Name: Aerostat Reveillon by Jim Combs - Composer, Keyboardist and Guitarist in Jim Combs Fusion
Duration: 9 min 23 s
Description: This was the first song I wrote for the CD Keepsakes. It’s about the hot air balloon ‘Aerostat Reveillon’ which on September 19, 1783 was the first flight ever with passengers; a sheep, duck and a chicken. Scientist Pilatre De Rozier setup the demonstration for King Louis XVI to give him assurance that human beings could breathe at the higher elevations.

'Jazz rock' is an interesting label but I can see what you mean. I enjoyed this.

Intense, very creative!, very cool track!

Such music is a jolly fine place to be. :)

Mesmerizing sound and vibe. Love the counterpoint between the bass line and keyboard line.

Cool changeup in this section. A nicely involved bridge.

Awesome techniques and play. The guitar sound is great. Best Mix.

very cool and nice progression sound…. remind me the way of «weather report ». i like a lot.

Jim Combs Fusion

Vishaad feat. Lush

Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN FE

Psychedelia - Music by Martin Reed

Listen to the amazing music of Rekha Here https://soundcloud.com/rekha-iyern-fe 

Psychedelia - Music & Lyrics by REKHA IYERN FE


Here is the Official Video :) https://youtu.be/lqtrRmZeSYA

Intro:
Oh-Oo
Wo-Oo-Oh
Ah...

Beautiful kaleidoscope
Suddenly appears before me
In front of my eyes
In my head
Beautiful Kaleidoscope

Of colour
Bold, bright and blue
Oh, so good

I'm floating
I, I am
In the sky
So high above I go
In my psychedelia
Oh, Yeah-Yeah
Hey, Eh-Eh

Purple, Red and Blue
Colours so pure, so pure
I'm goin' outta my head
Pleasantly I escape

To what's comin'
What's comin' ahead
In the clouds
In the misty light

Wo-Oo-Wo
Wo-Oo-Wo-Ho
Oh-Oh-Oh
Oh-Oh-Oh-Oh
Yeah-Yeah
Beautiful psychedelia
Hmn, the colours
Of the rays
Ah-Huh, Oh-Ooh, Oh-Ho

Cover Art Design: Photo & Graphics by REKHA IYERN FE

Music by Martin Reed in the UK
Music/Vocals Mixed & Mastered by REKHA IYERN FE RECORDS IN CANADA

Psychedelia M1 Basic AIFF REKHA IYERN FE -1.1db

Released by:
REKHA IYERN FE RECORDS CANADA & MARTIN REED
P-line:
℗ REKHA IYERN FE RECORDS CANADA/REKHA SONG PUBLISHING & MARTIN REED
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Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN [Fe] | Psychedelic ROCK

wind-bell

dragon

Nexzt Orbit

This was the first song I wrote for the CD Keepsakes. It’s about the hot air balloon ‘Aerostat Reveillon’ which on September 19, 1783 was the first flight ever with passengers; a sheep, duck and a chicken. Scientist Pilatre De Rozier setup the demonstration for King Louis XVI to give him assurance that human beings could breathe at the higher elevations.

Aerostat Reveillon

Roberto B (@user-55822457) and I now present track 12, "Egeia", in our album in progress "Midnight Coffee". We hope you'll enjoy it.

Created in collaboration on 1 July and 1 September 2021 (initial and final mix and recording, respectively, in MAGIX by Roberto B), and 29, 30 and 31 August (intermediate additions, mix and recording in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 3 September 2021 (by Alex M). The used sound effects come from Alex M's own sample - Gentle Early Morning Sea Waves (recorded on 26 August 2021, on the beach in Kariani, Aegean Sea coast, north Greece).

The artwork cover is designed and implemented by Alex M on 29 June 2021 (in Tayasui Sketch in Mac OS), and cropped and annotated by Alex M (in Mac OS Preview) on 30 June 2021.

Thank you so much, Roberto - for the beautiful musical ideas and our collaborations!

Duration: 7:40 minutes

Egeia - Roberto B & Alex M

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Ragnar Lothbrok was a Viking in legend and distinguished himself by conducting many raids against the British Isles and the Holy Roman Empire during the 9th century

The land was here before humans

This is the 1st piece in a trilogy that was my "foré" into the history of the Vikings and medieval times of England, musical interpretation my own of course😜

The 2nd piece is https://soundcloud.com/brian-hudson-145918679/hroilfr-hrollaugr?si=7ad5f90218bc447db9cd725061818962

The 3rd piece is https://soundcloud.com/brian-hudson-145918679/of-kings-priests-nobles-and-war-lords?si=097092c4897c4861a94e5beef3621fcd

Play List Here
https://soundcloud.com/brian-hudson-145918679/sets/vikings-and-medieval-trilogy?si=efea0a28ed0c4b9da6c8e1d57a162f5e

Oh I Wish

Ragnar Lothbrok

At Sixes And Sevens had several revisions. Originally, the opening of the piece was in 6/4 and the remainder of the song was in 7/4 (thus the title) but i didn't like the 6/4 feel. I decided to stay in 7/4 for the entire song (pretty much).

At Sixes And Sevens

Album (2018) : "Révérence, études tenuto & marcato"
* En écoute sur : vincentthomasrey.com/

(© All rights reserved - Blockchain Bitcoin technology)

- Arabesques Célestes (Étude I)
- Le Jardin Des Muses (Étude II)
- Invierto & Invitero (Étude III)
- Ibis Rouge (Étude IV)
- L'Épreuve Du Temps (Étude V)
- Soleil D'Hiver (Étude VI)
- Les Rameaux De L'Espoir (Étude VII)

Études pour piano & danse classique (Tenuto & Marcato).

Pochette : Vincent Thomas Rey

Révérence

Memoirs of the Twentieth Century – The title comes from the 1733 novel by Samuel Madden, considered the first of English literature to ever feature time travel. I wrote this to be the first song on the CD and was the last I song wrote for the project.

At the completion of my project “Waiting”, I decided to start on another project immediately. I’m not sure whether it was my turning 60 or the fact that 2020 was a year that had me wishing for another time, but either way I found myself drawn to stories of time travel. 

I did not begin the Keepsakes project with the idea it would be a concept project/CD, but it does seem to feel like one. It Just proves how much your writing is influenced by your situation, whether you realize it or not.

Memoirs Of The Twentieth Century

The Older I Get

After viewing the photograph of Nikola Tesla sitting on a chair in his Knobe Hill, Colorado Springs laboratory it made me wonder what the night sky must have looked like in 1899 while Tesla was performing his experiments. The photo also reminded of the James Whale's 1931 Frankenstien movie's lab designed which included Kenneth Strickfaden's movie machinery prop, his own Tesla coil that he called the Megavolt Senior. The marvelous bass solo is performed Stefan Pavlov and vocals by Volodymyr Chyzhovych. The intro has an actual recording of a Tesla coil charging.

Moonlight On Knob Hill

In August 1877, Asaph Hall of the U.S. Naval Observatory conducted a systematic search and discovered two satellites, or moons, of Mars within a few nights of each other. Hall named the moons Phobos and Deimos, after the two sons of Mars who were his chariot attendants and constant companions. However, this was not the first time that the existence of these moons had been theorized. Almost three centuries earlier, in the early 17th century, astronomer Johannes Kepler had also proposed the idea of two moons orbiting Mars. This was due to a secret coded letter received from his colleague Galileo Galilei. Both Galileo and Kepler were influential figures in the field of astronomy, and their contributions are still celebrated today. 

When Galileo sent his coded letter, Kepler was eager to solve it and feel validated in his theories about Mars. The letter was written in Latin and contained a word puzzle for Kepler to decipher. Despite his best efforts, Kepler's interpretation of the code was not entirely accurate. He rearranged the letters to read 'be greeted, double-knob, children of Mars,' and believed this confirmed his theory. However, the actual solution to the puzzle was a playful joke from Galileo, not a scientific revelation.

This song is part of the project Analog Buildup.

Special thanks to Percussionist Reinaldo Ocando for his work on the bongos.

The Children of Mars

This started as a small synthesizer electronic piece but it wanted to be a larger number so now it is. This features Mannuel Trabucco on soprano sax.

Analog Buildup

WRITTEN, ARRANGED AND PERFORMED BY: DOMINIQUE SOTO
INSTRUMENTAL PRODUCED BY: MIDDLE C.

HELLO MELLO (5-4-15)

“There is nothing permanent except change.” – Heraclitus.

The music industry (like many things) has changed greatly since I bought my first 45 record (Green Eyed Lady) at my hometown record shop in 1970. It would be very easy to lament over these changes (and I have.) However, with change comes new opportunities, and thanks to websites/apps like Soundcloud we musicians and composers have the opportunity to to be heard as never before. So thank you Soundcloud and thank you for visiting my page. - Jim Combs

Bio
* Born 1959
* From Southern New Jersey, USA
* Instruments: Guitar (jazz & classical), Bass, Piano, Voice 
* Influential LPs/music (not all and in no specific order): Mahavishnu Orchestra - Birds of Fire, Miles Davis - Nefertiti & Sketches of Spain, Larry Coryell – Spaces, Weather Report - Heavy Weather, Pat Martino – Consciousness, Return to Forever  - Romantic Warrior,  Chick Corea - The Leprechaun, Jeff Beck - Blow By Blow,  Frank Zappa - Zoot Allures, Santana & McLaughlin - Love Devotion Surrender, ELP – Trilogy, Genesis - Wind and Wuthering, Yes - Close to the Edge, David Sancious - The Bridge, Be Bop Deluxe - Sunburst Finish, Ambrosia - Somewhere I've Never Traveled, Journey – Journey,  Rite of Spring & Petrushka – Stravinsky, Don Quixote - Richard Strauss, La Mer - Claude Debussy, Pavane pour une infante défunte & Daphnis et Chloé – Ravel, Music for Strings, Percussion, and Celesta - Bartok ,  Andrew Lloyd Webber - Jesus Christ Superstar, Jerry Goldsmith - MacArthur, The Omen, Planet Of The Apes (1968), Isao Tomita - Snowflakes Are Dancing & The Bermuda Triangle.

Aerostat Reveillon

Jim Combs - Composer, Keyboardist and Guitarist

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