Name: saxophone babble & mini dschembe / meditative by joerxworx
Duration: 9 min 55 s
Description: ... a 10 minute sax jam & fun drumming on a really little dschembe (7,5 inches) that, by the way is not as nice as the one on the photo by Paul Zoetemeijer / unsplash ... The piece can be played well in the background, whoever you like it ;-)

Schön entspannter groove...nice electronic Sounds 👌🎶🎵🎷

Ach Jörg, man MUß einfach mit❗️wundervoll! wieder! <3

beautiful saxophone playing Jörg...wonderful and smooth..like it..!!

Sweet & Warm Meditation with those Enchanting Sounds...

Small electronic pieces for fragile souls

Roger on the horizon

... a 10 minute sax jam & fun drumming on a really little dschembe (7,5 inches) that, by the way is not as nice as the one on the photo by Paul Zoetemeijer / unsplash ... The piece can be played well in the background, whoever you like it ;-)

saxophone babble & mini dschembe / meditative

https://northfieldlenox898138798.wordpress.com/

Music to listen to while wandering through an airport; they seem to have a unique atmosphere, perhaps contributed to by the equalization of all people into 'travelers'. Unique also in cases where you may frequent a specific hub over a period of time, perhaps a lounge inside it, maybe even those who work there, that space can become a familiar and comfortable atmosphere within a city you may never step foot in.

Flight NL667

fragile

variations on https://soundcloud.com/enigmacurry/control-plane-open-collab

(Control Plane) Latency Burst Order Prefetch

Feeling Depresso (Have An Espresso)

Life's Railway To Heaven / Shall We Gather At The River / When The Roll Is Called Up Yonder / This Little Light Of Mine

American Songs of Praise Medley - A hommage [cover/version]

Original track, words and music by Rob Wiles.
A sparse, melancholy number about a difficult break up.
Some excellent production twiddles added from Russ Sinfield of the Chaos Cookhouse.

Better not bitter

At Sixes And Sevens had several revisions. Originally, the opening of the piece was in 6/4 and the remainder of the song was in 7/4 (thus the title) but i didn't like the 6/4 feel. I decided to stay in 7/4 for the entire song (pretty much).

At Sixes And Sevens

Djaa 2

Recorded live at Senso220 / CSW Solvay / Kraków 
Marzena Majcher / vocal, interactive exformer, synthesizers
Andrzej Wojciechowski / live electronics, sampler
Irwin Wojciechowski / bass guitar

TransMission 1

⚡️ 563.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

saxophone babble & mini dschembe / meditative

joerxworx

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