Pete Bromley has been Stoke On Trent's top House DJ since 1989 and it has been an interesting and varied journey for him! Resident DJ at Stoke's first successful Underground Dance night 'Introspective' back in 1989 he went on to play at the infamous Shelleys Laserdome as well as other influential clubnights across the UK. Pete's next residency was to be at the Freetown in Hanley which would see him play alongside DJ's like Sasha & Dave Seaman. This would become the stepping stone to his next residency, the legendary Golden. Pete was the main resident DJ at Golden for an amazing 11 years which saw him play with the worlds biggest DJ's bar none. During this time he played many guest appearances at places such as Cream, Renaissance, Ministry Of Sound and DJ magazine listed him as one of the most popular resident DJ's in the world, resulting in his Essential Mix live on Radio 1 alongside Pete Tong at Sankeys in 1996. Quite an accolade seeing as he has never bolstered his career with international gigs, remixes or a recording career as 99% of producer/DJ's do these days. After Golden's demise In 2003, Pete then went on to become one of the resident DJ's at Satchmo's which has now become part of Stoke clubbing folkelore and his position has been cemented over the last years as resident DJ for the Move and their parties at The Sugarmill, Spode Warehouse & The Underground  playing alongside Jamie Jones, Patrick Topping, Solardo, Skream, Annie Mac, Derrick Carter, Pete Tong, MK, Todd Terry, Seth Troxler, The Martinez Brothers, Steve Lawler, Hot Since 82, Eats Everything, Darius Syrossian,Micheal Bibi, Alan Fitzpatrick, wAFF,  Dimitri From Paris, Kenny Dope, Low Steppa, Dan Shake amongst dozens of House musics elite. You can catch Pete at Back In The Day, Blue Collar Disco & Move events @ The Underground/Sugarmill Hanley, Stoke On Trent to see for yourself why he's been at the top of his game for all these years and still going strong!

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To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Adam Taylor: A Trance Luminary Takes the Stage

Adam Taylor, a luminary in electronic music, boasts over a decade of DJing experience. His track record includes coveted signings with renowned trance labels like A State Of Trance and Future Sound Of Egypt. What sets Taylor apart is the resounding support from trance icons like Armin Van Buuren and Aly & Fila.

As a resident DJ for Emotional Response presents Music Unity For Mental Health, Taylor’s talent finds a sanctuary in London’s vibrant music scene. His versatility is evident from prior residencies at Anomaly.

A highlight in Taylor’s career was his triumph in the Passion Producer competition, showcasing his ability to craft tracks that resonate deeply.
Taylor’s unique style and dedication promise to leave an indelible mark on electronic music. With a rich tapestry of accomplishments, he’s set to ascend even further in influence and captivate audiences with his innovative soundscapes. Witness the evolution of this rising luminary as he propels electronic music into uncharted realms.

Contact: info@genixmusic.com

My new album YOU.ME.NOW is out everywhere: https://found.ee/7TFtfh

GET YOUR FISHER MERCH !! 
Https://www.followthefishtv.com

MGMT:
Brett Fischer
brett@ayita.com

MARKETING:
Shayan Fakhimi
Shayan@ayita.com

N+S America Bookings:
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AUS+NZ Bookings:
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EU Bookings:
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JFK Passion. 
PaSSion is The East Midlands leading Trance and house event for the past 29 years.
JFK is promoter and resident.

Tise Jones exploded onto the electronic music scene in 2020 with his official remix of What So Not’s ‘OOGAHDAM!’ which has racked up over 250,000 plays on Spotify alone. Following this debut, Tise scored a support slot on the sold out What So Not 2020 Australia & New Zealand tour. Tise followed with singles supported by triple J, plus another remix, and edits that garnered support from the likes of Odd Mob and Tommy Trash.

And yet, in achieving all this, Tise was dealing with a chronic health issue that would see him bedridden for weeks at a time. He was forced to put his career aside and go on a long journey to get better.
Now, in 2024, a new, healthy and energised Tise is refreshing his catalogue with a mature new sound, blending hard-hitting grooves and dance floor bass lines with the emotion of his story, of the struggles of putting his dreams aside to make it through.

JFK Passion is following