WEBSITE
www.captainklab.com 

JUNKFOOD - RECORD LABEL
www.junkfoodrecords.com

North America Bookings 
- evan.steinberg@unitedtalent.com
- steve.gordon@unitedtalent.com

Australia/NZ/Canada

- Tomas@daniomanagement.com

MGMT
Meghan@mammothmusicgroup.com
Jared@mammothmusicgroup.com

@limousine-dream
TSOL: The Sound Of Limo
https://go.limousine-dream.com/linkinbio

Studio Masterclass: www.nug-net.com

Booking: dave@sweatlodgeagency.com

Want more Phibes Dubs ?  - Get 50 + Exclusive Dubs on - https://www.patreon.com/Phibes These Tracks cannot be found in any other onlne store or streaming site .

Link Tree  - https://linktr.ee/Phibes

Soundcloud Free Tracks -       https://soundcloud.com/phibes/sets/free-downloads

Bookings - https://hotcakes.info/artists/?profile=phibes

EU BOOKINGS- ben@hotcakes.info
USA - Sdunn@corsonagency.com
CANADA - grant@midnightagency.com
...............................

Aka Heimyl    
booking live or set : undergroove.records@hotmail.com
music request : emilienperroux@hotmail.fr

Remotokay [RAUSCHunterDRUCK]

The Sounds of Rausch unter Druck are electronic, electro-minimalistic, techno,vocal-techno , exortek. 
Remotokay is the Specialist of Techno and Exortek (Exorzismus-Techno). 

Artists: 
Remotokay (Techno, Exortek, Minimal-Tech) 
Dyonic (Tech-House, Electro-Tech, Techno) 
Kinne (Techno, Minimal-Tech) 
Caspar (Electro-Tech, Expirimental) 
The Camoto Twins (Caspar and Remotokay) (electro- and vocal-techno and electro-minimalistic) 
The 2CORE (Remotokay and Dyonic) (techno, vocal-techno and exortek)

Remotokay was born in 1980. With age 14 he plays firstly on Turntables. 
His career begans in 1996 in YouthClubs and 1998 in the Clubs of Berlin. 
In 2003 he found his love in the digital world of djing and he begans to produce his first track in 2006. 
His Style is Techno and Exortek (Exorzismus-Techno). 

Remotokay erblickte 1980 das Licht der Welt.
Schon als kleiner Junge spielte er gern mit den Tellern seiner Mutter.
1994 im zarten Alter von 14 Jahren wurde dann aus dem weißen Porzelan, schwarzes Vinyl und Plattenteller.
Er startete seine Kariere 1996 mit Trance und Techno und trat damals in den unterschiedlichsten Clubs auf und rockte das Haus.
1999 entdeckte er seine Liebe für die Minimalistische und doch Melodische, treibende Technoszene Japans, Russlands und der angeblich so prüden und verschlafenen Britten und ist dieser mit wachsender Begeisterung treu geblieben.
Sein Sound ist sehr abwechslungsreich und trägt seine eigene Handschrift. Zur Zeit spielt er primär Russian-Minimal, Tokyo-Tech und die technotischen Klänge Groß Britaniens, doch verliert sich nie in Monotonie.
Auch lässt er sich nicht einschränken Techno mit House, Breakebeats, Trible und Flächen zu mixen.
Und dass dieser Soundmix funktioniert beweist er nun seit mehr als zehn Jahren. Auch seine Produktionen zeigen, dass er seinen eigenen Style hat.



Contacts:

mail: remotokay@live.de
booking: remotokay@live.de
facebook: facebook.com/remotokay
myspace: myspace.com/remotokay
youtube: youtube.com/user/Remotokay
soundcloud: soundcloud.com/remotokay

Vinyl Releases:

Makes me Dizzy 13
https://www.discogs.com/Mr-Gasmask-Shirin-Makes-Me-Dizzy-13/release/11140491
FTSK 09
https://www.discogs.com/Ling-Ling-3-Vikkei-Gelbkreuz-2-Shirin-6-Keton-Mtl-Pozek-FTSK-09/release/12471708
FTSK 11
https://www.discogs.com/de/Various-FTSK-11/release/13078574

FOR BOOKING:

booking@ferryultra.com



The debut album from veteran DJ/Producer Ferry Ultra, "Ferry Ultra & the Homeless Funkers", provides eleven slices of real deal soul and funk sure to satisfy soul boys and girls across the spectrum. Featuring a veritable who's who of soul, funk and hip-hop, Ferry Ultra fuses his love for the music of the past with accomplished contemporary production without once losing soul's essential element: feeling. Live instrumentation (including some soul-affirming punchy horns), strong songwriting and stirring vocals combine on a collection of cuts that mark Ferry Ultra out as a musician and producer of impeccable taste, well-versed in soul's past, present and future. The album kicks off at a blistering pace with a juicy slice of discofied new school Northern Soul aimed squarely at the dance floor via the bustling Live My Life featuring Nicole Russo. Rare groove legend, Gwen McCrae commands nothing but respect for her preposterously funky performance on the sass laden modern soul goodie, Let Me Do My Thing. The flow of luminaries continues apace with a typically joyous performance from the inimitable Roy Ayers on the buoyant jazz-funk-soul of Dangerous Vibes, featuring a smile-broadening vibraphone solo from the man himself! Southern Soul troubadour, Ann Sexton proves that she's lost none of her gutsy vocal abilities on Rising Up, fusing funk, gospel, blues and hip-hop to stellar effect. Ex-Freak Power lead man, Ashley Slater keeps the funk quota at stratospheric levels with some straight-ahead, head- nod vibes on Why Did You Do It. Keeping the 'Fun' in the 'Funk', hip-hop legend Kurtis Blow drops in halfway through to assist the disco-rap-go go-soul of Wiggle, justifiably recalling memories of proper old school rap from troupes such as The Sugarhill Gang and The Treacherous Three. It's wonderfully unpretentious, life-affirming music destined to let a little sunshine into even the greyest of existences. Things calm down for a moment thanks to I Owe My Love to You, a laid back 80s soul groove that unites house legends Ron Carroll and Ten City's Byron Stingly. The track's permeated with a nice little Cool Million vibe (not surprising given Rob Hardt's involvement across the project) and recalls a time when house music artists were unafraid to put out straight ahead soul records. Gwen McCrae pops back up again with the infectious You Make Me Happy; a track that resolutely does what it says on the tin! Jazz and R&B singer, Melva Houston brings more than just A Little Bit of Soul thanks to another confident, soulful performance before band-leader for The Greyboy Allstars, Karl Denson floats in with a sax-led chunk of funk in the shape of the dubiously titled, Blow Job! The album comes to a satisfying close with the sweet soul of Brown Eyed Love featuring the rich tones of Sharon Phillips. It's astounding to see this rich and varied list of legendary vocalists and musicians together on such a remarkably cohesive project. "Ferry Ultra and the Homeless Funkers" undoubtedly deserves a home in your record collection!

groove out your funky soul !

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