends! Hope everything is great with all of you. Today we are going to release and share a new song.. "Get On The Floor" (Sabrina & Lillemäe) Dance & Edm & Techno in 133 Bpm.. Composed, Produced and Mastering by me and Sabina Larsson.. We don't know what you gonna think about this, so please tell us.. We hope that you will like it.. And thank you to all listeners, I hope all of you know that we are so honored for all feedback and awesome comments we get.. you are our inspiration and source of energy.. Always
Best regards Robert & Sabrina

Get On The Floor (Sabrina & Lillemäe)

Gonna Make You Mine feat : Khaye

COMBSTEAD sent me another genius level track and I added my stuff!
Thanks, Mark!
COMBSTEAD: @markcombs-928282858

Stompin' Grounds - COMBSTEAD / Robert Grigg

Been about a year since I first started releasing music, 
and this is my first time collaborating with @atthewllis aka Burlington.

He has an amazing voice and is just a super talented guy, it was honestly a pleasure, cheers brother!

This one actually came from just playing with some different sound design ideas and then wanting to put it into a song, once I got going it all came together pretty nicely.

A bit moody, a bit hopeful, a bit melancholic, a bit of drive, all-around super fun to make!

I Hope You Like It!

Cheers!

P.S. Comments, Contact, and Collabs are always welcome!

Without A Trace (Ft. Burlington)

Why Is Steve Wozniak God? (With Apologies To Robert Heinlein)

https://kalakodt333.bandcamp.com/track/a-time-of-touch

A Time Of Touch {Out Now link in description}

Traditional Puerto Rican bongos, Yoruba chanting with hypnotizing chords that will get you up and dancing

Mimi

Sometimes the sombre parts of life build up and you need a friend who can handle that you need to be morose, sanguine and maybe even a little angry and crazy at the same time. Seeing red - being pushed to the limit.
Music and lyrics by Dave Bull, Vocals, guitars, bass by Dave Bull. Drums by Dan Killen. Recorded, engineered and produced at Stay in Track Studio, Kingston, ON. Mixed & engineered by Tim Greencorn at Little Chicago Studio, Smiths Falls, ON

The River Runs Red - Dave Bull

This guy has had it. He is leaving. You can only put up with so much.

Goodbye, goodbye

Goodbye,goodbye

Not Coming Home

Artist and songwriter Darrin Cox recently teamed up with Phonic Blizz Ent and singer Carey Nash in order to create a fan- tastic new release that blurs the lines between soul and hip-hop music.

A Love Story

JD Carroll has been writing music since before paper was invented. Originally, he carved his lyrics into wood tree limbs and etched them onto slabs of soft stone. This was a durable but extremely time consuming way to record his music. Unfortunately, most of his early writings were destroyed in the second apocalypse. Luckily, his music had become very popular within the Neanderthal community and was held in great esteem by that promising species. It was passed along though word of mouth for centuries; it evolved as it was passed down from generation to generation. Somewhere in the past his music crossed over to the homo-sapiens and moved on into the more modern world.

When his good friend, Johannes Gutenberg, started fooling around with his new printing press JD suggested to Johannes that he turn out some of JD's music to test the usefulness and practicality of the new gadget. Much to JD's dismay, Gutenberg decided to go with the money and print Bibles instead. This caused a major riff in their relationship which still resonates today. Some slights are hard to get over.

It is rumored but not substantiated that JD was working with Ludwig Von Beethoven on the "Ode to Joy" and JD suggested he change the name to "Come on People, Lets Get Happy" but Ludwig thought the name was a little too long. Everyone is thankful.

As the industrial revolution took hold JD found himself palling around with Charles Dickens. It was at one of their late night, cigar chomping, whiskey drinking gabfests that Charles mentioned he was looking for a career change. That Counting House thing was not working out for him. JD suggested that he try writing. Maybe something involving social reform. The possibility of serializing was discussed. Maybe even a short story about some mean old guy who finds redemption through a dream or something. Dickens found great success soon after and helped JD move to America.

JD landed in Menlo Park working in Edison's Lab when he mentioned to Tom that a wax cylinder might work better than Tom's original leather cylinder in the early prototypes of Tom's phonograph. He also tried to get Tom to record "My Father's Son" instead of "Mary Had a Little Lamb" as his first recording. Tommy stuck with "Mary" and the rest is history.

During the 1950's JD moved to East Farewell and wrote the album of the same name. His experiences there shaped his later work. While working with the Everston Brothers, JD mentioned perhaps if they tried some tight harmonies and shortened their name they may have better luck with the rock & roll genre that was starting to take hold. Don and Phil would always laugh about the time JD and his girlfriend, Kathy, fell asleep in the movies and were scared her parents would think something was going on. They even wrote a tune about it but changed her name to Suzy to protect Kathy's reputation. East Farewell was a small town, words spread quickly.

As the 1960's and 70's came around JD moved to outside Philadelphia, PA and worked on refining his sound and learning to record his music on analog tape. He produced the vinyl 45 "I Can Make You Smile" b/w "Brand New Lover." Both received lots of play on juke boxes all over the city.

In the new millennium, as this Internet fad thing took hold, JD has been re-recording his music into the MP3 format and has made it available to all on this site and at www.creativeventuresmusic.com. as well as on I-Tunes, TuneCore, Jango and CD-Baby.

Check it out, enjoy.
