Name: Nowhere by Ze Scott in Ze Scott
Duration: 2 min 34 s
Description: La musique était faite pour une chaine youtube, j'ai ajouté des paroles.

I love your versatility. Great slice of Punk Rock 1977 style 😀

Il y a environ 10 ans mon fils voulait se créer une chaine youtube pour parler de jeux vidéo. Et il y avait du Offspring sur l'un d'eux, alors par crainte de problèmes avec les droits d'auteur, je lui ai fait une musique qui se rapprochait du style. Et un peu plus tard je me la suis adaptée, et aussi créé un petit clip animé, pour rigoler.

Ze Scott

La musique était faite pour une chaine youtube, j'ai ajouté des paroles.

Nowhere

This song is a bit campy. The core of this thing is pure Isley Brothers' formula from the 70s -- they had these no nonsense, hard slamming funk songs that just went on forever (and you want them to). And there's also a healthy dose of 80s/90s slinky funk guilty pleasures like Grace Jones, Sade, & Seal.

is it finally living this feeling inside
I waited for hours with a slow burning fire
now is not the time to evade in the face of desire

but that's how it goes when you hold the control does it feel right
you're letting it go and I know that you know are you satisfied

the rules of the game are so easily changed
let's be honest about it lonely hearts will stray
I am still willing but your love is failing me every night

oh but that's how it goes when you're running the show  how you feel it
you're letting it go and I know that you know I can't steal it

out in the city new hearts align   
but tonight I am only alive for yours and mine

Control

Souvent nous revient cette curieuse envie de changer le monde parce que certaines choses ou pour certain beaucoup de choses nous dérangent ou déplaisent, mais c’est en fait un jugement qui nous appartient, c’est donc surement le monde à l’intérieur de nous qu’il faut changer, notre perception, car personne n’a le même ressenti pour les mêmes choses, la paix intérieure est en nous c’est ce que j’essaie tous les jours de comprendre et de suivre, la résilience, le contentement pour accéder à cette paix intérieure. Lâcher prise en faisant confiance à cette force invisible qu’est la vie et son équilibre, se laisser un peu porter lorsque c’est trop difficile.
 Gandhi disait : Personne ne peut te blesser sans ta permission, le bonheur c’est un état d’être, le bonheur c’est un choix que l’on fait le matin au réveil, ou pas. Nous sommes libres de notre état d’être

Voici 3 livres que j’aime particulièrement :
Le bonheur de Frederic Lenoir
Messager de lumière de Neale Donald Walsh
Danser le rêve de Jamie Sams

Image et cœur : https://soundcloud.com/user-262019520
Chant et musique : Steph Ouna

 Parole :
C’est un musicien
Toujours pressé d’aller plus loin
Qui s’enfuit dans le lointain
Avec son âme à la main
Comme il s’enfonçait
Au plus profond de la forêt
Le vent se mis à souffler
Pour l’empêcher de tomber

refrain :
Lever les mains, vers le haut
Profiter il fait beau, ça nous donne tellement chaud
Qu’on est si près des oiseaux, on se sent libre au bord de l’eau
Et on y trouve le repos, on garde le tempo,
mais où sont cachés les défauts

Et dis-moi le musicien, je crois que l’on se sert de toi
Quel contraste sur ton chemin, tu sais qu’il n’y a ni raison, ni lois
Et t’y perds un peu parfois, tu te crois à l’abris de ça
Et l’on ne donnerait pas cher de toi, si l’on ne te connaissait pas

A vouloir partir trop loin, aller jusqu’à se rendre fou
Puisque rien ne nous retient, alors regarde ce qu’ils ont fait de nous
Essaye toujours de rester debout, même quand la lumière s’éteint
Et que la douleur te cloue, comme l’ancre sur un parchemin

Et mon pauvre musicien, tu avais envie d’aller jusqu’au bout
Mais tu n’es pas magicien, tu es là pour nous faire rêver, c’est tout
C’est comme un nœud qui se dénoue, puis la vie reprend son chemin
Alors on sent ce vent si doux, qui semble venir de si loin

refrain :
Lever les mains, vers le haut
Profiter il fait beau, ça nous donne tellement chaud
Qu’on est si près des oiseaux, on se sent libre au bord de l’eau
Et on y trouve le repos, on garde le tempo,
mais où sont cachés les défauts

Le chemin du musicien

Scream for Your Life before it changes forever. 

Collaboration

Vocals, Lyrics, Composition, Production, Guitar - Billy @sidehustleprophets

Guitars, Bass, Composition, Production, Mixing - Chris @chris-schlue

Drums - Karli @mightymartens

Scream for Your Life

Scream For Your Life

a sense of anticipation emerges


I was struck by an article in the Guardian 10 years ago about a woman who used to hang out and work with the Rolling Stones in the 60s and the article was about adapting to old age while having nostalgia for such a potent time in her life. For this recording I had to change one word - 70 to 80. Musically it needed to be rhythmic but melancholic: something you got from major and minor seventh songs in the mid 70s as disco kicked in



YESTERDAY’S PEOPLE

Yesterday’s people used to party, party, party
Yesterday’s people were so cool so cool so cool

There was a girl her skin so fresh and fine
There was a guy as smooth as a dark red wine
They were out there in a happening era
Face to face so close and nearer
Photogenic and oh so bold
But that generation has all grown old

In 69 it was crazy zany time
In London town all that music going down
Young people travelling - free love happening
Beautiful people philosophizing
Mary Jane twilight in the Mediterranean
That generation they’ve all grown old

If you’re talking to an 80 year old guy
Remember he - was Mr cool way back in time
Try to imagine the face much younger
The yearning soul hormonal hunger
Suite Judy blue eyes young people dancing
That generation they’ve all grown old


Yesterdays People

Invert the tree
strung with tiny crosses and stars.
A wintery embrace.
All edges frozen.
Atmosphere in fear.
Molecules hesitant.
Roots reach to sky black.
Inhale the dream chemical.

Unstable ratio.
Awake still.

Sympathize the radio static.
Dig down the leaves.
Find the interference
down the herbicide path.

She hovers again, in memory.
Pale chin on the asphalt.
Breath ripples the reflections.
Follow the shambled row.

Hear them from open windows.
Still tadpoles evolving.

Unslept dawn of mockingbirds.
The light bleaches meaning
to blind headlights nocturnal.
Dissipate steam and silhouettes.

Disorient the crossroads
and return with the rain.
Step back to retrograde.
Some satellite prediction.

Return darkness' bloom
to the shelf with the cigarettes
and where death, so sweet
integrates
at the edge of creation.

Words by Riley Robinson

village of coello

On se cherche à travers les mains 
On se regarde et puis tourne la tête 
A s'épuiser et entendre ta voix 
Pour me donner l'envie d'avancer 
Ou juste de s'arrêter 
A ne plus croire et continuer à s'essouffler 
Pour retrouver la couleur du ciel 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre 

Tu me perds et traverse la pièce 
Je te regarde au loin disparaître 
Tourné la tête plusieurs fois 
A t'épuiser à entendre ma voix 
J'avance mais tu recule 
On se retrouve à chaque pat 
Pour effacer la couleur du ciel 
On se retrouve à chaque pat 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre

Pourquoi je cherche et pourquoi tu ris 
A quoi ça mène toutes ces folies 
Même sans te voir viens avec moi 
Arrache et toute la rage en toi
Sort vite de là 
Laisse le feu s'éteindre
Et Sert moi dans tes bras 
Image juste la couleur du ciel 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 

Mais quand dit moi ce retrouvé à terre

Plus rien à attendre ni entendre 
Je pars de cet endroit un peu étroit 
Pardonne-moi si tu étais bien là 
Je t'embrasse malgré le froid 
Je te laisse un étrange souvenir de moi 

Qui te blesse au plus profond de toi
Je te laisse un étrange souvenir de moi 
Qui te blesse au plus profond de toi 

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre

Mais quand j'te vois à quoi ça sert 
Et quand dit moi être dans les bras 
Au fond c'est toi 
"Et si l'on prenait l'air"
Mais quand dit moi ce retrouvé à terre



À terre

À  terre

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

“Jazzy-Jam” by Luke

Working on my Piano 🎹 pieces and in between creating these fun tracks .. easy listening  with catchy beats..
Thanks to all my friends and fans for the well wishes ❤️


Keys & Piano & Synthesizer & B-Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Jazzy-Jam”  by Luke

Photo from left to right: JJ, Josh, and Ken
Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello
J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 
TexMex Shaman– @texmex-shaman –Stephen — ebow, production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 
  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."
  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.
  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. But before he did, he also added some subtle, yet stirring ebow on his guitar. 
  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls (Eclectic Collective)

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion

Mistermark-- @user-432503709 -- Mark –- VST Chinese gong and VST cello

J.J. Terrell– @j-j-terrell – light VST Latin percussion, synth, and piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, chant vocals at the end 

TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

 This song is the fourth Carl has written and composed with a member of Eclectic Collective in mind. This time JJ is being honored, and we all agree that he deserves it, too. Carl is a wonderful singer, songwriter, composer, and musician, and we're all grateful that he's joined our collective. 

  Here's what Carl had to say about it. "The music for this was a personal song written to myself which I never really released as I was trying to say goodbye to my own ego in the song. From that point of view I have always seen the piece as a great bit of personal therapy for me. None of the original lyrics survived and JJ gets painted by the new words .. But I thought it would be nice to reuse the composition for this. There was no big reason for it only when I decided to start a 60bpm song for JJ on piano .. I started playing Goodbye Ego and the rest is history..."

  We tackled this song like we would any other, though. Mark was first up on this, adding his VST magic in the form of a Chinese gong, as well as the cello you hear throughout. The subject of our adulation came next, with JJ adding not only his hot, yet minimal Latin percussion and essential piano, but moody synth, as well. Ken added his spicy drums after that, and once they were down, Josh jumped in with his four string fretless bass to complete the rhythm section. Josh also added the vocal chant at the end.

  All that was left was for Stephen to mix it all down for us, which he did in his always pro manner. 

  As stated above, this is a continuation of our songs about us. Hope no one thinks it's arrogant. When Carl presents us with these little treasures, it's hard not to run with them, though. Always a ton of fun to make music together. We hope you enjoy listening to this as much as we enjoyed creating it.


Original lyrics by The Beautiful Dark:

Praying hands
Whatever cause
Once our greater good not lost
Bored children create their fun
We shelve French horn for this fine one
"Nice one lads" We read it all!
Vacation taken
To JJ calls
Neighbour to good Mickey Moore
Find Michigan piano pure

JJ calls
Just for us
Love lit up
Just for us

Down the road city of cars
To Howell front deck
Dad and Guitars
We jam that love then tell the world
Love and service human highway knurled
Good bi-product of happiness sought
With Croatian fun to cloud we court

Terrell Terminator in Jungle
Predator for good
Keys like Mr Bungle
Faith in more like we could
He Thanks you
It's lifestyle
Built from a porch
Good collective friend
Keep lighting that torch

Some moments sealed, marked and moulded
Pure intention
Dark blindfolded
Howl from human to Howell good soul
Keyed keystone as collective role

JJ calls
Darkness falls
Love lit up
Just for us
Love lit up
Just for us
Love lit up
Just for us
JJ calls

JJ calls
Just for us

JJ Calls - Eclectic Collective

“The Schüßmann Waltz” by Luke

As a kid with a unique last name I’ve always wanted to write create my own Waltz piece..
Jodi (my wife) said it sounds like a music box so with a comment like that ..my work is done 😂

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                       Luke H. S c h ü ß m a n n©️

“The S c h ü ß m a n n Waltz” by Luke

New Song here, finally.  A slower version than what I'd like.  Hope you enjoy it.

Egg And Chicken

Cast of Characters:

Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing

TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.

  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 

  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Juxtaposed They Went

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Comme beaucoup de monde j'ai une passion, et comme  beaucoup de monde c'est la musique, surtout la composition, axée pop, rock, chanson française en grande majorité, qui se veut un peu alternative, progressive, et non revendicative, les thèmes restent assez simples. Ca reste amateur, et sans prétention; on est là pour s'amuser.

Nowhere

Ze Scott

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