Pin Pisk

Core Alter - m-Realizable

3OP001

Releases September 10, 2021

Written and Performed by Steve Baxter and Elliott Watson
Mastered by Nil Hartman
Artwork by Andrew Bates

https://threeop.bandcamp.com/
https://corealter.bandcamp.com/

m-REalizable

m-Realizable

Core Alter - m-Realizable (3OP001)

grožis pelenais nueinantis

Pálido fuego (2020)
for bass clarinet and electronics

Griselda Giannini, bass clarinet

Live recording

Pálido fuego (2020) bass clarinet and electronics

A musical work themed around the formative landscapes experienced by Kenta Kamiyama.
What influences the interplay of inner and outer light and shadow?

This piece weaves the gentle tone and expressive qualities of the acoustic guitar into the realms of soundscape and ambient music, resulting in a work that is experimental yet universal, peaceful in its essence.

The tracks are divided between guitar-centered compositions and more overtly ambient pieces, each carrying traces of earlier works.
In addition, vocal tracks such as Utopia contribute to the pop sensibility of the album, allowing listeners to envision scenes of Home through both sound and lyrics.

The seemingly modest life of a single human being is, unexpectedly, full of color.

The Sky Is Not Far

OM 52 GATES AND VARIATIONS LP OUT NOW

Open Mouth
http://openmouthrecords.blogspot.com

US distro
http://www.forcedexposure.com/Catalog/meginsky-jake-gates-and-variations-lp/OM.052LP.html

EU
http://www.metamkine.com/?monnouveaute=1



Jake Meginsky
Gates and Variations
Open Mouth LP
OM52

Gates and Variations rounds out a loose trilogy of records by Jake Meginsky for Open Mouth. Not an intended trilogy on Jakes part but it has become one to my mind. It has come to be how I listen to them and experience them, all informing each other, echoing and challenging each other and growing into each others space and light like a garden of plants that would never actually coexist anywhere in reality. Jake is always tirelessly reaching for something new yet I'd avoid using the word progression here. It instead feels to me like the last piece of a puzzle, or of a world created by some Jack Kirby demigod. Something has been completed and now all the pieces are interchangeable. The first can go last. The middle can be first. The whole thing becoming a universe looping in on itself with a multitude of entry points and not a lot of exits. These are dense environments where sections can move from microscopic to macroscopic, day to night and back again,  so effortlessly that its hard to tell if its intended or if something imperceptible within  you shifted the locus of yr perception. But it is all very intentional, something carefully carved to give the feeling of something, though unfamiliar and strange, organic and grown. Theres a sense of danger here like warning transmissions, concussive roiling rhythms and jagged disturbances. Yet also clear straight lines giving way to enveloping curve and staggering beauty. Supplant the beginning with the end with the beginning 

Bill Nace
Philadelphia, PA
September 2017

Gates and Variations OM 52 LP - Third Gate _ Track 4 Side A

"George Chua’s “Evidence of Things Not Seen” has personally been a favorite album of mine for about a decade. In 2006 the title was self released by the Singapore based artist on a limited run of CDR’s and made available for direct download on his website, which is how I obtained it. I remember there was something immediately unique about the 4 pieces; specifically off the first take “Gloria”, that it felt more like the document of a living organism, rather than a piece of music. As you accrue more listens of course your pattern recognition starts to formulate and separate the musical signatures; but the piece still maintains that effervescent living form that moves without you but wills you to follow it. This past year I felt compelled to link friends into the album, however, I couldn't find any digital copy online, and moreover hardly any information on it. This startled me a bit and I got to work- By way of Social Media I was able to get in contact with George (Thanks to friends at Kitchen Label) and he happily agreed to present the album digitally with Anòmia, thus making it accessible to those who missed it the first time around." 
—David Sutton 

More info: anomia.info

Recorded between 2003–2004 using the Plogue Bidule software.

Evidence Of Things Not Seen

ANM043 George Chua — Gloria

https://vaagner.bandcamp.com/album/life-in-a-shell

Time exposed (VAK17 - Life In A Shell)

Sous Le Ciel Énorme

All new work by London-based artist Robbie Judkins (Left Hand Cuts off the Right), created on keyboard, zither, field recordings, synthesizer, khene, electric guitar and effects. 

"Being classed as a key worker yet not feeling like one is a strange position to be in. Neither working for the NHS, caring for others, being a shop worker, ensuring safe transport nor providing an essential public service; yet remaining at work during this pandemic has filled me with worry, guilt, anxiety and some stability. These compositions and sketches bring together audio documents created during this time with a yearning for quiet despite a fascination with unavoidable noise." - Robbie Judkins

TR063 - Left Hand Cuts off the Right - 'Awareness Of Failure'

A contemplative aural journey across the stillness and massive scale of the landscapes of northern Iceland, as captured in Peter Hutton’s painterly film ‘Skagafjörður’. 

Numbered edition of 90 copies with download coupon. 
Inlay offset printed in silver.

Andrew Chalk & Timo Van Luijk – Skagafjörður

OM 52 GATES AND VARIATIONS LP OUT NOW

Open Mouth
openmouthrecords.blogspot.com

US distro
www.forcedexposure.com/Catalog/megin…OM.052LP.html

Seven Psychotropic Sinewave Palindromes  
order here: 
https://nnatapes.bandcamp.com/album/nna088-jake-meginsky-seven-psychotropic-sinewave-palindromes
https://boomkat.com/products/seven-psychotropic-sinewave-palindromes



jmeginsky-at-gmail.com
https://www.facebook.com/jake.meginsky



https://twitter.com/jakemessmeg