Aussie DJ based in Asia. Lover of surf, snow, photography, sunsets and music… on a junk boat in Hong Kong or in the mountains of Japan… you’ll most likely find me playing uplifting Deep House, Melodic Techno, Indie Electronica, Disco, or good old-fashioned House!

Bookings: no.rush.dj@gmail.com

Skank is the rock in my step
Bookings:

world : alxquentin@gmail.com

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
Continue reading... www.facebook.com/pg/rogersanchezfanpage/about

hello everybody, one thing as information:
I DON'T ANSWER MAILS HERE!! 
It's too much, sorry, if you have music to share with me please write me:
solomundemo@diynamic.com
solomunpromo@diynamic.com
Thanks
Solomun


I am a mashup enthusiast who looks for mashups to listen to and review on my website!

Share with me your favorite tracks and I will listen to them and write a review about them on my site!

www.mashupsongs.org

For promotional, premiere, and other considerations, please email submissions to Will@MagneticMag.com.

Magnetic Magazine is an online publication specializing in music and culture featuring interviews, premieres, mixes, charts, gear reviews, industry news, op-eds, and more. Magnetic focuses on the cutting edge and is the perfect intersection of electronic, indie, and hip-hop.

Founded in 2011 by BPM Magazine founder/publisher, David Ireland, and editor Rob Simas, Magnetic was designed to move in real-time. The content is an ever-evolving amalgamation of what our editorial team considers to be fresh, disruptive, and inspiring. 

Magnetic delves deeper into the notions and politics of what modern music has become and what's next. The perfect junction between culture and music, diving into topics such as sustainability, travel,  camping, and festival life. 

The seasoned voice within these cultures featuring journalists that have been there since the beginning, while also giving fresh perspectives from a new crop of opinion leaders. The future is being written, and Magnetic was created to document it. We'd like it very much if you'd join us. Become part of our dialogue. 

Observe. Report. Experience.

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

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