You're album sounds like it came from Teenage Mutant Ninja Turtles - Turtles in Time video game soundtrack- that's awesome! https://www.youtube.com/watch?v=jV7YxfwT4r0

Hell yeah! Orch hits! One of my favorite sounds.

ACTION

Nite Sprite's "Strut" has gotten a major overhaul by Mitch Murder, Betamaxx, Auxiliary Tha Masterfader, Perturbator, Le Cassette & Mr Maen.

Buy the release in full quality here: http://dxseven.bandcamp.com/album/strut-remix-compilation

Strut (Perturbator Remix)

Looking For Tracy Tzu

Released by Comorbid Records on Nov 25th, 2022.  

Go to https://patreon.com/owlvision to get early access to all upcoming music, behind the scenes footage, breakdown of songs and more. 

Spotify - https://sptfy.com/owlvision
Apple - https://apple.co/37V1GFj

NOCTURNAL

Owl Vision X Waveshaper - NOCTURNAL

Division

Paradise Warfare

PARIS2DURBAN

ellysion

ellysion - slowed

Buy 'Neon Graffiti'

Tenebre MCMLXXXIV

Dead Racer

Alpha Sector

Le  _ _ _ _

Début album 'From Womb To Doom' by the new master of darksynth out now via Lazerdiscs Records. Digital download, CD's and cassettes available here:

lazerdiscs.bandcamp.com/album/from-womb-to-doom

From Womb To Doom

Overdrive Overture

● Bandcamp: http://bit.ly/jst-godmode-bc
● iTunes: https://apple.co/2y41ELq
● Spotify: https://spoti.fi/2sOerMV

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Swedish power-synth act Irving Force is back with his long awaited debut long play album! Following a series of EPs that established him as one of the most well respected names in the international Synthwave scene and two singles ('Violence Suppressor' and 'Overlord') the time for Irving Force to unleash the full might of 'Godmode' LP is finally here.

A genre defying album that draws and blends together influences from Cyberpunk to Thrash and Doom Metal to Ennio Morricone-esque Western themes, 'Godmode' is the next step of Irving Force's musical evolution. The characteristic riff filled Synthwave/Darksynth structures and compositions we've all come to know and love by Irving Force are coupled with distorted synths and live vocals (when needed), providing an album that excels not only in its compositions but also in its storytelling and fresh, forward thinking approach.

From the opening seconds of the LP opening track 'Subterranean Formations' to the very last seconds of the last song 'Wasteland' this an album that was created to be heard as a whole and fans of Irving Force's cinematic and action packed story driven album writing will no doubt come to love and appreciate it as the genre defying and at the same evolving album that it is. The only limit to music writing is one's imagination and Irving Force's debut LP 'Godmode' is the perfect proof of that.

● Follow Irving Force:

Soundcloud: https://soundcloud.com/irvingforce
Facebook: https://www.facebook.com/irvingforce
Bancdamp: https://irvingforce.bandcamp.com
Spotify: http://bit.ly/spotify-irving-force
Twitter: https://twitter.com/IrvingForce

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Godmode

Irving Force - Street Mech

An immense sequel to AKUMA. Not for the faint-hearted. ALEX and TOKYO ROSE are back with more sinister synth, but this time they are adding more robust sonics to their productions. Made for all retro-electro and darksynth lovers. A must for all audiophiles.

https://newretrowave.bandcamp.com/album/akuma-ii

AKUMA II

ALEX & TOKYO ROSE - 3AM

Corporate Killer

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
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In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

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Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Killer Looks (Misanthropix Remix)

Dark Tide

Dark Tide (Cassetter Remix)

Electronic music that transcends genres.

Always aiming for originality, style and quality, JST is constantly in search of groundbreaking new talent willing to push the boundaries of electronic music.

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   CONTACT US

Demos: demo@jet-set-trash.com

Bookings, Press: trash@jet-set-trash.com

Licensing, all other inquiries: bin@jet-set-trash.com

Irving Force - Street Mech

Jet Set Trash

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