Ladat’s Support Oct’25 vol.1

Fusions of progressive, death metal, groove, and melody.

Criminal Acts

Moroccan Dances (World Premiere) 
Music by Simon Alami  I. High Atlas the Majestic  
AMERICAN MODERN ENSEMBLE 
Erin Bodnar, conductor 
Lindsey Goodman, flute 
Tasha Warren Yehuda, clarinet 
Matthew Ward, percussion 
Geoffrey Burleson, piano 
Katherine Cheng, violin 
Dave Eggar, cello  

MOSTLY MODERN FESTIVAL Skidmore College, Arthur Zankel Music Hall Saratoga Springs, New York (USA) 6/7/2024  LINKS Festival: https://www.mostlymodernfestival.org 
Ensembles-In-Residence: https://mostlymodernfestival.org/ensembles-in-residence
Composer: https://sites.google.com/view/simonalamicomposer/
Recorded by Arts Laureate: https://www.artslaureate.com

Moroccan Dances - I High Atlas the Majestic (World Premiere)

Mistress of Csejte

My white ones geese

An interesting take on death metal, with fusions of hard rock, clean vocals, and odd time signatures.  - Update : Remixed

Pull Me Closer

Parasitic Malformation

This song is very much in the style of Candlemass . I cant say i even play close to the caliber that Candlemass did back in the day , but to me the song reminds me of their style .. And who the fk can sing like Messiah anyways .. Only the gods can my friends . 
Thank You for listening ... sr

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As we gaze into the mirror
the reflection is our past
a journey through both time and space

echoing through walls of labyrinths
Its a judgment of all the things
Mortality's phantom is embraced

---------------------------------

like a ghost this grand illusion
its story is deep and vast
it passes freely through the void

A lesson to be learnt 
its stories are untold
the truth is clear of why it came 

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Can death be sleep, when life is but a dream
And scenes of bliss pass as the phantom by
The transient pleasures as a vision seem
And yet we think .....the greatest pain's to die


How strange it is that man should roam the earth 
And lead a life of woe, but not forsake
His rugged path; don't dare he view 
His future doom which has but to awake.  

℗ Niurios 2025 . ℗ John Keats ( used with permission )

Phantom Mortality

Artimus

 Eerie Lake is a slow mysterious rock jam that is very heavy and also rhythmic.  I am once again totally honored to be joined by drummer Kellii Scott on this track.  His writing and playing are an immense part of what make the song!  Jeff Escudé  Guitar, Bass Guitar   Kellii Scott  Drums, Percussion

Eerie Lake (feat Kellii Scott)

Summer's Done prod. mxtthxw x babieyummo

Well for starters, thanks for coming and checking out my music. This is a cover of the Aerosmith song "Mama Kin". Aerosmith was the first rock band I really got into as a kid. So it only seemed right that I record the song that was so good Steven Tyler (lead singer of Aerosmith) had it tattooed to his arm. I play all the instruments and do all the vocals on the song. I also do all the recording in my home studio. Lastly I would like to thank Damian on Fiverr for his great mixing skills.
Have a great day!

Mama Kin Cover

Sacred Time

Dad’s in rehab, we go to visit
We meet the people on his floor
Like we were locked in a car
Heading toward a cliff
When someone opened the door

There’s Lynyrd Skynyrd and Tapestry 
And the phonograph needle skips 
And there’s a handsome guy
In the patients’ lounge
With scars on his wrists

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death-defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

Dad is smiling and everyone’s smiling
Haven’t seen that for a while
And when I look in the mirror
Age fifteen
I see his smile

And someone’s leaving
And someone’s coming
The little group evolves
We huddle over games and coffee
And firm resolves

(Chorus:)
And we’re all here
Not a moment too soon
Trying to lean on each other 
In this room
And we’re all desperate
Just to know if it lasts 
Can we really escape
The hazards of the past?
There’s something
Death defying
There’s something sublime
We just try to stay
In the moment
In this sacred time

Sacred Time

Another Day

A furious anthem of defiance and rebirth.
Born from pain, forged in rage — a soul that refuses to bow.
This is the sound of breaking every chain, of turning scars into fire.
When heaven burns and the world trembles — the plague rises.

Universe Under My Will

Fear No Evil

beadandbleed

Hypertension

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Eerie Lake (feat Kellii Scott)

Jeff Escude

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