Every producer of electronic dance music has a trademark sound, providing a similar vibe in each bit of their productions. Chas Bronz is one of the few who confounds this theory. Dipping his fingers into genres such as House, Deep House, Funk, Disco, and Hip Hop, Chas has done it all. Being an all-rounder with a vast knowledge and experience of music, his passion seeps through to reveal his inherent curiosity with the various forms of music.

Having a passion for music since childhood, Chas decided to take his passion further and turn it into a career, studying music synthesis and audio engineering at Berklee College of Music in Boston. Besides having taught music for a while, as well as producing for others and being a session player, Chas took things to the next level and began producing solo, as well as many other groups, all which have seen raving reviews.

Chas expanded his ideas of music by collaborating with other fellow producers as well as his solo work, by the likes of Long Distance Analog on Mullet Recordings, which saw Chas and Curtis's exposure onto Hed-Kandi, as well as projects Graceful Exit with Walter Jones, which was quickly scooped up by American house/disco honchos DFA. Chas has also teamed up with Slovenian disco legend Sare Havlicek to create the duo Trans-atlantic Disco Alliance, which has seen releases on UK's disco powerhouse label Nang. If this wasn't enough, Chas joined together with Shawn Mac in 2010 to create Casual Encounters, which has seen the light of much buzz and exposure, remixing the likes of Penguin Prison, Drop Out Orchestra, Dana Bergquist & Peder G to name a few, and being remixed by the likes of Rayko, Patrick Alavi, Drop Out Orchestra, Walter Jones, and many more.

Production, and post-production are not the only skills that Chas bring to the table. For the past 5 years, Mr. Bronz has been rocking the decks with his eclectic choice of deep, seductive, funky, yet soulful grooves, having playing alongside Gigamesh, FM Attack, TJR, Tiger & Woods, Charles Feelgood, Walter Jones, Orchard Lounge, and playing international gigs.

With so much to offer, 2022 will be the unveiling of many more tracks, remixes, and gigs from the man himself, Chas Bronz.

In Groups -

FSQ - Soul Clap Records, Midnight Riot Records, Bastard Jazz

The East Coast House Mob - TruTalk Records USA

Long Distance Analog - Mullet Records UK

Casual Encounters - DanceFloor Encounters USA

Trans-Atlantic Disco Alliance - Nang Records UK

Graceful Exit - DFA Records USA

Creatures Of Habit - Solardisco UK





For Remixes And Mastering Inquires Please Contact-

Tate Masimore -
Longdistanceanalog@gmail.com

JD DEBRIS MURDER CLUB (2020)
BLACK MARKET ORGANS (2016)

SPARRING: POEMS (2018)

Herkka is the collaboration between American Dream-Wave recording artist Forrest James and Swedish vocalist Jerker Rellmark of Pocketful. The debut album, "Leaving Traces", was released in the summer of 2015.

Some years ago when I was first engaging with SoundCloud I started meeting people from across the globe through their music and messages. I was blown away by how amazing the community was and how our music was collectively touching every corner of the globe. The thought of having band members in a garage as the only way to make music was being replaced by new forms like dj mixes, remixes, and lots of bedroom musicians like myself producing original music in every way possible –  making music like we always have but now with a global audience at our fingertips.

One day I received a message from a Swedish guy asking if I may be interested in doing a remix of one of his songs. He was fan of my music so I checked his page out. It was a peaceful fall day at home in the sleepy seaside-town of Salem, Massachusetts where I remember putting on the Pocketful track “She Won't Steal My Thoughts Tonight” and hearing Jerker Rellmark’s voice for the first time. To say I was excited is an understatement – my girlfriend and I listened to this track on repeat while discussing the purity of his voice. There was something so different, so pure about it – a flavor completely foreign but so familiar at the same time. This is the moment I realized the power and opportunity of what was being presented to me.

"I was blown away by Jim’s remix. One thing that spoke to me was his approach to the voice, how he sees it as an instrument and is not afraid of doing what is needed to suit the purpose of the song. Starting with this remix, Jim also showed me that in order to develop your music you really need to be brave enough to take things a few steps further than you initially intended." 

We released the remix, I designed the album cover, and we went on with our daily lives. Me in Salem, and him in Gothenberg – 3,568 miles apart. 

The fire was far from out for us though. I released my debut album, “Under The Chrome Sea” in 2012, and Jerker contacted me saying how he wanted to cover “Floating” – a track with me singing about ghosts through a vocoder. A year went by and we kept chatting about the possibility, me sending him the instrumental and patiently waiting. He sent me vocals and we produced our first track – a wild vocal departure from the original that in many ways fully realized the original. We were so inspired by the result that I started sharing tracks I had been working on and Herkka was born.

"Floating became the logical starting-point of the Herkka collaboration - it was as if our two vastly different musical backgrounds found a common ground in this song.  I immediately fell in love with the emotional power of the piece and the arrangement was spot-on - the simple yet very effective riff, the ambient sounds, the sparse electric bass notes and those gorgeous vocoder voices. I realised that Jim had shown me a direction I wanted to explore further."

For the last year we marched through our busy lives on separate continents and different time zones producing music and chatting through a software called Trello where we kept our work organized. The process wasn’t without challenges but was immensely rewarding. The majority of the time we worked at different hours so I would wake up and be rewarded by a few messages of what he had accomplished while I slept and vice-versa – modern life! As perfectionists do, we labored over these recordings – but we are really proud of the result. When Jerker and I finally meet we will undoubtedly joke about this, and toast to friendship. 

So the internet is crazy, but what to do with that.. Introducing Herkka’s debut record “Leaving Traces”.

Enjoy and thanks for the continued support!
– Forrest James & Jerker Rellmark, June 24, 2015

Film Scores, Ableton Looper, Covers, Non-Sense, Descent
Lead Singer in Glass Mannequins 
www.facebook.com/aaron.emmanuel.10 
i'm also on twitter and instagram under my tag aarondreamin

Byron Bay/Sydney based DJ/Producer and half head honcho of @Thats-not-an-edit record label. JR.DYNAMITE, has been bringing his special flavour filled, filtered DISCO, ballin' SOUL, flarn flarn filthy FUNK, nostalgic HIPHOP, rootsy REGGAE and Latin BOOGALOO to welcoming ears for over 2 decades.

This profile is basically just for ideas at this point so I dont lose them. Enjoy at your own risk.

A guy who makes music every day using instruments and phones and computers. Let's talk about stuff and work together and be best friends:

https://www.facebook.com/justiceeatstrees
https://www.youtube.com/user/justiceeatstrees
http://grooveoftheday.tumblr.com/

Lay Low Moon is an Indie Folk collective from Boston, Massachusetts!

- Genius Art

- 30 Year old Composer/ Audio Producer for movies, commercials, ads, rappers, singers and dancers(Any Genre)

- Credits: DephArie / Curren$y / PnB Rock / Neno Calvin / New Breed Nye / Memph / Aris / Lilly / Morgan Justus 



Music is Meds

Business Inquires : Geniusinstrumentals@gmail.com

All Beats are legally copyrighted and fully protected
<a target="_blank" Copyrighted.com Registered & Protected

JD Debris is following