Here is the new chapter of Les comptines de Sylvio! A special tribute to Electroclash, its founders and its heirs. Enjoy ;)

Les comptines de Sylvio : Berlin Callin'

Each video and live episode of Surreal Tale Experience focuses on the interplay between reality and dreams, exploring the depths of the unconscious.
Our experience is like a collage of event fragments, distorted by memory and time, forming its own unique universe.
The project’s multimedia form becomes a tool for expressing the richness of this universe, combining sound, scents, video, and live performance under atmospheric lighting.
Conceptually, the work draws on the ideas of Carl Jung and Jacques Lacan, and is inspired by the unique experiences described in the books of Carlos Castaneda.

💠

During her performances, Jenia crafts “sonic fairytale landscapes” that merge her own compositions with works by queer and feminist artists from the international experimental scene, enriched by fragments of vintage recordings of fairy tales, films, and classical works on vinyl. This approach comes to life in the first episode, which weaves a continuous narrative where modern music flows seamlessly into vintage material — text, vocal, and instrumental lines — creating an interplay of contrasts that carries the listener into a dreamlike journey. At its core, the mix intertwines the opera The Queen of Spades with the timeless fairy tale Alice in Wonderland, and was recorded live using two vinyl records and two CDJs.

for video performance ¡¡¡ Surreal Tale Experience ¡¡¡ (experimental mix)

Veronica Vasicka presents a monthly 2-hour show featuring the lost synth-wave treasures she has archived from the late 70s and early 80s, along with other iconic underground electronic music drawn from over four decades. Expect to hear exclusive tracks from releases on her seminal Minimal Wave and Cititrax labels plus cassette-only and private press rarities. 
https://www.nts.live/shows/veronica-vasicka/episodes/veronica-vasicka-23rd-january-2024

Minimal Wave w/ Veronica Vasicka - Silent Servant Tribute 230124

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Delphæ : Curated Vol. 4 by Fatale Furylax
De la...je l'espère, 2024
𝓑𝓾𝔂 👉🏾 https://delajelespere.bandcamp.com/album/delph-curated-vol-4-by-fatale-furylax

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
IG : https://www.instagram.com/vanda.forte/
SC : https://soundcloud.com/vanda-forte

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
IG : www.instagram.com/delajelespere/
SC : https://soundcloud.com/delajelespere
BC : https://delajelespere.bandcamp.com/

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#244 📢 Vanda Forte - Makbout Sarcey [De la...je l'espère]

the worlds gone crazy™️ and 85% of shit has changed since 1992.

but this hasn’t, not really. this is what i do, and have been doing every night since i was 17.

i find records i love, i fly to a city. i take a nap. i play the records for people. they dance. i get paid i go home.

sometimes i actually think there might be something wrong with me to STILL be doing this. am i stupid?

HOW…. how could you STILL be playing records for people at 5am. shouldn’t you have developed an APP? A line of Wellness Products? surely you should have “sold your company” by now? WRITE A DECK? raise capital!!!! Get bored.
but then i play a set like this (link above) and remember that this is, in fact, as good as it gets, that the core idea i had as a 16year old was actually the BEST idea: to live a life surrounded and protected by MUSIC. armed with your favourite songs, the ones that keep you young and confidant, the ones you want to share with friends.

so that is DJing for me. simple. not particularly revolutionary… except for the fact that to be excited and happy seems revolutionary these days.

also: i’ve played about 4500 parties. and most are like 6 or 7 on tens….. sometimes an 8.

THIS WAS A 10. And the 10s never get recorded. there are lots of exclusives and THREE of my new tracks. and its been recorded WITH all the crowd noise…. trust me its a good one.

if you only listen to one of my 4 hour sets this year…. make it this one.



love from montreal via Offenbach/RJ (one of the best clubs on earth)

t

Tiga 4hr live from Robert Johnson with full crowd audio. Nov 2024

We are delighted to announce our takeover collaboration with DARK is the new DISCO from Tunis. Hailing from the pulsating heartbeats of Tunisia’s underground electronic scene, JewishMRGL comes with his audacious fusion of Synthwave, Cold Wave and Dark Wave elements for guest mix no. 101! 

Follow: @jewishmrgl & @darkdiscotn

Artwork: @silent-shouts

Tracklist:

01. Identified Patient - Het Geweten Van Afdeling Twee
02. Iro Aka - Будущее (Anatolian Weapons Remix)
03. Neud Photo - Suspicion
04. Sansibar - Wallah (SANS DJ Mix)
05. Shokh - Torotam
06. Sophie Du Palais - Disco Nihilist
07. Vltra Delta Drive - El Complot
08. White Magik - Total Ego Loss (Randolph Mortimer Remix) 
09. Identified Patient - Lucy's Comeback
10. Abby Knives - Energy Collapse
11. Savage Grounds - Sex is Violence
12. 4Cantons - La Faraona
13. NOVOSTI KULTURI - CHELOVEK 
14. Baroque feat. Philosophique Girl - La Telepathie
15. Moonoton - Frau (Facets Remix)
16. Black Light Smoke - Work feat. Léah Lazonick (Happy707 Remix)
17. Chino - Shiny Leather (Olivia Remix)
18. Ye Gods - Flames Fall From The Sky


Blank Wave Guest Mix 101 x DARK is the new DISCO: JewishMRGL

The track 'Ghost Lover' by @zimmermusic  & Sébastien Boucher is part of EMO Dance Vol.1,  the first compilation from the @esmimomento label. 

The release is composed by five tracks that lay the foundation of Es Mi Momento's sonic identity: from slow, dark indie dance to fast, radiant trance, with vocal-driven melodies tinged with 80s influences.

It’s more than a compilation. It’s a manifesto.

Zimmer & Sebastien Bouchet - Ghost Lover [Es Mi Momento]

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.

The Süssmayr completion of the Requiem is divided into fourteen movements, with the following structure:

I. Introitus
Requiem (choir and soprano solo) (D minor)
Kyrie, Bruno Walter, 1956.
II. Kyrie (choir) (D minor)
III. Sequentia (text based on sections of the Dies Irae)
Dies irae (choir) (D minor)
Tuba mirum (soprano, contralto, tenor and bass solo) (B-flat major)
Rex tremendae (choir) (G minor–D minor)
Recordare (soprano, contralto, tenor and bass solo) (F major)
Confutatis (choir) (A minor–F major, last chord V of D minor)
Lacrimosa (choir) (D minor)
IV. Offertorium
Domine Jesu (choir with solo quartet) (G minor)
Hostias (choir) (E-flat major–G minor)
V. Sanctus (choir) (D major)
VI. Benedictus (solo quartet and choir) (B-flat major)
VII. Agnus Dei (choir) (D minor–B-flat major)
VIII. Communio
Lux aeterna (soprano solo and choir) (B-flat major–D minor)

Retailers:

iTunes:
https://itunes.apple.com/gb/album/the-mozart-project/id1034980035

Google Play
https://play.google.com/store/music/album/The_Mozart_Project_Mozart?id=Batumgqtgiizmmajzp7nun2bawq&hl

Rdio
http://www.rdio.com/artist/Wolfgang_Amadeus_Mozart/album/Mozart_-_Symphonies%2C_Sonatas%2C_Serenades%2C_Concertos__Overtures/

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Orchestral samples included in this recording from the Vienna Symphonic Library.

Deezer

Requiem in D Minor K. 626: Lacrimosa (Instrumental)

Die Hexe

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Recording of Regis & Veronica Vadicka's set at Dekmantel Festival 2018.

Dekmantel Festival 2018

Regis & Veronica Vasicka at Dekmantel Festival 2018

Jenя ( Jenia ) Gatash is a queer feminist DJ, music producer, and art director from Odessa ( Ukraine ), currently based in Marseille. Her every mix is a story of sensations where a sound collage becomes a single metaphysical space drawn up with strokes of contrasting music genres: instrumental music, jazz, opera, techno, electro, dark disco, electroclash, acid, experimental, with touches of ambient textures and surrealist lyrics. 

Jenя works as a sound producer with galleries and theatre projects, performs as a DJ. She was a curator of art and performance events at the AWAZ music festival. Jenia organized the first open queer events Q'paradise in the muslim capital of Tatarstan, currently she continues this project in France.

She experiments extensively with the representation of opera and baroque music in contemporary contexts. She defines her artistic, performative, and musical works within this framework as meta-opera / experimental opera and post-rave

for video performance ¡¡¡ Surreal Tale Experience ¡¡¡ (experimental mix)

JENЯ GATASH

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