Dig Deep II

Jim Combs Fusion

Moon In My Pocket

At Sixes And Sevens had several revisions. Originally, the opening of the piece was in 6/4 and the remainder of the song was in 7/4 (thus the title) but i didn't like the 6/4 feel. I decided to stay in 7/4 for the entire song (pretty much).

At Sixes And Sevens

Memoirs of the Twentieth Century – The title comes from the 1733 novel by Samuel Madden, considered the first of English literature to ever feature time travel. I wrote this to be the first song on the CD and was the last I song wrote for the project.

At the completion of my project “Waiting”, I decided to start on another project immediately. I’m not sure whether it was my turning 60 or the fact that 2020 was a year that had me wishing for another time, but either way I found myself drawn to stories of time travel. 

I did not begin the Keepsakes project with the idea it would be a concept project/CD, but it does seem to feel like one. It Just proves how much your writing is influenced by your situation, whether you realize it or not.

Memoirs Of The Twentieth Century

After viewing the photograph of Nikola Tesla sitting on a chair in his Knobe Hill, Colorado Springs laboratory it made me wonder what the night sky must have looked like in 1899 while Tesla was performing his experiments. The photo also reminded of the James Whale's 1931 Frankenstien movie's lab designed which included Kenneth Strickfaden's movie machinery prop, his own Tesla coil that he called the Megavolt Senior. The marvelous bass solo is performed Stefan Pavlov and vocals by Volodymyr Chyzhovych. The intro has an actual recording of a Tesla coil charging.

Moonlight On Knob Hill

In August 1877, Asaph Hall of the U.S. Naval Observatory conducted a systematic search and discovered two satellites, or moons, of Mars within a few nights of each other. Hall named the moons Phobos and Deimos, after the two sons of Mars who were his chariot attendants and constant companions. However, this was not the first time that the existence of these moons had been theorized. Almost three centuries earlier, in the early 17th century, astronomer Johannes Kepler had also proposed the idea of two moons orbiting Mars. This was due to a secret coded letter received from his colleague Galileo Galilei. Both Galileo and Kepler were influential figures in the field of astronomy, and their contributions are still celebrated today. 

When Galileo sent his coded letter, Kepler was eager to solve it and feel validated in his theories about Mars. The letter was written in Latin and contained a word puzzle for Kepler to decipher. Despite his best efforts, Kepler's interpretation of the code was not entirely accurate. He rearranged the letters to read 'be greeted, double-knob, children of Mars,' and believed this confirmed his theory. However, the actual solution to the puzzle was a playful joke from Galileo, not a scientific revelation.

This song is part of the project Analog Buildup.

Special thanks to Percussionist Reinaldo Ocando for his work on the bongos.

The Children of Mars

I wrote this contemporary jazz piece after watching Rick Beato's wonderful interview with Keith Jarrett. This features Ric Fierabracci on bass, Larry Salzman on percussion and Mannuel Trabucco on soprano sax.

Looking To Allentown

This started as a small synthesizer electronic piece but it wanted to be a larger number so now it is. This features Mannuel Trabucco on soprano sax.

Analog Buildup

Artist Picture. Shyntwirl 
Art Cover Editor. Shyntwirl 

Programmer. Shyntwirl 
Composer. Shyntwirl 
Mixer. Shyntwirl 
Produccer. Shyntwirl 
Idea Creator. Shyntwirl 
Keyboard. Shyntwirl 
Melody. Shyntwirl 
Flute. Shyntwirl 
Electronic Sounds. Shyntwirl 

Ambient / Atmosphere / Experimental Alternative / Electronic 
PROD. Shyntwirl

Shyntwirl - Waiting For Something From You (PROD. Shyntwirl)

Anti Monk In Shining Armor

Warm-Duscher

“There is nothing permanent except change.” – Heraclitus.

The music industry (like many things) has changed greatly since I bought my first 45 record (Green Eyed Lady) at my hometown record shop in 1970. It would be very easy to lament over these changes (and I have.) However, with change comes new opportunities, and thanks to websites/apps like Soundcloud we musicians and composers have the opportunity to to be heard as never before. So thank you Soundcloud and thank you for visiting my page. - Jim Combs

Bio
* Born 1959
* From Southern New Jersey, USA
* Instruments: Guitar (jazz & classical), Bass, Piano, Voice 
* Influential LPs/music (not all and in no specific order): Mahavishnu Orchestra - Birds of Fire, Miles Davis - Nefertiti & Sketches of Spain, Larry Coryell – Spaces, Weather Report - Heavy Weather, Pat Martino – Consciousness, Return to Forever  - Romantic Warrior,  Chick Corea - The Leprechaun, Jeff Beck - Blow By Blow,  Frank Zappa - Zoot Allures, Santana & McLaughlin - Love Devotion Surrender, ELP – Trilogy, Genesis - Wind and Wuthering, Yes - Close to the Edge, David Sancious - The Bridge, Be Bop Deluxe - Sunburst Finish, Ambrosia - Somewhere I've Never Traveled, Journey – Journey,  Rite of Spring & Petrushka – Stravinsky, Don Quixote - Richard Strauss, La Mer - Claude Debussy, Pavane pour une infante défunte & Daphnis et Chloé – Ravel, Music for Strings, Percussion, and Celesta - Bartok ,  Andrew Lloyd Webber - Jesus Christ Superstar, Jerry Goldsmith - MacArthur, The Omen, Planet Of The Apes (1968), Isao Tomita - Snowflakes Are Dancing & The Bermuda Triangle.

The Children of Mars

Jim Combs - Composer, Keyboardist and Guitarist