10 Years : 

It's been about 10 years since I launched Pyramid.
10 years of incredible stories, experiences and life moments. I thought it would be the best moment to try to sum up what happened with this project.

After starting Pyramid, I released a first EP which made me work then with 2 people I loved, Thomas Barrandon and Pilotpriest.
It gave me the chance to sign as an artist on the incredibly cool label Kitsune and meet at this moment Crayon which led to a collaborative EP. I still today believe that he is one of the most brilliant producers in France, Kudos to Roche Musique for having him, and me for a track ;)

Signing to Kitsune gave me incredible opportunities, touring all around the world, Japan, Australia, Thailand, Mexico, USA and so much more ...I still can't believe how many landscapes I saw thanks to this. 
It made me encounter many people I used to look up as a kid: Daft Punk, Justice, LCD Soundsystem, Birdy Nam Nam, Para One, Flume, Danger, Lifelike, Breakbot, SebastiAn, the Ed Banger crew etc ... I also worked with some of them ;) 

Without planning anything, I had the chance to have my work featured in crazy video games, Forza Horizon 2, and if you know me, you know how important games are for me. 

What else ? I worked for TV and cinema a lot, and especially had my first American cinema experience, imperfect but I'll never be thankful enough to Max Joseph for giving me this opportunity, leaving Paris in a minute to join Zac Efron and Emily Ratajkowsky to work on a soundtrack. Crazy.

Besides my project, all those years allowed me to try to be a producer for other people, I did it quite rarely as it's not genuine for me, but hey, the first person I produced a track for was Nekfeu, still extremely proud of that Plume's track. 

You might also know that I'm a space lover, I created my label Space Designer after that, and planets aligned as I was chosen to work for Ariane, the world's leading satellite launch company and rocket makers. Making an EP to celebrate their 40 year anniversary was beyond expectations, to have the chance to visit the place where rockets are made and to see Neil de Grasse Tyson holding my vinyl. Wow. 

To end all those beautiful moments, I also had the chance to meet people that are really important to me today, the guys from Point Point and Record Record, the guy I share my studio everyday with, Jeremy Chatelain, my guitar boy Maxime Tribeche, my management crew at Grand Musique Management, my money maker Maxime Parnotte, my teenage grandpa Thomas Roussel, my brother Aurelien Rubod and so much more ...  

I might have forgotten some moments or people, sorry for that.

Now many of you asked me why I stop Pyramid, well after 10 years I felt that I did everything I could under this project, and I'm ready to explore new things, you might already know one of my other alias, Samaran, but don't worry, I'll still create, for me or for others, and the only thing I can say right now is that I'm planting seeds ;) 

Thank you, all of you, for all the love you gave me during those 10 years, It's been a hell of a ride but this is just a stop, not an ending.

Love
P.

Aurevoir

Motor

think i better go

Country Folk

Feels Like Flying

Feels Like Flying (Day)

Hatchet

Produced by Michael Tenzer

Vocals - Chloe Lundgren
Guitar/Synth/Bass/Drum Machine - Michael Tenzer

Art by Hsiao Ron Cheng (http://hsiaoroncheng.com) 

Cocoon

Feel How It Sees

We never had a chance
We never had a clue
Couldn't tell my [whatever you want here]
From what I was to you
I'm always counting backward
To 197-Eleven

It's always sunset in the parking lot
In 197-Eleven

There's something going down
While I'm just sweeping up
Trading baseball cards
For beer in coffee cups
I close my eyes and there we are
in 197-Eleven

Back behind the garbage bins
Moths are beating out their brains
Where I saw you kissing him
And now nothing else remains
Thank God I can't return
To 197-Eleven

I'm always counting backward
To 197-Eleven

I'm always counting backward
To 197-Eleven

credits
from Dank Carnival, track released May 2, 2025
Written and performed: Marc Laidlaw

Drums, bass, guitar, piano, synths: Ryan Pollie
KORG Minilogue: Marc Laidlaw

Produced by Ryan Pollie
Mixed by Brian Rosemeyer
Mastered by Rob Dobson

Cover by Woodrow White

197-Eleven

The debut single from WORLDS, the musical partnership of Erica Driscoll (@Blondfire) and Anthony Polcino (@AntoineDiligent).  

Release date: September 1st 2017 via WAX LTD Records

Good Shit

Million Air, a new single by Speelburg
BBC Radio 1 Chillest Record
full album Character Actor is out at the end of the summer, but there's a few singles already out here: http://bit.ly/Speelburg

Million Air

From the album Stray Fantasies available on Western Vinyl.

Order / Stream: mintjulep.bandcamp.com/album/stray-fantasies
hyperurl.co/2f98x8

LYRICS
Everything, everything, everything  we do 
always seems to lead to this
Everything, everything, everything we do 
always seems to end like this

In the white noise, like a dark hiss
In the silent screams, I hear your voice

I could be your flower, blooming in the darkness
Soft and deep, endlessly
Rooted deep to the underground

In the white noise, like a dark hiss
In the silent screams, I hear your voice


Mixed by Yuuki Matthews | Mastered by Carl Saff | Mint Julep is Keith and Hollie Kenniff

think i better go

Jesop

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