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For Le Visiteur bookings only: paul@theunityagency.co.uk

Le Visiteur Online celebrates the best Disco, House, Nu Disco & Boogie from across the globe. Music that spreads love and good times. Expect the hottest premiers, mixes and interviews with some of the hottest names on the scene.

Le Visiteur is a DJ, producer, blogger and in-flight content provider for British Airways.

He has had his music released by Midnight Riot, Hot Digits, Spirit Soul, Armada, Spinnin’, Chop Shop, Street King, Nite Grooves, Situationism, Hed Kandi and many more.

Along the way he has achieved multiple Top 10 hits on Beatport, Juno & Traxsource and millions of streams on Soundcloud and Spotify.

Love letters >>>> nazira.kassenova@gmail.com 

My child - @zvukalmaty

WOLS IS SLOW.

Booking Request
日本
wolsbooking@gmail.com

WORLDWIDE
STANDA 
email:anti@uclub.sk 




Releases on The Quietus Phonographic Corporation, One Eyed Jacks, Folding Spaces. Curators/Residents @SECT_LEEDS.

Contact us on chrononautz@gmail.com. Thanks x

Live From Earth, Berlin

Booking: pierre@reprisetalentagency.com

KAS:ST WORLD
-
Management: dave@milkhoneyla.com
Booking EU / ASIA / AUS: nick.cave@teamwass.com

THE ACID QUEEN
Saskia Slegers, better known as Miss Djax, or as many say 'The Acid Queen', is living proof that age doesn't necessarily always brings peace. For more then 35 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive sounds. The ferocious releases on her Djax-Up-Beats label helped Chicago and Detroit sounds gain foothold in Europe, as Djax Records was one of the first European labels to put out techno in the early nineties.

Miss Djax started her DJ career at the age of sixteen. Her musical roots can be traced back to disco, funk and new wave. At the age of eighteen she formed the band 'B-System', a new wave band in which she played the bass guitar. 
Having worked in record shops for many years, Saskia met a large number of promising artists whose music never got released because, according to the Dutch record-companies, it was "not commercial" enough. That triggered her to start her own label and in 1989 Djax Records was founded. 

Miss Djax had her international breakthrough when she played at the notorious MayDay rave in Berlin 1992. One year later Germany's leading dance magazine Frontpage declared her 'DJ of the year'. In the following years her name was always in the international top 10 rankings. 
In that same year (1992) Saskia went on a 2 week trip to Chicago and Detroit to meet her favourite producers in person and to see with her own eyes were it all had started. 

Four years in a row, from 1995 to 1998 she took part in one of the major techno happenings: The Love Parade in Berlin. In 1998 Djax even had the privilege to start at pole position! Many people will remember the 20-metres long red/silver Djax-Up-Beats rocket with 20.000 watt of acidtechno terror on board! Miss Djax also played two times, in 1996 and 1998, at the Love Parade end manifestation at the Victory Tower in front of millions of people. 

Besides the worldwide respected releases on Djax-Up-Beats, Djax Records is also known for being the first company to release Dutch spoken rap-music, later called Nederhop. In 1991 Saskia discovered The Osdorp Posse that soon became the most popular rap-band of the Netherlands! In 1995 they won the Dutch Popprijs for being the most innovative Dutch band! Also ABN and Spookrijders were two of Djax’s successful nederhop bands. 

Not only the music but also the looks of Djax Records have always been important to Saskia. Since 1991 she is working with Alan Oldham, the famous illustrator from Detroit. Till today Alan made hundreds of beautiful illustrations and five Miss Djax comics for Djax-Up-Beats. Saskia also worked with  Zender and the famous American illustrator Ed Repka, who is well known for his Megadeth album covers.

AWARDS:

1992 – Position 1 best record label (Frontpage Magazine Germany)
1992 – Position 4 best new talent (Frontpage Magazine Germany)
1992 – DJ of the year (Frontpage Magazine Germany)
1993 – Position 3 best international DJ (Frontpage Magazine Germany)
1993 – Position 3 best record label (Frontpage Magazine Germany)
1994 – Position 1 best international record label (Frontpage Magazine Germany)
1994 – Top 10 position best international DJ (Frontpage Magazine Germany)
1995 – Position 13 best DJ (Raveline Magazine Germany)
1995 – Top 10 position best record label (Raveline Magazine Germany)
1997 – Position 6 best international DJ (Tendance Magazine Germany)
1997 – Best record label (Silver Star Award Holland)
1998 – Best record label (Silver Star Award Holland)
1998 – De Veer Award (Holland)
2009 – Gold record for 1.3 million records sold by Djax Records
2009 – Gold record for 40.000 albums sold of Afslag Osdorp

Luis Flores's Upcoming Gigs
Sat 14 May, 16 
Trommel, District , Liverpool, United Kingdom

Powered by GigaTools

Sound> Classifying Flores’s sound is a difficult feat, and that is precisely the  point. His personality and experience are present in every track he produces, resulting in a dark, groove driven sound. Luis’s interaction with the machine becomes the listeners’ interaction with auditory landscapes of eeriness, altered states and paranoia. A minimal use of elements results in a rich spectrum of textures and a dark and trippy dance floor pull. Live shows, improvisational in nature, can last anywhere from 2- 5 hours, resulting in a hypnotic exploration of the possibilities of electronic production.

Bio> In the more than 17 years he has been producing electronic music, Luis Flores has not only made a name for himself but has been at the forefront of a movement that made the city of Guadalajara, Mexico, a hot spot for electronic music production and events. At the center of this movement was Nopal Beat Records, a label he ran from 1998 to 2006. At the same time, he also worked with the city’s cultural bureau to produce a string of massive, free public events that could bring electronic music to a wider group of people and provided a stage for local producers.

In 2007, he returned to the studio focused once again in his techno roots which quickly yielded results like his enduring relationship with L.A.’s Droid Behavior or the demand for his live shows.

In 2009 the release of the “Damage” EP on Droid Recordings, established Flores as an international artist with its immediate success, making the charts of artists such as Speedy J, The Detroit Grand Pubbahs and Chris Liebing’s Best 10 of 2009. In 2010, Dietrich Schoenemann’s Hidden Agenda released “Pain + Prosthetics”, an EP which among other things includes a collaboration with Canadian: Vitamins 4 U.

Flores published “Love Your Machine” under the German imprint Micro.Fon the following year. Further exploring the audiovisual aspect of his music, he created the video teaser for the single using J.G. Ballard’s “Crash” as reference and inspiration.

In 2012 he returned to Droid for the release of “New Flesh” which included remixes by label owner Drumcell and CLR’s Brian Sanhaji. This year was also marked by people's interest in his sound with remix requests for legendary names like Jam n Spoon and The Advent.

2013 began with his first collaboration with Berlin based producer Material Object and the release of the “Crowd Control” EP under the Impact Unit moniker for the French label Silent Steps and in 2014 he released “Rituals of Submission” on Detroit’s Blank Code, “Test Pattern” EP in the Spring for CLR and the “Metal” remix for Black Asteroid under EDLX.

He began 2015 with the the release of “43” on Alex Bau’s Credo compilation and with his 3rd release for Droid Recordings, the “Static Forces” EP.

Luis has represented México at the Meet in Beijing, ADE in Amsterdam, Borderline Festival in China, Brussels BEMF, among others.

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