I've been a DJ since 1984 and continue to play across the UK, Europe and beyond. I was resident DJ at Manchester's Haçienda for 8 years. I've also remixed, written and produced a whole host of tracks. To find out more please visit http://thisisgraemepark.com

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

Late Night Tales: artist-curated compilations. Night Time Stories: original artist releases.

Late Night Tales invites the world’s best artists to delve deep into their music collections to create the ultimate “late night” selection. The series includes expertly curated mixes by Bonobo, Jon Hopkins, Nightmares on Wax, Nils Frahm, David Holmes, Groove Armada, Belle & Sebastian, Friendly Fires, The Flaming Lips, Metronomy, The Cinematic Orchestra, Four Tet, and Jamiroquai.

The Night Time Stories imprint releases original artist recordings including Khruangbin, Chaouche, and Rae & Christian.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Born in Brooklyn, Tony Humphries first fueled the world of house music with his epic stint on KISS FM, as one of its greatest Mastermixers; paired with his residency at the legendary club Zanzibar.
Tony & Zanzibar were synonymous with a new soulful electronic sound.  His signature eclectic mixing talent led to Tony’s own production of what became known as The Zanzibar Sound or the Jersey Sound, with his hands on nearly 500 productions, including several gold hit remixes for the likes of Indeep & Janet Jackson.  

Tony's musical talents are rooted in a creatively diverse and musically driven performing family; including his father, a Colombian émigré Rene ‘El Grandé Combo’ Humphries, a prominent bandleader in New York, who worked alongside peers like Tito Puente and Eddie Palmieri.  This creative diversity inspired his lifelong passion and direction. 

In 1998, Tony founded his own imprint Yellorange Records, a subsidiary label of Strictly Rhythm. Yellorange releases were renowned for fusing soulful vocals, Afro-Cuban flavors & Italo-grooves.  After Strictly Rhythm's closure, he launched, Tony Records showcasing younger artists and producers of soulful music with a modern form.  

After a sabbatical from Tony's own production, Frankie Knuckles enticed Tony back into the studio, where he has been going strong, with releases on Nocturnal Groove, Moulton, and his own label, with a two part EP HouseWork, blending blues, gospel and  worksongs into a brilliantly contemporary setting.

Over the years, Tony has stretched his mixing arm across the globe, playing in countless clubs and festivals, with residencies and guest spots throughout the years in the likes of Ministry of Sound, Pacha in Ibiza, Echos in Rimini, Fabric, SmartBar and his Le Bain in NYC. 

Tony Humphries has remained timeless with his signature lure of the dance floor, blending the new house sound into his gospel, deep, tribal sound.

http://en.wikipedia.org/wiki/DJ_Disciple
The Beat, the Scene, the Sound: A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New York City.
by DJ Disciple, and  Henry Kronk. Foreward by Louie Vega.

A thrilling and tumultuous, behind-the-scenes account of house music in NYC. The Beat, the Scene, the Sound follows DJ Disciple and his behind-the-scenes account of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation—dive into the glitzy clubs, underground parties, and the diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC—between the fall of disco and the rise of EDM. The book unearths many untold stories of the era. When house first rose to prominence in the 1980s, it brought people together—Palladium, Paradise Garage, Tunnel, Zanzibar, Studio 54, and other clubs were going strong. But as DJ Disciple established himself in the scene, he witnessed it shatter. During the crack-cocaine epidemic, he literally dodged bullets bringing his records to and from clubs at night. HIV/AIDS and homophobia threw up fear-based partitions. Then, mayors worked to close the clubs. House music was pushed underground and then abroad to the UK and Europe. Disciple and many other DJs sought to regain a footing in the United States, but that only became possible with the rise of commercialized EDM. With dozens of interviews and historic photographs, The Beat, the Scene, the Sound shows what is possible when you bring people together and what can unravel when you split them apart.
Whether he’s dropping beats or dropping jaws, DJ Disciple is changing the game of modern music forever. David Banks, aka DJ Disciple, is an internationally-touring artist, DJ, radio host, and producer based in Brooklyn, New York. He is most famous for his success on the music charts, including his hit single, "On the Dancefloor," which peaked at #67 in the UK Singles Chart in 1994, and his Grammy-nominated track “Caught Up,” which earned the number one spot on the US Billboard Hot Dance Club Play chart in 2002 and was later featured on the Showtime series “Queer as Folk” in 2006. Disciple has also earned his way to the top in the world of remixes, and won an ARIA music award in Australia for his remix of producer Steven Allkins, aka Love Tattoo’s hit, “The Bass Has Got Me Movin.”

Disciple grew up with music in his genes. His father played piano with Miles Davis and his brother slapped bass for George Benson. Disciple got his start as a gospel DJ and, staying true to his religious roots, coined his name as a constant reminder that “only what you do for Christ shall last”. He started his professional career in 1987 when he worked as a radio host and mixer for WNYE FM, and quickly gained a loyal following of listeners. In the 90’s, he hosted “The Best Kept Secret”, a mix show also on WNYE (FM), where he spun the hottest new underground tracks from rising artists. From there, he moved on to touring as a DJ in 1992 with his eyes set on global success.

Disciple started out strong, and his first professional DJ gig was at the famous Studio 54 in New York. After that, Discple moved onto playing in the UK. As he traveled, his fan base quickly grew in size and diversity. By the time he debuted his first single on Muzik Pushers in 1993, his career was well on its way to the top. Since then, he has toured internationally and led the way for a modern era of DJs.

DJ Disciple is just as much an entrepreneur as he is a musician, and has had great success through starting his own record label, Catch 22 Recordings. The label is consistently putting out quality tracks, but one of the most noteworthy releases on this label was Disciple’s hit single, "Work It Out" featuring Dawn Tallman, which debuted in 2006. This track was also re-released on House Trained Records in the UK and made appearances on MTV and BBC Radio 1.

More recently, Disciple collaborated with Collette Mclaffery on “Birdseye View”. Their track is due out June 2017. Disciple is currently finishing his untitled book. Its publication is set for 2018. In 2017 Disciple’s label, Catch 22, celebrated its 20th year of releasing music. Here’s to the future, and to 20 more years of revolutionizing the music industry.

Walt Jabsco is following