Alt-pop trio Howlite blend heavenly vocals with Y2K inspired electronica to create cinematic dreamscapes.

Inspired by alternative acts such as alt-J, Perfume Genius and Frou Frou, and energised by dynamic performers like Billie Eilish and CHVRCHES, their dramatic musicality showcases a band who’s shifted into a higher place.

BOOKINGS:

Worldwide
bookings@deepend-music.com

The Netherlands
LIWYN Amsterdam
Leonieke Smit
Phone: +31 [0]20 428 3170
Email: leonieke@liwyn.com

Germany, Switzerland & Austria
BCB Family
Email: ask@bcbfamily.com

MANAGEMENT:
info@deepend-music.com

GENERAL INFORMATION & REMIX REQUESTS:
info@deepend-music.com

PROMOS:
promo@deepend-music.com

Official SoundCloud account for Blue Note Records
www.bluenote.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Bookings: james@ltmcrew.com.au

//

Tan leather that’s soft on the touch. The smell of rich mahogany as you run your fingers across the steering wheel, and the way the sunlight reflects off the hood in the most, subtle way. This might be how you’d describe the first time you sat in a 1974 Holden Kingswood, but not Boot Action. The first time they were in a Kingswood was in the back seat, being conceived.

Luke Taylor & Jake Waters have always shared a deep affinity for counter culture and played out their musical internship in the subset of the underground scene, a place called Club Kitchen. The after hours rave represented everything they loved in music; House grooves, jazz throwbacks, 808’s and heartbreaks, and with a backdrop of sweat drenched pots & pans.

Months after, they won a set of headphones in a meat raffle, at that point the boys knew; it was time set about giving Boot Action to the world. 

Throwing a few bootlegs into the blogosphere, and gigging anywhere that would take him, BA hit it’s stride with the release of debut EP ‘Bosun’. The grimy trumpet laden house jam pricked the ears of tastemakers RUFUS, and was eventually signed to Sweat It Out in early 2014. It enjoyed regular plays on triple J, and also mad support from Yolanda Be Cool, Tommy Trash, Tommie Sunshine, Motez, Dom Dolla, Sinden, Beni, KLP, The Aston Shuffle, and Zombie Disco Squad to name a few.

Their follow up single 'Gorgan' debuted at #26 in the Aria Charts with support from AC Slater, Playmode, Golden Features, Danny T, Hey Sam, Go Freek, Mike Metro, Wongo & more. Tocadisco included it in his ‘Tocacabana’ radio show
And Golden Features dropped it in his closing set at Beyond The Valley festival 2014.

Boot Action is well and truly here. The only thing that will stop this gentlemen from turning up at your local watering hole and blowing the roof off is if the Kingswood breaks down, or customs takes his USB’s again … It’s said they were allegedly bomb checked in Sydney and confiscation was a matter of public safety.

The multiple Grammy-winning catalog division of Sony Music Entertainment.

Jacob Aedam invites the narrative. 

The Melbourne based electronic/avant-garde musician, DJ & visual artist known for the birth of the ‘Who Shot Bill?’ universe, turns narrative based concepts into sonic landscapes.

Jimi Crisp is following