This piano work aims to reflect the sensations and emotions experienced on a short trip to Lisbon. The narrow and steep streets, trams, viewpoints and bridges of this city inspired me to create this piece of music.

This marvelous photograph was taken by Lisa Fotios and belongs to his Pexels book.

As I Write These Lines

This is actually the third version of the song. I felt the original idea I’d roughed out with the keyboard and computer could be more interesting. So I reworked the whole track again (twice) adding several ‘hooks’. These were some vocal ‘stabs’, some keyboard/synth riffs as well as writing ( what I hope ) is a more interesting bass line. I beefed up the drum section too. I hope the fun I had creating it is reflected in the overall vibe of the track. Having said all this, the question is: did it actually work? 


Get Up

This track inspired by a Hike with friends of time to the the summit of Rondetslottet in Rondane Nationalpark in Norway. It was October 2022 and we were surprised by snowfall. No losses on the way up and down fortunately. Why post a winter song in the summer? Don't ask me, I am nuts... ;-) 
PS: so nuts that I forgot about our friends down under! Happy winter season, Steve and al. 🥶😎

Published on Soundcloud 12.07.2025

Winter Snow

DRUMAX No. 67 // LEANED BACK // Lean Back And Enjoy
@docfritz // All Musical Stuff, Drums & Percussion, Cover, Mix & Production
@joerxworx // Alto Saxophone
© 2025 | DRUMAX PROJECT | All Rights Reserved

DRUMAX No. 67 // LEANED BACK

i heard on the radio the other day that loneliness is the new epidemic.............peace and cheers for having a listen





                 Afterthought

well i don't really know what happened to us
but i could sure use a friend right now
cos all that we built is turning to dust
and there ain't no more how or why

so please don't say that you know what i'm going through
it's plain to see that you really wouldn't have a clue
i'm trying to appreciate, the little effort that you gone and made
but it saddens me that you need to pretend, when you can clearly see
that i'm at the end of my rope
that's ok, i was just trying to say
i need a friend

so don't give it a second thought
it never mattered much before
and if there was a page for all the mistakes we made
i'd fill a book or four, a volume that's for sure

so please don't say that you know what i'm going through
it's plain to see that you really don't have a clue
i'm trying to understand, things were good and now they're bad
and it saddens me that you need to pretend, when you can clearly see
that i'm at the end of my rope
that's ok, i was just trying to say
i need a friend

Afterthought

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – electric piano and synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar
This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members.  We couldn't feel more honored than to be the subjects of his wild and boundless creativity.
  Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, helping out with a bit of production editing, and dropping in a mad percussion solo using his VST timbale drums.
 Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added some sonically thickening electric piano, as well as the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end. 
  Once the recording was finished, we turned it over to Stephen to mix in his always professional manner. 
  This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Perfect Dark:
Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back sees very best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain (Eclectic Collective with The Beautiful Dark)

"our most beautiful love story"
image : suicideOmen
Merci du fond du coeur à Albert paule (chant) et à Monsieur Madeleine (guitare et chant) pour l'apport de leurs talents à la création de cette piste.

Notre plus belle histoire d'amour By Zitou Itou & Monsieur Madeleine & Albert Paule

Carl from the Beautiful dark wrote a song today titled "Baldy Patty" and  it inspired me to write my own personal a song about baldness.  I started to lose my hair in my early twenties, and for awhile it bothered me and then one day, I decided to shave my head and I have never looked back. And now so many years have passed that I have been bald longer than I had hair. 
***
Guitar (two strumming tracks) Taylor 114CE 
Organ (playing my midi keyboard using the Logic Pro Organ plug in)
Strings (playing my midi keyboard using Native Instruments strings)
Piano: EZ Keys 2 (Indie Pop (tweed))
Drums (EZ Drummer 3)
Bass (PG Music Midi track with sounds from Native instruments Rickenbacker)
***
My hair’s falling out and I don’t know what to do.
My hair’s falling out, and I’m singing this song to you.

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got on my toes, I’ve got hair on my chest.  
But the one place I want it, it keeps falling out.  
My hair’s falling out and I don’t know what to do.

I shaved my head until the top of my skull was shiny
And I know it’s counterintuitive but I’m no longer bald and whiny.
When you’re young, you assume that you’ll always have hair
And then when you start to lose it, you think it’s not fair
Sampson in the bible when he lost his hair, he became so weak
But that guy on the bottle of mister clean is definitely no geek

I’ve got hair on my fingers; I’ve got hair on my neck.  
I’ve got hair on my toes; I’ve got hair on my chest.  
But where it’s missing on the top of my head, I no longer care one bit.
Because now when it comes to baldness, I don’t give a shit

My Hair's Falling Out

Todas as vezes que amei
Todas as cores que pintei
Todas as chances que busquei
Todas as causas que ganhei

E é só você que me importa
Nem o ar profundo me leva tão a fundo
E é só você que me importa
Sob esse sol nascem flores e amores
Um caminho

Todas as vezes que eu chorei
Todas as vezes que meus sonhos foram apenas vindos
Todas as letras que lhe dei
Todas as frases formadas, juntos

E é só você que me importa
Nem o ar profundo me leva tão a fundo
E é só você que me importa
Sob esse sol nascem flores e amores
Um caminho

Vocais, letra e melodia: Gui Pagliari
Guitarras e arranjos: Silvério Simioni
Baixo: Jaime Bones
Bateria: Kassio Todescatt

Um Caminho

Morning Mindset by City Ritual is your perfect soundtrack to start the day with intention and positivity. This uplifting album blends soothing electronic melodies and energizing beats designed to inspire confidence, joy, and a refreshed outlook each morning. Let “Morning Mindset” guide you into a new day—embracing clarity, motivation, and a renewed sense of possibility as you rise and shine.

Success Is Yours

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📀📀📀📀📀📀📀📀📀📀📀📀📀📀📀

#lofi #boombap #ambient

summer city 1980! ep - mix of jazz & fusion samples from 1980's japan

sound design, production, mixing, & mastering via - stracct

samples are used

artwork - stracct

contact me if you are interested in using any of my beats/instrumentals for whatever reason.

one more time 1984! [stracct] [93bpm Eminor] [soundcloud exclusive]

⚡️ 567.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016