Superb composition instrumental, bravo Jörg !

Such a pleasure to listen to this one! :)

This track is groovy‼️ Great work👏👏

Awesome collab and performances, superb sound and production!!!

Gorgeous Song-- love the tasty eastern licks and the interesting complexity of this song--really nice tune!!

The DRUMAX PROJECT Present Track 46 // Water and plants, a precious legacy ...
@joerxworx > Composition, Instruments, Arrangement, EWI solos, Mix
@docfritz > Rhythm Design, Fabulous Drums, Percussion & Artwork
© 2024 by joerxworx and docfritz / DRUMAX PROJECT

DRUMAX No. 46 // DESERT PLANET

Music and lyrics: Jose Miguel Millán
Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB
Guitar: Neno J.
For more Neno J please check : on.soundcloud.com/YvYZi

CHORUS
You put 
You put me on a pedestal
And how 
How hard 
How hard was the fall 

VERSE 1
You saw me when 
I had the view 
lost in the 
infinite 
And when you tried 
Tried to take me 
take me back 
was a feat 
Infinite, couldn’t hear, I kept lost on the stars. 

VERSE 2
Trying to get back 
what I never had 
lost my self 
desert land 
I try to cling 
Cling to your voice
But the wind 
dissolved it
But the wind
Dissolved it into a 
thousand notes. 

VERSE 3
Look at that bird 
Flying away 
With fast flap 
flapping wings
You should watch twice 
Twice and hard 
To believe
It was me
It was me, must watch hard
Flapping wings
Flying away. 

ENDING
Never look in to the dreamer’s eye
Never look , but, but you do.

How Hard Was The Fall (with DelhyA and Neno J)

Project RESIDUE (Lazy Eye)

Album My Strange Night Stories
nowyyorg 2024

Why Always Me ?

Astrarium

To Higher Ground

When I heard the truth,
I began to shake
My legs gave way,
all I could do
was tremble and wait
Now I stand,
unafraid and awake
Waiting for
the day of the Lord

If trees don’t bloom,
no fruit on the vine,
crops disappear,
and there is no wine
Flocks are cut off,
herds gone from their stalls
What shall we do
when we’ve lost it all?

I will thank the Lord, He saves,
giving me the strength to carry on
Making my feet swift as deer,
To higher ground He leads on

The Lord is in 
His holy place
Let all the earth 
seek His holy face
For all the earth
filled with glory be,
as the waters
cover the sea

I will thank the Lord, He saves,
giving me the strength to carry on
Making my feet swift as deer,
to higher ground He leads on

If anyone wishes to come after Him, 
deny the self, take up the cross and follow Him. 
For whoever wishes to save their life will lose it;
But whoever loses their life for His sake will find it. 

For what does it profit to gain the whole world and
lose your soul? Or what will you give in exchange
for your soul?

For the Son of Man is going to come in the glory
of His Father with His angels, and will then repay 
every one according to their deeds

To Higher Ground

Music, Mix and Mastering: Karin-Maria Brunner                                                                                 Vocals & Lyrics: Janne Hennie

The full album is out now, and you can hear it on all platforms .. Spotify,  YouTube etc.  
@Karin-Maria Brunner    

Thanks to Karin-Maria Brunner for a fantastic job with this!
😊

Not Only Grey

Nouvelle composition au piano intitulée Forêt d'Automne.

Forêt d'Automne

Forêt D'Automne

CAST OF CHARACTERS:

Llanpsych-- @llanpsych -- Tez – Initial composition/seed idea, foundational acoustic and electric guitars, distorted electric guitar
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric rhythm guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began as a haunting guitar chord progression that Tez came up with and shared with the rest of us. He also did an additional accoustic accompaniment and that crunchy distorted guitar once some of us started adding parts. Ken was first up, adding his reggae-tinged drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark then came up with some dark lyrics and added his unique, Tom Waitsian vocals. He also added the high organ during the banjo solo, followed by a toy piano which you can faintly hear right after the solo. Also for the solo he created a clanky percussion arrangement, blending in elements from Ken's percussion sound too. Stephen followed shortly after with the atmospheric reggae-style guitar chords, and also came up with the amazing banjo solo you hear around the middle. Last, but not least, JJ came in with his trademark organ sound and paired up a piano and flute track to seal the deal with some melodic ambience. Then he and Mark added the cool creaking door & rain storm effects that open and close the song, and in other spots. Mark filled the main production duties on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team. Both Ken & Stephen provided a choice of mastering options to choose from… a nice gesture to put a bow on this one. 
This song is an homage of sorts to the great Tom Waits - we're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
ORIGINAL LYRICS BY MISTERMARK:

I got something hidden in my closet 
that I don’t want you to see 
a little like a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hangin’ it there since I don’t know when
and I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
and the hand bone’s connected to me
and every day my secret’s gettin’ bigger
soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
and it’s bound to incriminate me

Well now some might call it a skeleton 
like a raincoat filled with bones
see I been hiding it there since I don’t know when
and I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Cast of Characters:


Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective


This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones  (Eclectic Collective)

Brume

Thanks so much for 475K plays since 2013 !!!*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ recommended: https://www.oesj.eu/
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
Jörg S. born in Cologne, from youth on, was fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations.

*32K before 2016

DRUMAX No. 46 // DESERT PLANET

joerxworx

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