Works for String Trio, Woodwinds and Percussion

Suites for Chamber Ensemble No. 4, 5, 6, 7

Suite for Chamber Ensemble No. 6

Music supporter for underrated talented artists
I am not weird, I am just neurodivergent person...

Based on collaborative song writing in the early 80s and a few studio projects over the years. We are reunited to create new projects after taken a longer break.

Update:
In the summer of 2022, my dear old friend Mick and longtime musical companion died of cancer.

I have agreed with him that I will continue to run our site in his spirit. Our amazing, unique music will live on forever.

Morten Jeamland 
July 2, 2022





Hey hey, my my
Rock and roll can never die
There′s more to the picture
Than meets the eye.
Hey hey, my my.*

*By Neil Young


Mick loved listening to Rory Gallagher, Ten Years After, David Lindley, Neil Young and Alan Stivell.
He let this wonderful music flow into our songs. 
So we gave our music a new genre, which we called "Desert Psycho Fusion Blues Rock".


Updated May 17, 2023
Morten Jeamland


Mick Bolt:  vocals //rhythm guitar & lead guitar//furious slide guitar// 6- & 12- string acoustic guitar & keyboards


Morten Jeamland:  lead vocals & harmony & backing vocals//bass & double bass // keyboards//additional electric guitars//sitar//6- & 12- string acoustic guitar//drum programming// recording//mixing & mastering// producer//sound design//near field recording

Cover design by Jeamland & Bolt
©1982-2026 Jeamland Music Production


In deepest connection:
Child of Nature: @childofnature
The Forest Army: @theforestarmy
Amanitalinda: @amanitalinda
Heidi K: @heidijks
The Earth Love: @theearthlove
Jörg: @joerxworx
Martin: @m_ja
Morten: https://soundcloud.com/mortenjeamland

Thank you for visiting my SoundCloud page. Northfield Lenox creates computer / electronic music combining virtual instruments with samples from media archives, radio, and other field & audio recordings.

Please no offers for more followers, listeners or other advertising. I don't pay for advertising!

Please help support ALL types of new Classical music by following this page.  The greater the following the more exposure reposts of new music in the genre receive including any reposts of yours. There are very few if any pages  dedicated to reposting new classical music.  So please support the cause by following.

Once you FOLLOW this page, you can send a message of a track you would like to be added to this moderated Classical Music Repost.  This can be either your own work or a track of another composer you'd like reposted.  Upon acceptance, your track will be reposted.  Feel free to send additional tracks in the future too, but space sending them out by a few days or more.  Thank you  so much.

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

I teach in US higher education (in a STEM field) & am a hobbyist composer writing in a few different styles. I recommend headphones. All of my music is released under a Creative Commons Attribution/Noncommercial license.

My bandcamp page is getting out of date again, but some older albums there can be downloaded for free or for a name-your-own price donation.

If anyone wants to try performing any of this stuff on real instruments please send a message and I can provide scores. Not sure how playable some of it is for human musicians though.

Unsolicited messages asking me to listen to your latest song will lead to you being blocked unless if I know you well and we've interacted a lot.

Hope you enjoy and thanks for visiting!

In deepest connection:
Child of Nature: @childofnature
The Forest Army: @theforestarmy
Amanitalinda: @amanitalinda
Heidi K: @heidijks
Jeamland & Bolt: @jeamland-bolt
The Earth Love: @theearthlove
Jörg: @joerxworx
Martin: @m_ja

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

The soul that will always be misunderstood.

Our world is full of unfairness and I hate it, because I am noone... I am mental ill for others... and I cant change it...

I am only honest to people, but they don't wanna hear truth because it is pain.

Noone is perfect you need accept it.

DnB/remixes profile: https://soundcloud.com/patros15-vol-2
Drone/Impro profile: https://soundcloud.com/patros15-vol-3

repost season
________________
Aona | BLAWG

Suite for Chamber Ensemble No. 6

Jim Lynch