Slow Motion Picture is an orchestral alternative rock project from New York led by multi-instrumentalist Brian Caesar (former bassist of the band As Tall As Lions). The project began as a duo in 2009, originally recording under the name For Every Story Untold, with Caesar writing the majority of musical arrangements and singer/ pianist Lauren Edman (Sleepthief) taking on the role of the band's front woman. The two wrote score-like songs to accompany a series ghost stories that Caesar had originally written to cope with the loss of his father. Later adding drummer Aaron Kelly, keyboardist Marco Talamo and bassist Dan Timmons to the live line up, they began playing venues around the New York area including several sold out shows opening for up and coming artists such as Susanne Sundfør (M83) and Braeves . 
In 2014, Lauren Edman decided to leave the group to focus more on her project Northern Flicker. Slow Motion Picture released its debut album In Memory Of... shortly after. The album was very well received by critics and fans which led to the song Opening getting a prominent spot on the Ear to Ear Records / Gerpfast Kolektif compilation REVOLUTION-The Shoegaze Revival.
Currently, Caesar is working with singer Elle Morisette and violist Suzanne Morello to finish up a follow up EP expected to be out in early 2018.

http://translucentpulse.bandcamp.com
https://www.facebook.com/translucentpulse
https://twitter.com/xlucentpulse

conceived of in 1995, translucent pulse combines melodic textures, muffled rhythms, and found sounds with an emphasis on improvisation and aleatoricism.

composite, a 17/18-track collection of recordings made between 1995-2003, was released in october of 2003 on the now-defunct kabuki kore label.

anemone, a 5-track EP, was completed in late 2010. subpercipient, an 8-track full-length record, was completed in late november of 2015. both are available at http://translucentpulse.bandcamp.com

for best results, please use headphones.

email: translucentpulse at gmail dot com

A staple of Philadelphia’s indie rock scene, Tom Lugo’s dark, heartfelt and edgy  productions are an intricate blend of indie pop songwriting, post punk aesthetics, and psychedelic undertones. 
He is the owner of the independent record label Patetico Recordings, the mastermind behind the Popnoise Festival, as well as being involved in a variety of musical projects which include Stellarscope, MAYU, Heliocentric Overdrive, Cielo Oceano, Dreams Turn Black, and more. Previous bands: Under the Wire, SUPER TOYS, ShiShi, Drowning Dreams, Arnold Layne, Euthanasia, and  more. 

Stellarscope (indie rock)  https://www.facebook.com/pages/Stellarscope/42638364841
Panophonic (indie pop- nugaze)  https://www.facebook.com/pages/Panophonic/33458859528
MAYU (dreampop) https://www.facebook.com/mayutheband/
Cielo Oceano (shoegaz/dreampop) https://www.facebook.com/cielooceano/ 
Heliocentric Overdrive (break beat indie pop) https://www.facebook.com/HeliocentricOverdrive/  
Under the wire (darkwave) https://www.facebook.com/pages/Under-The-Wire/188387867971618

Patetico Recordings (indie record label) https://www.facebook.com/Patetico-Recordings-219018488119479/

Glasgow based original psychedelic Rock N Roll. 

Philadelphia’s Stellarscope are a staple of the indie rock scene with their unique brand of post-punk indie rock. Their music is dark and emotive yet it still has a pop sensibility to it. Stellarscope’s energetic live performances has garnered the band accolades from their peers as well as their fans. With multiple releases under their belts they continue to march forward and evolve with the times. 
Their music has appeared in many compilations and tribute albums, documentaries as well as on MTV, A&E, Discovery Channel, Alli Sports TV, and more.
For fans of Joy Formidable, Silversun Pickups, Wavves, A Place to Bury Strangers, The Jesus and Mary Chain, Joy Division, Interpol, Ramones, etc.

Sana Obruent is the drone/ambient project from Paul Lopez who lives “somewhere in California”. His music is recorded live, at night and in total isolation – which is something you can hear.

The best description is imagining he's out in the hills somewhere concocting this stuff at the dead of night. Most of his tracks come in at around the ten minute mark and consist of subtly evolving tones in which is firmly set to "relax". 

Like the best music of this genre it undulates and churns. Coming in and out of focus like a blurred photograph of something terribly bleak.


You may listen, you may even witness something slightly disturbing, but you are unable to move. 

Enjoy the freeze.

Followers of Jill E. Cordeiro