Paradox Song

Over imposed

Tell me beautiful

Set back and Let this flow come onto ya ...                                                                        It all began as an impromptu evening visit and morphed into a wonderful evening of musical magic...   
We recorded our Musical Conversations in Tim Elliot's living room with only one middling Microphone an Upright Piano and his Guitar suite, and I'm so glad we did!

Composer/Guitarist @davidjsvensson freely commented, "If the rest of the piece is even close to what the first two minutes were, then this is a masterpiece!!"  

So glad to share the results of this intimate honest and organic Live Jam with you all. I must say that i am looking forward to more such interactions with Tim. And i gotta say, 'Magic is Magic', however much Better one imagines it could have been.  :-D 

May you inJOY 


© Gary Courtland-Miles & Tim Elliot 2021
℗ Gary Courtland-Miles& Tim Elliot 2021

Arranged and MiXed by Anomon

Autmmn Leaves photo by Pxfuel

Autumn Jam _ w. Tim Elliot

Tragedy At The Opera

03 - Collapse of Hyperspiral Impulses

Inspired by the early 2000's sound. Amen break beats coupled with a filthy bassline. Just like old times.

Gunner

zonedout - rootkit dreams (prod. phntmzn bR)

Aeon Transmissions

Cracking The Code

iTunes

Jeremy J. Saks - Cracking The Code

In New Jersey, our house faced the Millstone River. It was so serene to watch the river flow. It seemed to become even more serene as the days and seasons passed.
Piano by: Javier Gonzales
 Music by: Pamela Illanes-Tatsuoka
@2007Pamela Illanes-Tatsuoka.All Rights Reserved

"Millstone River" by Pamela Illanes-Tatsuoka

Sunlight for your sins
written by TJG January 2021
give this song a chance - it gets a bit better by the end ;-)
mix1: Jan 24, 2021
cover art: TJG

Technical Details
Recorded at Princeton Studio
Guitars
Rhythm 1: Guild DV52
Rhythm 2: Les Paul Standard
Lead1: Les Paul Standard
Lead2: Fender Stratocaster
Bass: Fender Squire

Percussion: Pearl Cajon Mach 2 – I tried to play it with brushes ;-)
Mics: Neumann TLM 67 (vocal) and AGK 414 & Shure KSM44 on guitars and cajon
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. I used an input and output transformer to give some additional harmonic distortion.

Lyrics

Verse 1
I don’t see a way you could find it here….

refrain
You got the sunlight on your skin
You’re looking for a win
Nothing heals your sin
Babe it’s time to go
Babe it’s time to go
You know it’s time to go
Again

Verse 2
See the rain
on the window
Crashing down again
Three miles from where we began…

refrain
You got the sunlight on your skin
You’re looking for a win
Nothing heals your sin

Babe it’s time to go
Babe it’s time to go
You know it’s time to go
Again

Verse 3
Well the rain keeps falling down
Nothing left to see in this old town
So much sin bringing us to the ground……

Refrain
You got the sunlight on your skin
You’re looking for a win
Nothing heals your sin

Babe it’s time to go
Babe it’s time to go
You know it’s time to go
Again

Outro
I see the sunlight now
I see the sunlight now
I feel the sunlight on my skin

Whoa, Whoa, Whoa, Well I Know
Well I know
I feel the sunlight on my skin
Well I know
There’s something happening here

Sunlight for your sins

Musician/Composer/Sound Designer/Producer
Owner/Operator of Sound Source Fundamentals

"The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science."
-Albert Einstein

Jeremy J. Saks - Cracking The Code

Jeremy J. Saks |Composer|