sad music to cry & sleep

Indie Rock Hits

Indie Dock Recommended

Long Way Down

Another Love

She Drives Me Crazy
by Fine Young Cannibals

Lyrics:
I can't stop the way I feel
Things you do - don't seem real
Tell me what you've got in mind
'Cause we're running out of time
Won't you ever set me free?
This waiting 'round's killing me
He drives me crazy
Like no one else
He drives me crazy
And I can't help myself

I can't get any rest
People say I'm obsessed
Everything you say is lies
But to me there's no surprise
What I had for you was true
Things go wrong, they always do

He drives me crazy
Like no one else
He drives me crazy
And I can't help myself
I won't make it on my own
No one likes to be alone
He drives me crazy
Like no one else
He drives me crazy
And I can't help myself
He drives me crazy
Like no one else
He drives me crazy
And I can't help myself
He drives me crazy
Like no one else
He drives me crazy
And I can't help myself

He drives me Crazy

He Drives Me Crazy

Glimpse of Us - Joji (Versión Corrido Tumbado)

My Bootleg of the beautiful Track You're Somebody Else by Flora Cash.

Enjoy it <3

Flora Cash - You're Somebody Else (Dennis Wehling Bootleg) FREE DOWNLOAD

watch on youtube: https://youtu.be/fdSj43jEpSE

what was i made for? (billie eilish cover)

Brother

This song is a powerful country anthem that takes a stand against the unrealistic standards women face, especially on social media, as they age. The lyrics speak directly to the pressures of being judged and criticized, while reinforcing the strength and independence of women who refuse to be defined by others’ expectations. An unapologetic declaration of self-worth and resilience, the bright country pop feel is driven by a powerful drum track and guitar parts, carefully building with the intensity as the song unfolds. The mood shifts in the bridge, softening with the inclusion of strings and shimmering synths, offering a vulnerable, reflective moment before building back into a triumphant power ballad, leaving listeners with a sense of victory and pride. This is a song that champions female empowerment, resilience, and the refusal to conform to society's narrow view of beauty and success.

To Grow Old

“January Eleven” was composed on January 11, 2025, while devastating fires were raging near the Los Angeles area. On that day, a displaced family found refuge in my home, their spirits unwavering despite uncertain circumstances. Their optimism stood in stark contrast to the looming threat of the flames, reminding me how quickly our comforts can slip away. This neoclassical solo piano piece channels the turmoil into a soothing, reflective sound, evoking both the fragility of our possessions and the strength of a community that unites in times of crisis. It’s a testament to resilience, hope, and the power of compassion.

January Eleven

This is the title track of my new album Second Skin. Out Now on bandcamp: https://lolademo.bandcamp.com/album/second-skin
and available everywhere else in the digital wonderland on April 4th 2025.
You can see the video here: https://www.youtube.com/watch?v=aeOYHXErBfc

Second Skin

Bandcamp

SECOND SKIN

While firmly grounded in the rock and blues influences of his youth, “Fields Of Redemption” sees Irish guitarist Joe Hodgson encompass a myriad of musical styles, which he blends and moulds to stunning effect. The result is an almost entirely instrumental album that is insanely diverse and refuses to fit neatly into any musical genre. Hogson explains, “You’ll find all my influences in there: rock, blues, jazz, classical, country, and even Irish traditional music. I also recorded two acoustic tracks, which was a first for me”. Feelings of introspection and soul-searching pervade the record, but it also radiates brighter, less angst-ridden melodic explorations than its predecessor, “Apparitions”.  The inspiration for the album came from an extended journey around his native Ireland with his new wife and his trusty Gibson Les Paul, soaking up the land of his birth. Hodgson explains, “The album is fundamentally about reconnecting with my roots, reconciling with and embracing the past, while steadfastly looking to the future. It’s also about a journey to find inner peace, which for me is punctuated by laughter and a whole lotta fun. Overall, I think it’s a very uplifting record". "Fields Of Redemption" covers a wide range of emotions, moods, and styles, and it takes the listener on an epic journey. It is ambitious and brave, and the frequent twists and turns will keep listeners constantly on their toes.

The Grass Is Greener

A trip through Wonderland with the Witch

Time has stopped
At 6 o'clock
in the hatter's mad emporium
wonders snap
wonders pop
It all seems so
Victorian
Where ravens are like
writing desks
In a raven sanitorium
That's made from felt
of a beaver's pelt
in a beaver crematorium
torium, torium, torium
curioser and curiouser
she opened up the lid
she knows not what she did
it says eat me
it says eat me
it says eat me
eat me
Time has stopped
at 6'oclock
he says with some
decorum
I must shake
And stay awake
in the Hatter's Mad Emporium
We take our tea
At 6 p.p.
In the Raven Auditorium
It's made from felt
of a beaver's pelt
in the beaver crematorium
torium, torium, torium
curioser and curiouser
she opened up the lid
furiouser and furiouser
she knows not what she did
it says eat me
it says eat me
it says eat me
eat me, eat me, eat me

Hatter's Mad Emporium - Final

Blinded is Bastien Pons' debut album. Both a sonic and visual experience, it draws a parallel between his black-and-white photographic work and his approach to music. The album is a meditation on perception, blindness (literal and symbolic), and the tactile nature of sound. Each track is built around texture: digital grit, organic noise, harmonic shadows.
Recorded and mastered in 2025, Blinded is an immersive journey at the edge of ambient, experimental electronics and musique concrète.


03. Blinded

Alive

This song was written years ago at a time in my life when I was tired of holding on to the self doubt I had about myself or the outside “Noise” from people who didn’t believe in me. It was a message to myself of finally letting go of people’s opinions. It also expressed how I was reflecting on myself and how I just “didn’t care anymore”. I was just wanting to let it all go.

Smile & Wave

IV JAY - Get You The Moon (Kina feat. Snøw Cover)

Jeremy Ryan Martin is a solo rock artist with a sound forged through raw emotion, real-life struggle, and years of hands-on experience in the underground music scene. His passion for music began at 13, when he formed his first band with middle school friends in the early ’90s. By 17, he was already writing original songs and fronting local rock groups, honing his voice and presence on stage.

Throughout his 20s and 30s, Jeremy played in several rock-driven projects, spending countless hours in recording studios learning the craft of mixing and production from seasoned audio engineers and musicians. A self-taught songwriter shaped by hardship, he grew up with a single mom and younger brother, often turning to his guitar as a way to cope and make sense of life.

Jeremy draws inspiration from the gritty rock legends he grew up on—Metallica, Nirvana, Pearl Jam, Candlebox, and other icons of the late ’80s and early ’90s. While those influences echo through his music, it’s his unique voice and deeply personal songwriting that set him apart. Every track he creates is a reflection of resilience, struggle, and healing.

“I love to play my guitar and write songs, but there’s no better feeling than seeing someone else connect with what I’ve created.” – Jeremy Ryan Martin