Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Singer, songwriter, and freestyle artist from NYC.

alice.km trusts her instincts. In truth, the nascent DJ, producer, and songwriter has never done anything but. Her instincts got her started on the decks, defined her ethereal production style, and guided her all around the world doing what has only ever felt like a need: playing music. 

In 2016, her instincts led her to her first DJ gig in Brooklyn, New York, and not long after, she was playing at major venues in NYC like Elsewhere and The Rosewood Theater. She then began organizing her own tours of the West Coast of the United States, stopping in at legendary spaces like Avalon Hollywood and celebrated festivals like Dusk Music Festival. She’s also spread her wings internationally, being featured on two prominent London radio stations: Netil Radio and BMC Radio.

Now her instincts have brought alice.km to her current home of Phoenix, Arizona, where she is slowly but surely taking over the scene. In her present city, she has supported revered artists and parties like Anjunadeep’s Simon Doty and Drumcode’s Phoenix takeover, and she’s been selected to play at major events like June Jam Music and Art Festival. 

Having only started producing in 2020 when the pandemic closed all events, she’s now signed to labels like Fantastic Voyage, Circus Recordings, Lady of the House, and Delusional Records, crafting her unique sound that paints pictures as well as it induces dance moves

bookings/inquiries: management@alicekmmusic.com

Soundscapes with a tale twist.

Bookings:
Fabula.sounds@gmail.com

ASMR & Massage.  I have a passion for ASMR, what started as a desire to make massage video's turning into me making ASMR video's for you all.

My name is Dmitri, i live on the Gold Coast, Queensland Australia. I have a amateur back ground in working behind the camera and video editing, combine that with working in IT, mix a little audio recording knowledge & love for ASMR.  That is ME
I try to bring a studio quality to my video matched with my passion and energy to help you relax.

www.massageasmr.com
www.soundcloud.com/massageasmr/

Live ASMR Video 

Common Equipment list:
Video: Panasonic HMC152EN Pal (American NTSC Version of the camera is the HMC-150)
Microphones: 2 x Rode NTG-3 Microphones Recorded in Stereo
Microphones: 2 x Rode NT5 Microphones Recorded in Stereo with Modified MJE-384K Cardioid Capsules from Michael Jolly 
New Audio Recording - Tascam UH-7000 Mic Preamp and USB Sound Device connected to Modified Silent Laptop
Old Recorder: Zoom H4N



Cylo is known for his track selection, thumping bass-lines, and crisp technique with a signature minimal flavor that keeps the dance floor pumping. Whether playing Techno or tech house you are sure to hear big drops.

More info at:
http://sonoremusic.com
http://massivegroove.com
http://djcylo.com
Cheers!

Discothèque Decadence
The Home of House, Funk, Disco & Dance.

Step into a world of groove-heavy rhythms and uplifting beats.
Curated by DJ The Funk Assassin — delivering the finest new releases, timeless classics, and killer remixes every week.

For bookings & enquiries:
thefunkassassin@gmail.com

Follow for pure Discothèque Decadence.
Have Funk!

jmldalton is following