I am an independent scholar living in Pittsburgh. I write about the history of emergence as a concept; about competing models of time and the ideological, aesthetic, social and political stakes of dominance and resistance, as well as the scientific and theological origins of fascism; embodied and distributed cognition and the arts, particularly the work of Marcel Duchamp, Kiki Smith, the dance troup Pilobolus, the architecture of Arakawa and Gins, and jazz performance; and about the agency of metaphor in trans-disciplinary inquiry. Some of the writers, artists, musicians, scientists and philosophers I have written about include Ezra Pound, Wallace Stevens, Thomas Pynchon and Phillip K. Dick, Samuel Beckett, Sam Shepard; Marcel Duchamp, Joseph Beuys, Robert Smithson, Kiki Smith, Arakawa and Gins; John Cage, Charlie Parker, Miles Davis, John Coltrane, Ornette Coleman, Dave Holland; Henri Bergson, Henri Poincare, Sigmund Freud, Mikhail Bakhtin, Walter Benjamin, Merleau-Ponty, Albert Einstein and John Wheeler, Richard Feynman, Ilya Prigogine, Henri Atlan, Humberto Maturana and Francisco Varela, Edwin Hutchins, Jean Petitot, Gilles Deleuze and Felix Guattari. I also play jazz guitar, and have written numerous jazz compositions, and have begun performing again in the Pittsburgh area, a jazz town, rich and deep in history and talent.

A good place to start if you are interested in my research is:
https://thenewcentre.academia.edu/MartinERosenberg

I have had a sideline in Hypermedia, HCI and Interaction-Design. You can see a list of these publications as well as my bio at this Danish Encyclopedia of Interactive Design and HCI:
http://www.interaction-design.org/references/authors/martin_e__rosenberg.html
two of which have been translated (Spanish: https://www.ucm.es/info/especulo/numero8/landowte.htm)
and Portuguese: (http://unesdoc.unesco.org/images/0012/001297/129707por.pdf).

I recently published Part One of a projected book entitled _Jazz and Emergence_, which examines the interior experiences within AND amongst jazz musicians improvising, in the scholarly journal _INFLEXIONS_ (http://www.senselab.ca/inflexions/volume_4/n4_rosenberghtml.html). Part Two is close to completion.

With Jondi Keane of Griffith University, Brisbane AU, I co-directed the first completely digital global humanities conference-- AG3-Online: The Third International Arakawa and Gins: Architecture and Philosophy Conference -- which ran from March 12-26, 2010 with concluding celebrations at Barnard College April 30, and at The Solomon Guggenheim Museum, May 1, where I gave the inaugural keynote. 

These tracks represent my first attempts to record, after quitting jazz for thirty years.  I wrote this arrangement of My Funny Valentine, as an homage to the Bill Evans and Jim Hall recording on the album _Undercurrents_, and was lucky to have friend and teacher Eric Susoeff perform the second guitar part.  Nothing fancy, just two mikes, with some balance mixing by my friend bassist Mark Perna, so think of this recording as a snapshot of where  I am in the process of getting back up to speed.  I'm quite happy about the arrangement, although the execution less so--although Eric sounds, as usual, wonderful!  

This second track, my arrangement of Steve Swallow's masterpiece "Falling Grace," was recorded this March, also with Pittsburgh guitarist Eric Susoeff, the first of nine new tracks for a projected jazz duet album that should be done in the next few months.  Thanks for listening!

Solomon Douglas is a jazz pianist and bandleader.  His ten-piece orchestra, the Solomon Douglas Swingtet, has released four CDs: "Swingmatism" (2006), "Live at the Legion" (2009), "Ain't No School Like the Old School" (2011), and "Soul Serenade" (2012).

Jeff Kirschenbaum is following