Title extract : Thirumoolar (Temporal Field #3)

Temporal Fields & Delocalised Recordings
 LP : HAK Lo-Fi Record ‎/ Tünel Records /Middle Eight Recordings (2019)
200 ex

Full LP on Bandcamp (listen ... and buy ?!!) :
https://middleeightrecordings.bandcamp.com/album/temporal-fields-delocalised-recordings-aaba-15


-  Hopek Quirin > Bass, Tape [Diktaphone], Percussion, Field Recording
– Cisco C. > Cello, Synthesizer 
– Gabriel Lemaire > Clarinet, Alto Saxophone, Baritone Saxophone 
– Ayato > Guitar, Charango, Drum Machine, Tape [Cassettes] 
– Anton Mobin > Other [Prepared Chamber], Percussion, Field Recording 
– Julien Chamla > Percussion, Drums 
– Monobloc Sound Fidelity > Sampler, Electronics 
– Rome > Voice

Compositions concept ideated by Hopek Quirin. 

Project initiated by Anton Mobin and realized from 24 to 29 September 2017
 at La Ferme Ta Gueule, in Olivet, France.

Thirumoolar : from LP  Temporal Fields & Delocalised Recordings

The Ævum is a project formed in 2021 to explore the accord between story and varied compositional styles.

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Jérôme Florenville Aka Monobloc Sound Fidelity
Sampler - Guitar - Field recording - Electronic ...
Various bands :  SCZRS - Tünel - Oleo Strut
 duo projects...solo projects...
exploring experimental music & noise

Hi there. I'm Jonas Ruchenhever. Between 2005 and 2013 I created audio collages, soundscapes, radio art, ambient, noise and drone music. Some of my work has been self-released, some has been published by labels such as Nostalgie de la boue, Pocket Fields, Industrial Culture, suRRism-Phonoethics, A.M.P.-RECS and Smeraldina-Rima. ~ After a very long hiatus, I'm sort of back, occasionally putting out stuff from the archives. ☺︎ ~ Thank you for listening. ♡ Much appreciated. — Peace

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

Jôm is an audiovisual project initiated by Jérôme Erhart

https://kompakt.fm/artists/mufo


Andrea Di Francesco aka Ten Atmospheres is from Vasto, a little town in the south of Italy, "Ten Atmospheres" is a music project started in 2018. 

Born and raised as a drummer, he played beats for many years until one day at “Ten Atmospheres” depth, he lost the 4/4.

He creates his music by blending the recorded sounds and playing synths in the studio, bringing a perfect marriage of his two passions. 

Always experimenting with new things, never limiting his inspiration for discovering a different way of making music.

Sound artist. Experimental, Electro-Acoustic, Field Recording, Musique Concrète and Noise. 

Learn more here: https://stevenraysound.com

Soundmining makes dark, generative ambient music. It is based both on pure electronic sounds and on recorded natural sounds.

He is a Swedish composer named Daniel Ståhl. Born in Stockholm, Sweden 1967 and is currently based in Stockholm. Studied composition at the Royal College of Music in Stockholm between 1992 and 1995.