Aerial desertic feelings provoked by upcoming unfortunate events.

Intemperie

Ocean Music (1968) excerpt

Beyond / Below 2 by @forestmanagement, reflection of a state of mind. "Recorded in one take, on Lawrence and Kenmore." Received February 2018.
Photo by John Daniel

Support Forest Management on Bandcamp: https://forestmanagement.bandcamp.com/

Artist can provide song IDs on request.

2. Forest Management

Lay down and listen to this mix by https://soundcloud.com/puschmannpuschmann.


Tracklist:
Various Field Recordings at Elevate Festival 
The Field - Unknown
Ryuichi Sakamoto - Fullmoon
ILIOS - Jcb_Dk_Gem
Brian Eno - Ambient 1 (Music For Airports) 1/1
Ryuichi Sakamoto - Life, Life
Susumu Yokota - Azukiiro No Kaori
Fontarrian - Arthur's radial antics (reprise)
Brian Eno - Ambient 1 (Music For Airports) 1/2
Midori Takada - Mr Henri Rousseau's Dream
JoeMcPhee - Cosmic Love Organ Alone
Bibio - Down To The Sound
Fernando Falcão - Amanhecer Tabajara (À Alceu Valença)
Giuseppe Leonardi - Every Tree and Creature
Rex Ilusivii - Moon Cage IV
David Darling - Cello Blue
Nina Jurisch - Cleo the Cat
Jeff Bridges & Keefus Ciancia - It's In Every One Of Us
David Holmes & Jon Hopkins Feat. Stephen Rea - Elsewhere Anchises
Ø - Kesämaa / Summerland
Ben Lukas Boysen - Sleepers Beat Theme
Leon Lowman - Morning Song

Puschmann | Elevate 2018 Podcast

Silk Entry's Close Up Tape

PRIMITIVE PODCAST 1 - ARTEM IKRA

After a pair of solo releases in 2016, Tel Aviv duo Xen and Yovav converge on Malka Tuti with a track full of post-punk spirit.

'Hayom Etmol' is out March 26th on Malka Tuti.

@yovavarzi
@malka-tuti

Premiere: Xen & Yovav – Hayom Etmol [Malka Tuti]

From Boli Group "N.P.D.S" LP/DL 
Posh Isolation 208 
Out May 4th, 2018

"Via negativa, not a collection of skills but an eradication of (mental) blocks
Meme sonate, winter sun fails but 'spirits bright'
Matiné meditation
A picture of fresh moringa leaves
The sound of NSA listening in on your most intimate moments.
Early 21st Century Music”

Boli Group is a new ensemble spearheaded by Copenhagen based composer and producer Asger Hartvig. Responsible for some of the most fearless and intriguing works to come from the city in recent years, Hartvig is as imposing as he is mysterious, and his debut release for Posh Isolation makes no concessions.

Hartvig is perhaps best known for his work with the group Synd Og Skam. And though less known, Brynje 1&2 is just as exceptional. Taking both technology and classicism as allegories, each group charts routes in and out of pop music, somehow arriving at an observer's distance to the distinct stylistic choices in the process. The label Visage has published the best of this, and the logic has certainly been carried into 'Boli Group LP,' the latest offering from Hartvig and his distinguished ensemble of Nina Cristante, Holger Hartvig, Thea Thorborg, and Cæcilie Trier.

There is a nearly unendurable fragility to 'Boli Group LP.' It's as if Hartvig has let the complexities of his themes stand in mourning; his narrator taking a moment to themselves behind sunglasses, exhausted for the rose-tinted lens of the prepared script. The album is willingly dramatic, though it never plateaus into melancholia. Hartvig pirouettes at the edge with the sorrowful string arrangements and the pristine timbre of the piano, the immediacy of the acoustics always binding the listener tightly to the risk. Pastoral and meditative, the electronics don't tamper with the delicate fabric being woven. They always register as supportive and understated. The synthetic hum, occasionally yielding a doleful melody as it does, manages to imbue a naiveté to this contemporary and subtly idiosyncratic chamber music.

Though the track titles lead us on, in time the examination the album provokes is that of the tension in transparency. The album's secret, barely kept through the minimalism, is its distinct folk noir quality in holding it.

"boli group creating new chamber folklore embracing the playing of instruments, not the played, but that which is playing for the sake of future focus and edit into the very minerals of instrument, intuition, emotion, fragility underlying, the warning, always pulsating acts of drama, wet leaves, asphalt, pan to right, agriculture and electricity poles a container ship, lonely in horizon hoping for a clear thought, but everything existing as conspiracy the sound of a search, uncertain and always asking, for certainty is false, showing sceneries changing permanently and forever narrating, like a panorama of grey clouds, keeping humidity levels high, heating up before the release of water and lightning investigation for folk instruments. What are their songs and where will they go, over time, woven together like a piece of fabric created to stand against the lethal winds”

A1. Overture 04:36
A2. How To Play 03:12
A3. Monsanto Folk Song 02:46
A4. Toxica 03:15
A5. Moringa 03:15
A6. Garden Picture 02:28

B1. Tension In Three Stages (Drama) 06:28
B2. Tension In Three Stages (Country) 03:18
B3. Tension In Three Stages (Nautic) 05:39
B4. Summit 01:35

Posh Isolation 208

04 05 2018

Boli Group - Toxica

Central Industrial

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Do

Ground Control to Major Tom