A State Of Trance / Armada / Euphonic
Booking: booking@marsheproductions.com (Marco Ziechner)

https://twitter.com/Cristophmusic
https://www.facebook.com/CristophMusic

Management: Sean Holbrook - sean@ayita.com

Bookings: 
- North America, South America, Canada: Emma@liaisonartists.com
- Rest of World: kal.jhugroo@caa.com

Releases & Forthcoming on - 

Consequence Of Society Recordings
Pryda Presents
Last Night On Earth 
Bedrock Records
Knee Deep In Sound
Truesoul
Circus Recordings
Warung Recordings
Yoshi Toshi
Noir
Suara
Selador
Defected
DFTD
Extended Play
Underground Audio
Relux Underground
Blue Dye
Nordic Trax

Acid, Oldschool, Early Rave, (Hard)Trance, Early Hardstyle, (Hard)Techno, Early Hardcore, Early Terror, Millennium Hardcore and inbetweeners.

Please check out my hand-created playlists, only containing my uploads, for your personal choice of style.

Thank you and enjoy!

If you want me to remove a song/mix/liveset that you own, please send a message. Thank you.

A label founded and curated by Above & Beyond.

www.anjunabeats.com

Chicane (Nicholas Bracegirdle) is one of the most prolific producers, composers and hit makers born out of nineties club culture and the trance music scene.

He has six albums under his belt since his seminal debut in 1997 ‘Far From The Maddening Crowds’ which gave him his first UK top 20 chart position with the ground breaking ‘Offshore’. 

Chicane has also co-written and produced for Bryan Adams, Cher, Natasha Bedingfield, Paul Young, William Orbit, Ferry Corsten, Owl City, Kate Walsh, Christian Burns and Armin Van Buuren.  

For booking enquiries, please email Lindsay Maclaren >http://bit.ly/1KJ1OF3
Email: Lindsay@mn2s.com
Tel: +44 (0)207 234 9468

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Management : 

andy@knockout-artists.com 

Worldwide Bookings : james@twenty4sevenmanagement.com 


The story started not so many years ago in 2008 with Tiesto picking up on Sander van Dien's emerging production talent of the back of such smash hits as 'Falling'. Taking the name First State and signing to Black Hole Music, Sander has never looked back and two artist albums later he continues to provide massive smash hits that rock dancefloors the world over. Whether its his eagerly awaited tracks with Sarah Howells such as Reverie, Skies on Fire or the hugely popular mashups coined affectionately as 'Bashups' that rock the likes of Armin van Buuren or Afrojack's sets; Sander is a consistent producer of massive dance floor pleasing anthems. Morphing the First State sound over the last two albums the last twelve months have seen a more underground, housier edge emerge alongside the big riffs, breakdowns and luscious vocals we have come to love from the studio in Holland.

With such chart topping tracks like ' My Sanctuary', 'Cross the Line' and 'Your Own Way' it is no surprise that First State has been in huge demand as a DJ and performer. Having performed at such legendary venues as the O2 in London and Privilege in Ibiza as part of Tiesto's world tour early on, First State has gone on to carve out a name as a quality and in demand headliner the world over. Tours of Asia and the Far East, Australia, North America, India and Africa go hand in hand with some of the biggest and best clubs and festivals from the likes of Ministry of Sound, Gatecrasher, Miami Winter Music Conference, the Offical Istanbul Formula 1 party and A State of Trance to name but a few.

Dj Edzon est. 2024 con la mejor música Latina , Regional Mexicana , Cumbia, Hip Hop , y EDM 🔥🎧

Dj EDZON est. 2024 with the hottest Latin Music, Regional Mexican, Cumbia, Hip Hop, and EDM🔥🎧

Follow all my socials @djedzon

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