Instrumental: zzspicezz https://on.soundcloud.com/jMvvXMT5cA4zYKXx6
Lyrics and vocals: DelhyA


J’ai pas voulu entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu attendre qu’il gagne au fond de moi 
J’ai pas voulu l’ entendre, j’ai pas voulu l’recevoir.

Bébé du fond de moi, j’ai pas voulu l’recevoir 
J’ai pas voulu entendre, j’ai pas voulu l’ recevoir 
Tu sais qu’au fond de moi, j’ai pas voulu l’recevoir
J’ai pas voulu comprendre, j’ai pas voulu recevoir 

J’ai pas voulu d un présent que j’n’méritais pas
Même si t’étais un ange tombé des cieux pour moi
D une autre histoire qui tomberait à l’eau. De là
J’ai pas voulu entendre, j’ai pas voulu recevoir

J’ai pas voulu entendre, j ai pas voulu recevoir 

J’ai pas voulu l’entendre depuis le fond de moi
J’ai pas voulu comprendre ce p’tit “je ne sais quoi”
J’ai pas voulu l’attendre 
J’ai pas voulu entendre, j’ai pas voulu recevoir.

J’ai pas voulu entendre, j’ai pas voulu recevoir 

J’ai pas voulu mais mes deux bras s’ouvraient déjà 
Mon coeur battait si fort, mes yeux ne voyaient pas 
Que si l’esprit résiste, je m’envolais déjà 
J’ai pas voulu entendre, j’ ai pas voulu recevoir 

Je n’ai jamais voulu voir
Que parmi mes fêlures, 
Ta lumière passait déjà…..


                                  I didn’t want 

I didn't want to hear from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for him to win inside me 
I didn't want to hear it, I didn't want to receive it

Baby deep inside me, I didn't want to receive it 
I didn't want to hear, I didn't want to receive it
You know that deep down, I didn't want to receive it 
I didn't want to understand, I didn't want to receive 

I didn't want a present that I didn't deserve 
Even if you were an angel fallen from heaven for me 
Another story that would fall apart. From this 
I didn't want to hear, I didn't want to receive 
I didn't want to hear, I didn't want to receive 

I didn't want to hear it from deep inside me 
I didn’t want to understand this little “I don’t know what” 
I didn't want to wait for it
I didn't want to hear, I didn't want to receive
I didn't want to hear, I didn't want to receive 

I didn't want to but my two arms were already opening 
my heart was beating so hard, my eyes couldn't see 
That if the spirit resists, I was already flying away 
I didn't want to hear, I didn't want to receive 

I never wanted to see 
That among my cracks, 
your light was already shining…..

J'ai Pas Voulu (with zzspicezz🇸🇪)

Composition : Thierry Mfe
Mixage : Guillaume Gaudioso
Mode : 
Time Signature : 5/8  6/8

Jango

Goombah Jam

The DRUMAX PROJECT Present Track 48 // ... about special relativity .... ;-)
@joerxworx > Composition, Instruments, Arrangement, Tenorsaxophone, Mix
@docfritz > Rhythm Design, brilliant Drums & Percussion
© 2024 by joerxworx and docfritz / DRUMAX PROJECT

Drumax No 48 CONTINUUM

Semantique Danielou - DISCOVER THIS INSTRUMENT:
www.semantic-danielou.com/fr/ -🇫🇷🇬🇧

Recording sessions from 03/04/2024 - 13/04/2024.
MOOG Modular V3 (vst Arturia),
Sémantic Daniélou-53 (vst-UVI-Microtonal Instrument),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

Moog & Semantic_2

Moog & Semantic 2 - ❤️🕊️🙏

Annomally.

Written by the super talented Gaz Brownie, and produced by the amazing Mike Fox..
This is the follow up to "Marry Me in Vegas"..  Gaz and Mike once again invited me along on this gorgeous journey to continue the story..  Gaz gives an Outstanding performance and his voice just brings that emotion across which in turn allowed me to do the same..   I'm so thrilled I could once again collaborate with these two extraordinary gentleman.   Mike Fox did his magic in production and instrumentation and brought it all together..   We hope you enjoy this as much as we did making it..   

Copyright Fox Brownie 2024
Vocal Copyright Nat Daniels 2024 - Gentle Rain Records
Lyrics:

I can’t believe you're back in the city 
We called our own..
You wouldn’t recognise my number 
When I was calling,  calling on your phone
You said I’m sorry it’s been too long now 
And too many stones thrown 
I changed my number then picked another 
It was a stagecoach to Basingstoke 

Chorus 
So if you wanna get into 
Some real….Real good trouble 
And leave our past behind
Then I’m ready & primed
For real good trouble 
For real good trouble….. Every Time! 

(Every time.. oh baby baby baby... every time!)

2nd Verse
So after Vegas I needed to leave 
I should've worn my heart on my sleeve
Every minute of everyday 
I thought of you and what to say 
I got a job found a place 
And for a while I was the new face.. 
All the great moments that got us through 
Were never the same without You! 

Chorus 
So if you wanna, get into
Some real…. Real good trouble 
And leave our past behind 
Then I’m ready & primed
For real good trouble 
For real good trouble … Every Time!

Every time.. oh baby baby baby... every time..
Real good trouble... 
Real good trouble... 
Real good trouble... 
Every time.. Every time!

Real Good Trouble

my past work (remaster version)
Thank you for listening.

NINJA Lair (remaster)

Xpressive (2017) Anthology CD1 Track 08

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:

1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …

2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity

ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart

3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality

ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart

out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many-Eclectic Collective

Tab Open

⚡️ 579.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016